Can you have too much Alex Rider? As I’ve said before, we quite like him around these parts. Like so many other fast paced stories, Stormbreaker was made into a film. It was OK, though I’m not sure how well it did, as I’ve not come across any evidence that there are more films on the way.
I’ve just been road testing two graphic novels about Alex. Stormbreaker is exactly like the film, rather than the book. The changes made to the plot, etc, for the film are in the graphic novel as well. That’s not necessarily bad – just interesting. It probably made the job easier to take the film almost frame by frame.
Talking about taking – that’s what happened to the book once it got here. You’d think Daughter would have had enough with book and film, but oh, no. Alex Rider quietly disappeared off the kitchen table, and I only found him a week later. When I did, I carried him back downstairs, only to find him gone again (if you can say that). The Resident IT Consultant is not the type to read comics, so what was he doing with Alex? (Rumour has it that when he was six and got put on the train to Glasgow to visit his grandmother, he was given some money to buy the Beano, or equivalent. It appears that he was found with a copy of The Times.)
Point Blanc carries on in much the same vein, though as I have no film to compare it with, I don’t know how they decided to adapt it. One thing that feels a little wrong is that both Alex and Sabina look far too young. More like twelve than fourteen. But even the cynical witch found it quite addictive. That could be why this book also disappeared. I warned him that it was not to be taken out of my sight, so he read it standing right next to me. It could be that if he had read the Beano that time long ago, he wouldn’t have needed Alex Rider. On the other hand, the witch bought two comics regularly during her teens. No serious side effects.
Hey, I love comic books – good ones, anyway. The snappy dialogue that’s now a commonplace of the top US TV show exports? I reckon you can trace it back to Batman and Swamp Thing.
When you only have a square inch or less to express character, backstory, humour and plot, you must soon learn how to write good dialogue!