Category Archives: Film

Bookwitch bites #127

You know books? There is money in them. Sometimes, at least, and not only for author and publisher, although I’d wager Michael Morpurgo has made a reasonable sum from War Horse the book. Possibly more from the play and the film.

Michael Morpurgo at the Lowry

War Horse the play has just finished its second run at the Lowry, hopefully pleasing the 200,000 people who came to see it. But what’s more, it hasn’t merely earned money for Michael or the theatre. It has been estimated that Greater Manchester is better off by £15 million. And it’s pretty good that books can have such an effect.

For the last performance in Salford they had a Devon farmer as a Devon farmer extra.

Not a farmer, nor a twinkly old elf, is how Neil Gaiman doesn’t describe his friend Terry Pratchett in the Guardian this week. Terry is driven by rage, Neil claims, and I can sort of see where he’s coming from with that. I reckon Terry got pretty annoyed to hear me say that my local library service banned him from the under 16s. (Correction, it was their representative who did. Not the whole service. But still.) And any person with any decency would be furious about what’s wrong in this world. And luckily we have the non-twinkly Terry to write wonderful books about it.

Someone who scares me much more is Kevin Brooks. I know. He seems non-scary, but his books deal with people in circumstances I find hard to cope with. Kevin has just written a book for Barrington Stoke, to be published in January 2015, and it might be short, and it might be an easy read. But it’s also not an easy read, in that it deals with the hard reality for young, male, teenagers. A typical Brooks, in other words.

Barrington Stoke make books accessible to readers who would otherwise not read. Daniel Hahn was on the radio this week, talking for 13 and a half (his own description) minutes on the importance of translated books. They make books accessible to people who would otherwise not be able to read French or Finnish, or any other ‘outlandish’ language.

Daniel has also worked hard on the new Oxford Companion to Children’s Literature, to be published in March 2015. I’m looking forward to that, and hopefully this new companion will pave the way for a few more readers, too.

Whereas authors playing football will achieve exactly what? OK, let’s not be negative or anti-sports here. I did actually want to go and see the football match between English crime writers and their Scottish counterparts. It was part of Bloody Scotland last weekend, but unfortunately the match clashed with an event, and being lazy, I chose to sit down in-doors instead of standing on the side of a rectangle of grass watching grown men kick a ball around.

The winning Bloody Scotland football team - 2014

I understand the Scottish team won. Ian Rankin is looking triumphant, and I can see Craig Robertson, Christopher Brookmyre and Michael J Malone, plus some more people I don’t recognise in shorts.

Euro Noir

Wouldn’t it be nice to be an expert at lots of things? Except you can’t. There is a limit to how much you can delve into different areas of interest. And that’s when it’s good to have someone who does it for you.

Barry Forshaw knows a lot about crime (in the right sort of way). He is a Nordic crime specialist, but reads a wider diet than that. Here he is with his new Euro Noir, briefly outlining crime fiction and films in a number of European countries. I’m ashamed to admit I’d never considered whether there are Polish crime novels.

He wondered what I would make of the Nordic section, which is only right, since I know almost nothing about Romania or Greece when it comes to crime, or any fiction, now that I think of it. But if I did want to read something so drastically new, I now know where I would begin. With this book. And then one of the ones mentioned in here.

Barry Forshaw, Euro Noir

Barry is right to ponder how he can cover Nordic crime yet again and so briefly, but he has succeeded. There is a good selection of authors from a long time ago as well as now. And he does the same for the other Nordic countries. You might know a lot of it already, but I bet there will be something new for everyone.

And once you’ve covered the north, there is all the rest of Europe. If I were to tackle French crime I’d have to go to Fred Vargas. Barry very sensibly asked various specialists to write a page on what they like best, and my colleague Karen Meek likes Fred Vargas. That’s good enough for me.

There is a wide coverage of films, including some pretty ancient ones, and obviously the recent euro crime we’ve seen on television during the last few years. Again, you might know it all, but that doesn’t prevent this from being interesting to read.

Euro Noir is a short book, which will quickly tell you what you need to know.

Bloody Scotland 2014 programme

Am I allowed to have a favourite? OK, in that case I must admit I am really looking forward to hearing Sophie Hannah talk about ‘becoming’ Agatha Christie, writing the new Poirot.

The programme for this year’s Bloody Scotland – on my own home ground – is out and ready for your perusal, and for buying tickets. It’s another good one. Perhaps not filled with the best selling best sellers, but then that’s not what I feel Bloody Scotland should be about. It should be Scottish crime, and perhaps a little something else on the side. Like Sophie Hannah.

They are rolling out Ian Rankin again. Can’t have him every year – although, why not? – but I’m glad he’s back. My new ‘neighbour’ Craig Robertson is obviously doing his bit, and so is sheep farmer James Oswald, who debuted so well last year by pretending to be Eoin Colfer. He will have had his fourth McLean novel published by the time September arrives. (Slow down!) James will appear with Alexandra Sokoloff and Gordon Brown. Probably not that Gordon Brown, but the other one.

Well, you can read for yourself. You don’t need me to list the whole weekend. They have a new hotel venue in the Hotel Colessio, which isn’t even open yet (and I’d not heard of it). Otherwise they are mostly in the Albert Halls, and at the  Stirling Highland Hotel, when they’re not making crime writers play football against each other. I mean, honestly! (Scotland will win.)

There will be a surprise cinema event at the Old Town Jail (don’t go, whatever you do! They get up to funny stuff in that jail…), as well as the traditional dinner where you eat with people who live off crime.

Sounds like an OK kind of weekend, actually.

Bookwitch bites #120

Bah, rubbish! And I mean google and unresponsive websites. I went looking for the link to Peter Dickinson’s essay A Defence of Rubbish and found nothing. I understand the origin is a talk from 1970, but I read about it not long ago. Unfortunately, as this rubbish stands, I can offer no link.* Sorry.

I was reminded of this when I came across another – not quite so old – piece on reading rubbish, by Clémentine Beauvais on ABBA. I don’t know how I missed it, seeing as it stirred lots of feathers, and quite rightly so. Clémentine is against, but a lot of people believe in rubbish.

So do I, although there is good rubbish and bad rubbish. I’m probably most in favour of the better stuff.

John Connolly Edgar award by David Brown

Not rubbish at all is what I can say about John Connolly’s recent Edgar Award for Best Short Story for The Caxton Private Lending Library & Book Depository. (I’ve not read it, but I very much doubt he’d win anything if it was bad. Or that John would write bad stuff.) The photo of John and Edgar is pretty appalling, however. Could almost have been taken by me, but wasn’t.

More Irish excellence with the news that Eoin Colfer is the new Laureate na nOg, which I believe means he’s their Malorie Blackman. Congratulations to Eoin, and here’s to the great work he’s bound to do, for books and reading!

Someone who definitely gets young people reading is Liz Kessler, who recently reported that there is now a fantastic screenplay of her Emily Windsnap, written by a Hollywood-based producer and an amazing scriptwriter. As Liz points out, that’s still a long way from it becoming a film, but it’s a start. We’ll be waiting!

You don’t have to wait quite as long, and there’s more certainty, for the Borders Book Festival. The programme is out now, and the festival itself will happen in five weeks’ time. Who knows, I might even make it there this year. Bring on the famous Scottish sunshine!

*Below are two screen caps of parts of what Peter said:

Peter Dickinson, A Defence of Rubbish

Peter Dickinson, A Defence of Rubbish

Films from stories

Moving Stories

Don’t panic. If, like me, you haven’t yet got to the new exhibition on film at Seven Stories, you’ve got a whole year to to it. Which means we will probably all meet there some time just before April 2015, after eleven beautiful months of procrastination. At least that’s how I function; give me loads of time, and what do I do with it?

Exhibition opening 5

Moving_Stories_Damien_Wootten 68

Moving Stories, Children’s Books from Page to Screen, opened last week in Newcastle. It’s been co-curated with the National Media Museum in Bradford.

Moving_Stories_Damien_Wootten 31

Seven Stories is collecting reader’s favourite film adaptations and would like to hear from you. What would your choice be?

Exhibition opening 2

I will need to think about mine.

(Email hannah.lambert@sevenstories.org.uk and be entered into a prize draw to win a family ticket to visit Moving Stories, Children’s Books from Page to Screen.)

 

Iceland, here they come

We’ll be up early to send the Resident IT Consultant and Daughter out to look for the Northern Lights. I’ve worried for months about whether or not there will be any. Is it the wrong time of the month? (Yes, I understand it is.) Will the weather co-operate? Who knows?

But it seems this is the last good winter for years, and lots of people have had successful trips. And Iceland appears to be ‘in.’ (So it’s not as if they are being terribly original.)

It’s a supposedly educational trip, as well as fun, organised by the University of St Andrews Astronomical Society.

Just in case Daughter needs something to read, I had to find a successor to The Hobbit. It’s actually quite hard to pick a book that will suit. Not too long, but not too short, either. Not too heavy or large. It has to be good; exciting, but not – too – scary, with engaging characters. In other words, it has to be just right. Sort of in the Goldilocks zone of YA fiction. In the end I chose Siege by Sarah Mussi.

And for the group as a whole, you can’t beat a good quiz, so the Christmas quiz book has found itself sharing rather close quarters with a pair of heavy boots.

Should they need more entertainment, they also have Jar City on DVD. Nordic crime is in, and Arnaldur Indridason will hopefully be less well known than some other writers, and I hope no one has seen the film already. I was awfully tempted to send Virus au paradis, but that might have been taking things Icelandic too far. Besides, not everyone will be fluent in French/Swedish subtitles.

I will sign off with Eyjafjallajökull, which is even harder to say than it looks.

The Hobbit

I never read The Lord of the Rings. I just never wanted to. I listened to the BBC dramatisation, which was pretty good. I had trouble telling who was who, apart from Robert Stephens as Aragorn, who was wonderful. I obviously didn’t see the films either. Although, I seem to have seen the end quite a few times, having managed to walk into the room where the DVD was playing, at the same moment every time. It sort of ends happily, I think?

The only Tolkien I’ve read was the first chapter of The Hobbit – to Son at bedtime – many years ago. Luckily something intervened after that, and the Resident IT Consultant continued the reading.

Daughter likes the LOTR films. She liked the first Hobbit film, too, and wants to go and see the second one. Before doing that she decided to actually read the book. She finished it yesterday.

A little bit later she asked if it was all right for her to say something, and once I’d ascertained I’d not be sad or offended by this something, she had my permission to proceed.

‘The Hobbit was boring,’ she said. I replied I wasn’t surprised. There must have been a good reason I never returned to it.

We sort of came to the conclusion the reason it’s possible to make so many films out of the one book, might be that its boringness requires more fun and exciting stuff to be added. Which makes it longer. Rather like the  two-hour films made of Agatha Christie’s short stories. You pad. And then you pad some more.

J R R Tolkien, The Hobbit

(The cover is nice, though.)