Category Archives: Writing

Collins English Dictionary

For once I find myself speechless on this blog. And considering it’s while we’re on the subject of a dictionary, this ought not to happen. Let me just say that the Resident IT Consultant has some – mostly – wise things to say about the dictionary I have permitted him to play with for a few days. Over to the man who can think to look up words like chi-squared:

“Who needs a dictionary in these days of instant access to infinite amounts of information? HarperCollins obviously believe somebody does, because it has just published a 12th edition of its Collins English Dictionary – CED – which now becomes the largest single-volume English dictionary in print with 722,000 ‘words, meanings and phrases’, including 50,000 new ones, spread over 2,300 pages.

Collins English Dictionary 12th edition

Despite its size CED is surprisingly easy to use. It’s slightly smaller than previous editions and weighs less (2.6kg). It’s attractively bound in black cloth, with no dust jacket to get torn. There’s a ‘virtual thumb index’ printed down the outermost edge of pages which makes it easy to navigate to the right section. And the typeface has been specially customised for the dictionary making the pages remarkably easy to read given the tremendous amount of information that has been crowded onto them.

But back to my question. What’s the point of a dictionary today? If you need to find the meaning of a word, why not simply look it up on the Internet, in one of the many crowd-sourced dictionaries such as Wiktionary, or in a commercially provided Internet dictionary (Collins, Oxford and Chambers all do one)? Alternatively you can simply Google the word and discover for yourself how it is used.

One answer is authority. If you need a quick and reliable answer to a question a dictionary may be best. For example, if I’m reading C.P. Snow’s Two Cultures and I quickly want to know what the second law of thermodynamics is, I can find an impressively clear and succinct definition in CED (so long as I know to look under ‘law’), written in only 32 words and understandable to a layman. I could get this information from the Internet, but it would take more effort, even if I went straight to Wikipedia.

I sometimes do a bit of proofreading and often find myself referring to a dictionary to check my understanding of correct UK English. Should it be ‘Internet’ or ‘internet’? ‘Inquire’ or ‘enquire’? ‘Sulphur’ or ‘sulfur’? If I were willing to place my trust totally in one dictionary, or to declare that this was what I was going to do, then CED would enable me to answer these questions quickly. Sometimes though, the answer is more complicated and I still need to research the reasons behind the differences on the Internet. And of course I could still look up the CED entries for these words on the online site, which is free (and seems to have the same content as this printed dictionary plus some extras such as more usage examples and usage trends).

I was impressed by CED’s coverage of scientific terms which clearly reflects its extensive list of specialist consultants. The entries for Bayesian, eigenvector, continuous, Taylor Series, Coriolis Force and chi-squared test were all models of clarity and succinctness. Scottish terms are reasonably covered. I can find bridie, bannock, clootie dumpling, neeps, tattie and tablet. Auld Reekie is there, but not the Granite City; the Mearns, but not the East Neuk. Wee Frees, but not the Highland Line.

I went hunting for words that I felt should be in the dictionary but weren’t, and the strongest contender I could find was descope; to change the scope of a project in response to an expected failure to meet budgetary or timescale constraints. Personally I’ve used this word since the late 1990s and you can find instances of its use from the BBC, the Guardian and Hansard from around 2000.

But I think the real strength of the physical dictionary over its electronic equivalents lies in the experience of using it to browse. There is something about the feel of the book and the ability to scan two pages of content at one glance that cannot be matched with a screen. For example, on looking up shellac (because I am currently painting something with shellac primer) I find, on the same pair of pages: 1) that while the word shemozzle comes from Yiddish, the origin of shenanigans is unknown (I had always assumed somehow that it was Irish); 2) an account of the differences between the role of a sheriff in the USA, England and Wales, Scotland, Australia and New Zealand and 3) a surprisingly concise and comprehensible definition of an electron shell.”

I just have to say this; I like the number 722 (with or without thousands). Not so sure about eigenvector… And it is a rather elegant looking volume.

To be more right than others

Honestly, I prepared last Wednesday’s blog post because I liked the list of books and its ethos, but basically I was being lazy. I imagined the list would pass silently by most of you.

But oh no. When you least expect it, trouble brews. And it brewed pretty stormily, too. Because two of the books celebrating diversity were ‘only spouting stereotyping.’ In this case of Native Americans (and I don’t know if this is the acceptable term, but it was used by my attackers), and no one could have been more surprised than I was.

The authors, on the other hand, were not. They have been the target for this kind of thing before.

As I said, I have not read Apache, so will leave it out for the moment. I have read and enjoyed Amazing Grace. My understanding of the diversity aspect of Grace is that it’s because she is a black girl in England. The fact that she spends a moment pretending to be a Native American is beside the point. There are many of us who have done so.

Now, you could (as an author or a publisher) consult specialists, to make sure you don’t go upsetting anyone. I understand this happens more often than you think. But experts can be ‘wrong,’ too, or not of quite the same persuasion as those who later complain or harass.

What’s more, the comments last week felt as if they were aimed at me. I didn’t compile the list and I didn’t write the books, although I wish I had. I am white, but that doesn’t automatically make me one of the people who have mistreated Native Americans. There are many white people who have also been – and still are – unfairly treated and discriminated against.

When you feel really strongly about something, there is a tendency to forget others. It’s ‘me, me, me’ all the way. It’s also easy to use a tone of voice that will generally not get you far. Even for serious matters, a sense of humour and a portion of intelligent conversation will get you more followers and better results.

Most children like pretending. It’s part of normal childhood. There is nothing wrong with that, unless you use violence or have access to an adult’s weapons (as is far too common in some places). As a dear friend of mine put it: ‘I don’t think little girls wearing head-dresses and sitting cross-legged is the cause of the tremendously awful situation of Indians, or if all these illustrations were wiped off the face of the earth, anything would change.’

When the young Witch played at being an Indian, it was from the perspective of admiring the people she saw in Westerns on television. They seemed exciting and they looked beautiful. To be told now that I was stereotyping, and effectively colluding in the awful treatment of these people in real life is upsetting, and also very useless. No one saw me. If they had, I’d have looked pitiful. It was on the inside of my mind that great things were taking place. I didn’t use books or obtain views of the world from the – apparently – bad British media. I only had Hollywood films.

I’m sure I am far more prejudiced than I would like to think. I don’t always have all the facts, or the totally correct, most recent facts. But I mean well, and any political correctness comes from my heart, not through clichés. It’s human to make mistakes. I’d like to think that any persecution of authors of children’s books are just that; human mistakes.

I make plenty of mistakes, all the time. And I’d prefer not be criticised for it, but I’d rather someone tells me off for the bad things I do, than for an author who has written a rather lovely book about a nice little girl who likes to play and use her imagination. Neither I, or the author or Grace have had anything to do with what mostly white Americans have done to the people who lived there first.

Nor do I believe that removing a couple of books from a list will make life better for Native Americans.

Diverse voices

One more list, and then I’ll be done. (Or possibly not. You never know.) Seven Stories and the Guardian have got together and listed the 50 best children’s books on cultural and ethnic diversity. It’s a really good list,

and I was really pleased because I felt I had read so many of the books on it. Until I counted them and it was about a third, so maybe I have some way to go. I still like the list, though:

Amazing Grace Mary Hoffman Illustrated by Caroline Binch. Frances Lincoln Children’s Books. The classic picture book about the little girl who loves stories and shows us that we can be anything we want to be.

Fruits: A Caribbean Counting Poem, Valerie Bloom Illustrated by David Axtell. Macmillan Children’s Books. A rhythmic counting poem that describes all manner of delicious Caribbean fruits as a little girl tries to eat as many of these as she can in a single day.

Stephen Davies and Christopher Corr, The Goggle-Eyed Goats

The Goggle-Eyed Goats, Stephen Davies Illustrated by Christopher Corr. Andersen Press. A vibrant and colourfully illustrated tale about Old Al Haji Amadu’s five extremely naughty and very hungry goats who gobble and gulp through whatever they find.

Handa’s Surprise, Eileen Browne. Walker Books. A mouth-watering story about Ayeko who puts seven fruits into her basket, but one by one these disappear as all manner of creatures snack upon them.

Hue Boy, Rita Phillips Mitchell Illustrated by Caroline Binch. Frances Lincoln Children’s Books As much as Hue Boy longs to be bigger, he discovers size isn’t everything in this uplifting village-based story about a small boy with a very big personality.

Leon and Bob, Simon James. Walker Books. A quiet reflective book about the unusual friendship shared by Leon and Bob and the sense of fun and fulfilment others can bring into our lives.

Not So Fast Songololo, Niki Daly. Frances Lincoln Children’s Books.
An African town is brought to life through sight and sound in this touching story of young and old where Grandmother Gogo and grandson Songololo set out on a stroll together.

Over the Hills and Far Away, Elizabeth Hammill Illustrated by 77 artists. Frances Lincoln Children’s Books. A stunning collection of 150 rhymes from countries all over the English-speaking world, including Great Britain, USA, Canada, Australia, New Zealand, Ghana, South Africa and the Caribbean compiled by Seven Stories co-founder Elizabeth Hammill. The collection contains best-loved nursery rhymes, but also new discoveries, and vibrant rhymes from Native American, First Nation, Inuit and Maori cultures.

Ramadan Moon, Na’ima B. Robert Illustrated by Shirin Adl. Frances Lincoln Children’s Books The festival of Ramadan and its celebration across the world is explored in this thoughtful book which looks at the role faith plays in many children’s lives.

Rastamouse and the Crucial Plan, Michael De Souza Illustrated by Genevieve Webster. Little Roots. A cheeky, cheese-filled tale about super bad thief Bandalulu who has stolen all the cheese from Mouseland.

So Much, Trish Cooke Illustrated by Helen Oxenbury Walker Books. A fun, feel-good and familiar story about the different generations of a family brought together by their love for a new baby.

Where’s Lenny? Ken Wilson-Max Frances Lincoln Children’s Books. An ideal first picture book by an award winning author/illustrator in which Lenny and his dad have a game of hide and seek in the house, enjoying fun and games together.

Azzi In Between, Sarah Garland. Frances Lincoln Children’s Books. A powerful graphic novel about Azzi and her family who seek refuge, filled with drama and tension it shows just how dangerous some people’s home lives can be and the difficult decisions needed to reach a place of safety.

Betsey Biggalow is here, Malorie Blackman Illustrated by Jamie Smith. Random House Children’s Books. Somewhere between Pippi Longstocking and Tracy Beaker, Betsey Biggalow, who stars in these short, pacey stories, is an imaginative and enquiring girl who is sometimes mischievous but always endearing.

The Colour of Home, Mary Hoffman Illustrated by Karin Littlewood. Frances Lincoln Children’s Books. Hassan feels out of place in a cold, grey country so different from his colourful Somalian home, which he was forced to leave because of war. But gradually things change… and he sees the new colours of home.

Fly, Eagle, Fly! Christopher Gregorowski Illustrated by Niki Daly. Frances Lincoln Children’s Books. A story of fulfilment and freedom shown through the parable of the baby eagle who is reared with chickens. This simply told yet dramatic story from Africa will delight children everywhere and encourage them to “lift off and soar,” as Archbishop Tutu puts it in his foreword.

Wendy Meddour, A Hen in the Wardrobe

A Hen in the Wardrobe, Wendy Meddour. Frances Lincoln Children’s Books.
This is a funny, heart-warming family story set in Britain and Algeria, with fascinating glimpses of traditional Berber culture and lots of colourful characters.

Kasia’s Surprise, Stella Gurney Illustrated by Petr Horacek. Walker Books. A moving and hope-filled book about Kasia and her mum who have moved to the UK from Poland, it looks at the importance of the people we are close to and the gradual acceptance of change.

Mirror, Jeannie Baker. Walker Books. Although thousands of miles apart, there are many similarities between the homes and daily routines for the two boys in this book, its minutely detailed illustrations inspire readers to see that, in spite of surface difference, there is often more similarity in our lives than might, at first, be recognised.

Mufaro’s Beautiful Daughters, John Steptoe. Puffin Children’s Books. This special book has a fairy-tale like charm as a King takes on the search for a wife. Mufaro has two daughters, one rude and mean and the other generous and thoughtful, which will win the hand of the King?

Number 1 Car Spotter, Atinuke. Walker Books. A witty story about the hugely appealing Number 1 who sets about searching for and solving problems and carrying out chores for his family.

Under the Moon and Over the Sea: A Collection of Caribbean Poems, ed John Agard and Grace Nichols. Walker Books. A lyrical and lively collection of poetry that captures the sights, sounds, tastes and tales of the Caribbean and its people.

Walter Tull’s Scrap Book, Michaela Morgan. Frances Lincoln Children’s Books. The inspirational true story of Walter Tull’s life is vividly reimagined here in scrapbook form, drawing on photographs, documents and records of his life. Born in Kent, in 1888, Walter Tull became not just the first black British professional outfield football player – for Tottenham Hotspur and Northampton Town – but also the first black officer in the British Army.

Boy Overboard, Morris Gleitzman. Puffin Children’s Books. Jamal and sister Bibi want to lead Australia to victory in the World Cup, but that entails a journey from their homeland, Afghanistan where their family has upset the authorities, and a lengthy voyage overseas.

The Island, Armin Greder. Allen & Unwin Books for Children & Young Adults. The poignancy of the pictures in this story about a man washed up on an island beach and outcast by its community explores intolerance and is a powerful and moving conversation starter for discussions around acceptance.

Journey to Jo’Burg, Beverley Naidoo. Macmillan Children’s Books. A deeply affecting modern classic about a brother and sister who journey through the South Africa of Apartheid in a race against time to find their mother thereby saving their poorly baby sister, Dineo.

The Life of Stephen Lawrence, Verna Allette Wilkins Illustrated by Lynne Willey. Tamarind. Full of life and potential, Stephen Lawrence was a boy with huge hopes for the future. Murdered in 1993, the book looks at prejudice, injustice and a family’s fight to uncover the truth.

Little Leap Forward, Guo You Illustrated by Clare Farrow. Barefoot Books. This semi-autobiographical tale looks at Little Leap Forward, a boy who grew up in the hutongs of Beijing during the Cultural Revolution in China.

Oranges in No Man’s Land, Elizabeth Laird. Macmillan Children’s Books.
Ayesha lives in war-torn Beirut, a city divided by conflict. When Ayesha’s granny falls ill, she must cross the barricades into deadly no-man’s land to try to get the medication that is so badly needed.

A Nest of Vipers, Catherine Johnson. Random House Children’s Books. The youngest member of a collective of pick pockets and con-artists in 18 Century London, Cato Hopkins appears at risk of paying penance for his crimes with his life…

Talking Turkeys , Benjamin Zephaniah. Puffin Children’s Books.
A thought provoking and wide reaching collection of poetry for children that explodes from the page, begging to be read aloud.

Tall Story, Candy Gourlay. David Fickling Books. Quirky, unusual and filled with affectionate humour, this story looks at the relationship between Andi, who is short, and her long lost, enormous half-brother Bernardo who comes to live in London from the Philippines.

Too Much Trouble, Tom Avery. Frances Lincoln Children’s Books. A fast-paced read about brothers Em and Prince who struggle to make a life and home for themselves on the streets of London. Winner of the Diverse Voices award 2010.

Trash, Andy Mulligan. David Fickling Books. Raphael is a dumpsite boy whose days are spent sifting through rubbish and whose nights are spent sleeping beside it. This deeply affecting story tells how one fateful moment – the discovery of a small leather bag – can radically change one’s fortunes…

The Trouble with Donovan Croft, Bernard Ashley. Oxford University Press. Children’s Books Keith’s new foster brother, Donovan, won’t speak to anybody, will Keith be able to uncover the reasons why and help Donovan to open up?

The Unforgotten Coat, Frank Cottrell Boyce. Walker Books. This acutely perceptive, gem of a book recounts how Julie tries to help two Mongolian refugees who are struggling to fit in with their new classmates in Liverpool and movingly describes why their friendship ended unexpectedly…

Jamila Gavin, The Wheel of Surya

The Wheel of Surya, Jamila Gavin. Egmont. The violence and danger of India during the Independence movement and its partition from Pakistan acts a catalyst for Jaspal and Marvinder to flee from their village in an effort to reunite with their father who is a student in England.

Apache, Tanya Landman. Walker Books. Following the vicious murder of her brother, orphan Siki vows to become an Apache warrior to take revenge upon her brother, Tazhi’s, killers.

The Arrival, Shaun Tan. Hodder Children’s Books. This wordless graphic novel explores the many reasons that lead people to leave their old lives and homes behind and set out upon the journey entailed in starting afresh.

Artichoke Hearts, Sita Brahmachari. Macmillan Children’s Books. Aged twelve, Mira’s life changes when her Nana Josie becomes ill and Mira begins to learn about the secrets of her family and loved ones in this emotionally honest novel.

Blood Donors, Steve Tasane. Walker Books. A skin-crawling novel about Marshall O’Connor who lives in the ‘Finger’ a block of flats with a deep, dark and deadly secret. This distinctive, fresh and decidedly creepy novel explores stigma and prejudice.

The Breadwinner, Deborah Ellis. Oxford University Press Children’s Books.
Kept house-bound by the Taliban’s law that women and girls should not leave the house on their own, Parvana, her mother and sisters are in danger of starvation when their father is arrested.

Half-Caste & Other Poems, John Agard. Hodder Children’s Books. The poems in this highly original collection, penned by John Agard uncover a wealth of human experience and on differences in race.

Moonfleece, Philip Ridley. Methuen. A playscript that explores the tensions between two groups of teenagers who come to learn the way party politics influence the everyday lives of individuals and the devastating impact this can have.

Noughts and Crosses, Malorie Blackman. Random House Children’s Books. Sephy and Callum live in a world of split communities and civil unrest, can their feelings for one another grow and blossom against this backdrop and what will occur if those feelings are discovered?

Palestine, Joe Sacco. Jonathan Cape. An extraordinary piece of current affairs reportage told in graphic novel form and recounting the conflict in the West Bank and Gaza strip.

Persepolis 1 & 2, Marjane Satrapi. Vintage. This eye-opening graphic novel about author Marjane Satrapi’s childhood growing up in Tehran uncovers the way a country’s politics, religion, history and traditions, influence a sense of identity.

Refugee Boy, Benjamin Zephaniah. Bloomsbury Children’s Books. Thrilled to have left his home country of Ethiopia for the first time, Alem is excited to be spending a holiday with his father in London. Happiness turns to despair when he discovers his father has left him alone in an unfamiliar country…

(Un)arranged Marriage, Bali Rai. Random House Children’s Books. This highly personal story was partly influenced by Bali Rai’s own experiences, it looks at the impact cultural traditions can have on young people growing up in modern times and the book will resonate will all who have experienced the pressure of expectation at the hands of their family.

The Weight of Water, Sarah Crossan. Bloomsbury Children’s Books
Poetic and reflective, the story tells how Kasienka comes to England from Gdansk in Poland with her mother, a suitcase and a laundry bag full of clothes, desperate to search for her father.

I shall have to magic up some extra reading time for a few more of these. I strongly suspect none of the books have wizards or vampires in them. (Although, I would – obviously – welcome corrections from my well informed readers on this.)

Sorry for copying in the whole list. I simply felt it was important. And it made me feel better, after not having been able to join many of the authors on the list at the Guardian’s HQ on Monday.

Why we don’t even try

Let’s be clear about this. Some of the best books I’ve read have been self-published.

But…

You couldn’t put it better than Ron Charles in the Washington Post; ‘No, I don’t want to read your self-published book.’ He in turn based his article on Roger Sutton’s post for The Horn Book. They both know what it’s like to be inundated with top quality books they have no time for.

So do I, but not to the same degree as them. And I do not exist merely to review new books. I am here to read and enjoy myself, and then tell people about it, even if the book is positively ancient.

I want to be kind, and open-minded. Just not to the extent I become unwell, and the self-published label is a good place to begin the pruning of my incoming post.

Just the other day I had an offer I found reasonably easy to refuse:

‘We’d love to offer you the opportunity to serialise the novel each day during the eponymous month [of November]. Or if you prefer we can provide an extract, a review copy (as a PDF/Kindle only) or an interview with the author. The book is in the literary fiction genre and is aimed at grown-ups. It includes some swearing, and drug taking, and lots of attempted suicide – so although it is a very funny book, it’s not really suitable for children.’

Yeah, Bookwitch would be the ideal place for it, wouldn’t it?

At the other end of the spectrum, I was offered an interview with a celebrity, who’s written their first children’s book. But the celebrity is too busy to actually meet for an interview, because a celebrity status comes with a lot of work. I can understand that. We should be grateful there was enough time for the book to be written. Which may be excellent. I just don’t intend to find out.

Sophie Hannah on Poirot

Sunday morning at Bloody Scotland just had to mean Sophie Hannah on writing the new Poirot. As Alex Gray who talked to Sophie said, it’s the kind of thing that will make you very excited. There had been a lot of serendipity involved in her getting the job, which involved Sophie’s crazy maverick of an agent (a man with hints of Sophie’s mother, Adèle Geras), a HarperCollins editor, Agatha Christie Ltd, and the fact that Sophie already had an idea for a plot that she simply couldn’t make fit into her own novels.

A life-long Agatha Christie fan, Sophie knew the books very well (and hearing her talk about them made me want to rush home and start re-reading), and like Poirot she is rather OCD (in her case about the tassels on her Persian rug). She reckons that David Suchet is Poirot, but she didn’t write with him in mind. There is a strong film interest in her book, The Monogram Mysteries, but as she pointed out, David Suchet has said he won’t do more Poirot.

Sophie Hannah

The novel is set in 1929 in the gap between The Mystery of the Blue Train and Peril at End House. Poirot has gone on holiday, to temporary lodgings opposite his own flat (which seems to have been inspired by Sophie’s father, Norman Geras), in order to be free from people seeking his help. The story is told from the point of view of a young detective called Catchpool, to avoid Sophie having to try and imitate Agatha’s style of writing. Catchpool is there to offset Poirot, to be bright, but obtuse.

One of the many coincidences in her being given the task of writing the book was that long before this she had booked a family holiday staying at Agatha Christie’s house, Greenway. Another odd thing was that the week they were there, the filming of Dead Man’s Folly took place on the property. Sophie worked every evening, and by the time the holiday was over, she had the whole novel in her head. She is ‘very serious about crime fiction’ which is the best kind of fiction.

She accidentally invented a new way of writing while jotting down her ten page plan, when it became 100 pages with every detail of the book. Sophie found that this meant she could forget worrying about plotting while also trying to write nicely, as the job had already been done. (She has since written her latest novel in this way as well.)

Before Sophie was allowed to go public with the news about her book, she discovered on Twitter that feelings go very deep when it comes to people taking over writing somebody else’s work, and she was shocked but not worried. She sat down and thought about it and came to the conclusion it wasn’t morally wrong, and that real fans would want to read a new book, and others were free to not read it. Most of her Twitter followers have since come round, with the help of tea and scones, except for Troy in Minnesota.

There was no reason to list what had to be in the book; she knew instinctively what it needed. She’d be happy to write another Poirot, but does not feel she should be the one to write about Miss Marple – a shrewd old bat – but this would be better done by someone else, like Lee Child…

Her Christie favourites keep changing, but Murder on the Orient Express remains on top, along with Sleeping Murder, and more recently Lord Edgware Dies (it’s got the best murderer in it) and After the Funeral (best motive) and Appointment With Death (psychological tyrant).

People who say Agatha was not a terribly great writer are wrong. There’s a reason Agatha Christie sold more books than anyone else, apart from the Bible and Shakespeare. The books can be read by a 12-year-old ill in bed, or a middle aged professor. They are the perfect blend of simple and complex; funny but filled with darkness, suffering and torment. Sophie reckons that people who say the books are no good ‘might just be a bit stupid.’

Sophie Hannah

The last question of the morning came from ‘Troy  in Minnesota,’ or so he claimed. Probably here for his tea and scones. Sophie said she likes rules, whether for poetry, crime or Agatha Christie. And her own next book has a bit of Golden Age Mystery in it, now that her appetite for such things has been awakened.

Alex Gray spoke for all of us when she said that we would happily have stayed another hour. At least. I feel sorry for anyone who didn’t get out of bed early enough to hear Sophie talk Christie.

Bookwitch bites #126

If you didn’t read Hilary McKay’s Binny for Short when it came out last year (and why didn’t you?), I can tell you it has just been issued in paperback, and it is still as good. The singing ought to bring out the goosepimples on any but the hardest of my readers.

Cathy Cassidy

In the exciting run-up to whether or not Scotland will drift off into the North Sea next week, I have two book festivals on home ground to look forward to. First it’s Stirling Book Festival Off The Page. It has all sorts of events in libraries and schools and theatres. For fans of children’s lit there is the dystopian Teri Terry, the amusing Chae Strathie, sweet Cathy Cassidy, illustrator Kate Leiper, and the magical Linda Chapman.

Off The Page runs seamlessly into Bloody Scotland, where much murderous stuff will happen. They are even putting forensics into Stirling Castle, to find out who killed the Earl of Douglas back in the 1400s. Good luck to them.

And if you too want to be able to write like the authors who are coming here to talk about their books, then you could do worse than to have a go at the Connell Guides essay prize. If you are lucky, Philip Pullman might read what you wrote. You do need to be of an age to attend sixth form, but we are all young at heart here. You can submit from September 15th until January 15th.

Good luck!

And read Binny.

A family affair

I was going to go with Mothers and Daughters, but then I didn’t have mine with me and Wendy Meddour was rather more than mother and daughter with Mina May. The whole clan was there, and where would we have been without the running commentary from youngest son? He was lovely. So was the older one telling his brother to be quiet. And the one in between who liked Steve Cole.

Wendy Meddour

As were all of them. Admittedly, Wendy’s mother didn’t let her have pierced ears (she does now, though, and she wears beautifully dangly ear rings) or pointy shoes when she was young(er). Nor does it seem that the parents were in on Wendy’s invisible dog. She had it for a year and a half when she was a little girl. (I didn’t take proper notes, but I think it was a golden retriever.)

Wendy’s own little girl towers over her mother, as daughters do. Not only has Mina May done the illustrations for all three Wendy Quill books, but she showed us how to draw. I have never drawn such a great rat or spooky ghost as I did yesterday afternoon. In fact, I’d say we were all pretty artistically enabled. We did so well. Although the adults never got any sweeties.

Possibly for the best. Our teeth would fall out.

Mina May

As I was saying, Mina teaches like an adult. (And I know it’s irrelevant, but that was one fantastic pale green lace dress she wore!) She is just about an adult at 13, seeing how she sent her first portfolio of pictures to a publisher at the age of eight. By the time Wendy Quill came to be, the publisher felt Mina’s illustrations were better than her mum’s.

The audience was asked what parts they had played in the school play, and we had two angels, a Mary, a scorpion and a cow. And then there was Wendy’s crocodile’s bottom.

Wendy read from the crocodile book, and we had the scene where Kevin, the school rat, jumps out of the teacher’s handbag, and later on we jumped on our bed to make our big sister’s diary fall off the out-of-reach shelf.

Wendy Meddour and Mina May signing

All in all, a fun afternoon. And I do like a woman who not only comes out about her invisible dog, but takes her children to work.