Tag Archives: Neil Gaiman

Bookwitch bites #127

You know books? There is money in them. Sometimes, at least, and not only for author and publisher, although I’d wager Michael Morpurgo has made a reasonable sum from War Horse the book. Possibly more from the play and the film.

Michael Morpurgo at the Lowry

War Horse the play has just finished its second run at the Lowry, hopefully pleasing the 200,000 people who came to see it. But what’s more, it hasn’t merely earned money for Michael or the theatre. It has been estimated that Greater Manchester is better off by £15 million. And it’s pretty good that books can have such an effect.

For the last performance in Salford they had a Devon farmer as a Devon farmer extra.

Not a farmer, nor a twinkly old elf, is how Neil Gaiman doesn’t describe his friend Terry Pratchett in the Guardian this week. Terry is driven by rage, Neil claims, and I can sort of see where he’s coming from with that. I reckon Terry got pretty annoyed to hear me say that my local library service banned him from the under 16s. (Correction, it was their representative who did. Not the whole service. But still.) And any person with any decency would be furious about what’s wrong in this world. And luckily we have the non-twinkly Terry to write wonderful books about it.

Someone who scares me much more is Kevin Brooks. I know. He seems non-scary, but his books deal with people in circumstances I find hard to cope with. Kevin has just written a book for Barrington Stoke, to be published in January 2015, and it might be short, and it might be an easy read. But it’s also not an easy read, in that it deals with the hard reality for young, male, teenagers. A typical Brooks, in other words.

Barrington Stoke make books accessible to readers who would otherwise not read. Daniel Hahn was on the radio this week, talking for 13 and a half (his own description) minutes on the importance of translated books. They make books accessible to people who would otherwise not be able to read French or Finnish, or any other ‘outlandish’ language.

Daniel has also worked hard on the new Oxford Companion to Children’s Literature, to be published in March 2015. I’m looking forward to that, and hopefully this new companion will pave the way for a few more readers, too.

Whereas authors playing football will achieve exactly what? OK, let’s not be negative or anti-sports here. I did actually want to go and see the football match between English crime writers and their Scottish counterparts. It was part of Bloody Scotland last weekend, but unfortunately the match clashed with an event, and being lazy, I chose to sit down in-doors instead of standing on the side of a rectangle of grass watching grown men kick a ball around.

The winning Bloody Scotland football team - 2014

I understand the Scottish team won. Ian Rankin is looking triumphant, and I can see Craig Robertson, Christopher Brookmyre and Michael J Malone, plus some more people I don’t recognise in shorts.

OxCrimes

Pop down to your local Oxfam and buy a copy of OxCrimes: 27 Killer Stories from the Cream of Crime Writers and support the work of Oxfam while giving yourself something good to read for the next few hours.

It’s got ‘practically every crime writer’ contributing. Even the ones I’d not heard of, as I had to confess to yesterday. But especially the ones I do know. Foreword by that Rankin chap who always pops up and takes part in every worthwhile venture going. (All right, not everyone. But 27 isn’t bad. Plus Ian Rankin.)

OxCrimes: 27 Killer Stories from the Cream of Crime Writers

The stories were of every imaginable kind, including a pretty scary sci-fi thriller crime tale from Yrsa Sigurðardóttir. There’s war crimes and ghostly crimes, sexy ones and the usual crime-y crimes. How Anthony Horowitz could be allowed to say what I’ve always suspected about public toilets (you know the kind…) is beyond my comprehension. Now none of us will want to go.

My favourite – if I’m allowed one – has to be Stuart Neville’s, which was brilliant in all its period simplicity. Not to mention chilling.

As for the rest, I think I’ve listed them all. You will know some better than others, just like me. You might find a new favourite, or even one you wouldn’t mind killing slowly and painfully. What do I know?

It’s all in a good cause, even if the blood flows fairly freely in places.

‘With previous books OxTravels and OxTales having raised over a quarter of a million pounds since their 2009 publication, Oxfam is hoping OxCrimes will raise even more, helping to tackle poverty and suffering around the world. Visit Oxfam’s Emergency Response pages to find out more about how you can help.’

Bookwitch bites #119

There are things happening in Scotland. Just saying.

They give books away, for one thing. The Scottish Book Trust are giving books to children, again. Five different categories, from baby to Primary 1. Three books each. I think that’s really good, and while I know I didn’t need it for Offspring, it would still have been nice.

More on the Scottish front, Malorie Blackman is coming for a four city tour; Inverness, Aberdeen, Glasgow and Edinburgh. I would love to catch up at one of these events, but it is a busy week at Bookwitch Towers.

Julie Bertagna has written a graphic novel, which is about time, since they were a major topic the day we first met, as she discussed cool stuff with Neil Gaiman. It’s called John Muir Earth – Planet, Universe, and because I haven’t yet had an opportunity to read it, I’ll say it’s a sort of green book. You can download it here, because – this is Scotland, again – they are giving it away to school children.

To prove this isn’t just about Scotland, here is the Branford Boase shortlist, which – as with all my recent reading – I have not got enough personal knowledge of to say very much about. Except that I wish them well, and let the best author win.

Winter Damage by Natasha Carthew, edited by Rebecca McNally
Infinite Sky by C.J. Flood, edited by Venetia Gosling
Wild Boy by Rob Lloyd Jones edited by Mara Bergman
Red Ink by Julie Mayhew, edited by Emily Thomas
Alex the Dog and the Unopenable Door by Montgomery Ross, edited by Rebecca Lee & Susila Baybars
The Poison Boy by Fletcher Moss, edited by Imogen Cooper and Barry Cunningham
Geek Girl by Holly Smale, edited by Lizzie Clifford

Murderous mug

You know, authors can do just about anything. The other day I carelessly mentioned that this mug doesn’t worry me. It would almost be an honour to be killed off in a book. Wouldn’t it? It’s fiction. You’d live afterwards. (You would, wouldn’t you?)

And I annoy better than most.

As I said, authors can do a lot of things. I have to admit to certain maternal pride over this:

Steve Cole, Aliens Stink

(I actually believe this is a book about me. I do wash regularly, but the alien-ness can’t be disputed.) It’s clearly a book to be dedicated to offspring, and I admire the lovely Steve Cole for his triple dedication, in one fell swoop.

Steve Cole, Aliens Stink

 

So I don’t think Aliens Stink. They are the best.

 

Fortunately, the… whatever

Guinea pig?! I felt more like a cow. (No, don’t say it.)

Unfortunately I had been reading about cows on my way in to Manchester, on a most unwitch-like train, i.e. one that didn’t leave hours in advance. I felt so little inclination to go and hear Neil Gaiman yesterday afternoon, that I cut it finer than one should with British style rail travel.

Unfortunately, that was totally fine. I arrived at the Dancehouse theatre with 15 minutes to spare and thought it was going swimmingly. After which thought we ended up penned in rather like cattle, waiting forever to be allowed in. Stairs and reception and café filled up with eager Gaiman fans, plus a few small children (whose event this really was).

I decided that if things got any worse I’d just go home again, wondering why I’d come in the first place. I like Neil Gaiman. Don’t get me wrong. I don’t like crowds, and he collects them. But I can put up with crowds if treated humanely. I wasn’t alone in waiting it out on the other side of the doors, near the toilets. Fortunately, once we were allowed up the stairs, my number seat was the right number seat and so I was allowed in. (But we still had to wait for everyone to be seated, and the whole event was train-like in running half an hour late.)

Why was I not keen? Everything about this book has gone not to plan. Publisher didn’t send me a copy. I had to buy my own when that became evident. The complimentary ticket for the event didn’t materialise, so I had to buy my own at the 11th hour. The crowds, as I said. The fact that there is no way I’ll stand in a queue for three hours to have a book signed. The fact that I’m old and grumpy. And a cow.

You could say that the whole thing was threatening to curdle. I decided not to get my camera out. I’d just sit there and ‘not be on duty.’

But, you know, once Neil came on stage he worked his usual magic. He is a born entertainer, and he does events so effortlessly that even I started to feel all calm and relaxed and almost happy. His voice is nice to listen to.

Neil Gaiman

(This is a photo of Neil. Try to imagine a red curtain in the background, and that his hair doesn’t hang down across his eyes quite so much. In which case he almost looked like this.)

He said we’d be guinea pigs. He wanted to test read a longer piece from Fortunately, the Milk… than he usually does. Lying in training for Westminster on Tuesday, when he has to read it all.

As for himself he is obviously a goldfish. Or two. He’s the dad who was exchanged for two goldfish. In a way the milk book is simply a continuation of the goldfish book, and an attempt to come up with a positive book for dads.

Neil talked about his very young book, Chu’s Day. Cute pandas who sneeze, apparently. Only, I didn’t hear – didn’t know – the title, so when he asked what we thought the next book would be called, I felt Wednesday seemed appropriate.

Btw, I didn’t take notes.

He recounted how it came about that Chris Riddell would illustrate Fortunately, the Milk…, this the shiniest book in history. And Neil is about the only one who doesn’t find the charicature of himself all that amusing.

Then it was question time. Say what you want about his fans, but they ask good questions. Not all of them were fans, however, so a pattern developed where the person doing the asking qualified how fan-like they considered themselves to be.

One question was about Terry Pratchett, and in the end we all felt we were privy to some personal secret (and I don’t mean ‘when Terry slept with Neil,’ which he did, when they were both younger and poorer and didn’t buy the hotel first if they had to stay somewhere), and that’s a great skill to have. Neil even made the last rather pedestrian question sound exciting, because he was able to make the answer really special.

At the end of all that, ‘we will do some signing.’ Though Neil reckoned it would be best if he signed, until his head fell off, and the rest of us waited patiently in line.

Well, I didn’t do that, so I have no idea how long his head stayed put. Here is a photo someone took earlier, showing what Neil looks like when signing.

Neil Gaiman

‘Did you enjoy that?’ said the adult to the small child behind me. Small child said nothing. This was not a small child event, whatever the organisers say.

Now me, I did enjoy it. In the end. Neil always delivers. But I’d be happier without the crowds.

Fortunately, the Milk…

Well, I liked it. Having heard conflicting opinions on Neil Gaiman’s latest offering for children, beautifully illustrated by Chris Riddell, meant I couldn’t work out if it was supposed to be good or merely a bit meh.

Fortunately, the Milk… is a tall story about an inept dad who takes an absolute age to go out for milk so his poor children don’t have to have their cereal with orange juice. (Though it beats having it with coffee.) On the other hand, the dad has a lot happen to him while he’s bringing the milk home, so maybe he couldn’t help the delay. (Except, he was wanting his tea, with milk, so should have been fairly keen to get home.)

Aliens, pirates and time-travel with a dinosaur are among the things he claims happened. His children have possibly heard tall tales before, so take it with a pinch of salt. Although, who knows?

Neil Gaiman and Chris Riddell, Fortunately, the Milk...

Thanks to Chris Riddell’s many, detailed pictures we find that the dad is a young Neil Gaiman look-alike, which actually makes it more fun. (I don’t know why it does, but it does.)

It’s a silly plot, so I won’t try to tell you more about it. Just read the book, and make sure you look at all the pictures (which might take quite a while). Fortunately, the Milk… wouldn’t be the same without them.

The EIBF 2013 programme

It’s not exactly a bad programme this year. It’s not exactly short on authors, either. I’ve probably missed a few, seeing as I have only browsed the pdf  in a hasty fashion, but even so, were it not for the fact that I actually know I am unable to cover the full two and a half weeks of the Edinburgh International Book Festival, I’d sign up for the complete works. Again.

I’d been thinking a weekend. Maybe a longish weekend, but no more than four days. But which longish weekend? And what about the fantastic midweek offerings?

This is going to be an easy post to write! I could simply list authors, one after the other. But that would be boring.

For the time being I will not cover the adult writers, although I noticed Salman Rushdie is coming. Roddy Doyle. And Patrick Ness is an adult this time.

So, first weekend ‘as usual’ we have Meg Rosoff, as well as her stable (yeah, right…) mates Eoin Colfer and Cathy Cassidy. Anne Fine, Tommy Donbavand, Helena Pielichaty, Linda Strachan, Andy Mulligan. Carnegie winner Sally Gardner. Obvious choice. First weekend it will be.

Meg Rosoff

On the other hand, during the week when it grows a little quieter we have Elizabeth Wein. Hmm. Debi Gliori with Tobermory Cat. Nicola Morgan. Lari Don and Vivian French. Damien M Love. Well, that would be good!

But Elen Caldecott is someone I’ve always missed. She’s there the second weekend. It will have to be the middle weekend. Charlie Fletcher, Teresa Breslin and Eleanor Updale, Jon Mayhew and Darren Shan. Need I say more? OK, Tom Palmer, Chae Strathie. Melvin Burgess. Keith Gray.

Jonathan Stroud has a new book coming, which I like the look of. And he’s there the second week. So are Julie Bertagna and Teri Terry, and Daniel Hahn is talking translation. That is interesting.

Having said that, the last, extra long weekend looks by far the best. Doesn’t it? Judit Kerr. Neil Gaiman. Our new children’s laureate, Malorie Blackman. Our own Liz Kessler, and Tim Bowler. Philip Caveney from ‘home’ and Derek Landy, whom I’ve not seen for a long time… Jo Nadin and Spideyman himself, Steve Cole.

Yes. No competition there. Except maybe all the other days.

What do the rest of you think?

(Sorry. I see I have done a list after all.)

Bookwitch bites #106

It is – dare I say it? – getting warmer. Let’s throw the covers off. (For me personally that means one layer less. Maybe.)

Neil Gaiman has unveiled his cover for later this year. Fortunately the Milk will look like this:

Neil Gaiman, Fortunately the Milk - cover by Chris Riddell

Chris Riddell made that cover. He also did these illustrations – and presumably many more – for the book.

Neil Gaiman, Fortunately the Milk - ill. by Chris Riddell

Neil Gaiman, Fortunately the Milk - ill. by Chris Riddell

I was going to say I can’t wait. But I will have to. Fortunately the Milk will appear roundabout the time when I put another layer back on again.

And you know those other kinds of covers? The ones of girls, that scare me a little. Teri Terry’s Slated and Fractured both feature a girl on the cover, and oddly enough earlier this week I had wondered if they were the same girl. They look the same. And they don’t. A couple of days later Teri  blogged about her covers and the model (who is only the one girl). Now that I’ve seen what ‘Kyla’ looks like privately I am less scared. There is something about ‘the cover look,’ though.

Teri Terry, Slated

Teri Terry, Fractured

I think – because I am quite forgetful – that this last cover comes from my ‘facebook friend’ Arga Bibliotekstanten. That’s Angry Library Lady to you. She used to blog, but got fed up, and now has a large following on fb. Hardly surprising, as she’s forever giving us pictures of handsome men (posing with a book, naturally) to drool over or amusing ones to laugh at, and her acerbic comments about the users of her Swedish library are quite something. I hope I am never one of her customers!

Book cover