While I eyed up the new furniture at MMU (would anyone really notice if I walked off with one of those sofas?), the other people who had come to hear Deborah Ellis speak scoffed wine and canapés. Deborah is back in the UK for the first time for years, so I’m not surprised her fans wanted to see and hear her.
Deborah’s interest in Afghanistan started in the late 1990s, when she visited refugee camps in Pakistan a couple of times. She based her idea for writing books about it on the fact that if you know who someone is, you have a relationship, and it’s much harder to hate them.
She heard about two girls who dressed up as boys and went out to work to support their families, and they became her character Parvana, and as she herself has an older sister, it wasn’t at all hard to write about family members who drive you crazy, because that happens wherever in the world you happen to live.
When asked about writing torture scenes, she described water-boarding, and discussed how you know what counts as torture, as well as saying she hopes her fellow Canadians have not taken part in it, but she’s not sure. Deborah reckons children understand complicated situations well, and always ask astute questions wherever she goes.
Her wish was to show the Afghan people as warm and welcoming, and she pointed out that the Taliban are people too. Trying to explain why the parents and grandparents in My Name Is Parvana didn’t want their children to go to school, she said that if none of them had attended school, it’s hardly surprising they were nervous about it.
Asked about how to deal with writer’s block Deborah recommended doing something real, like the washing up or mowing the lawn. On how to become a writer she suggested reading a lot, as well as reading more advanced things than usual and also different stuff than what you normally read. Then you just sit down and write and 90% of it will be garbage, but you’re allowed to spend 20 minutes a day on writing bad stuff.
The teachers in the audience use The Breadwinner in the classroom and find that it provides openings for all sorts of discussion and tasks among their students. Not bad for a book which Deborah only hoped would sell $3000 worth for the women in Afghanistan.
Before the book signing at the end, Deborah read a short piece from her new Kids of Kabul, which is based on interviews with children. The one she read was about ‘Frank Sinatra.’
This was a marvellous early start to the 2014 Manchester Children’s Book Festival. (The regular programme will be available very soon.)