The Track of the Wind

The tone in Jamila Gavin’s The Track of the Wind, the final book in her Surya trilogy, is a lot darker, and a bit more hopeless. You’d think that moving closer to a conclusion, things would be allowed to look up a little. On the other hand, real life doesn’t work like that, so why should a realistically intended novel set in India and London in the 1940s, and now into 1951 be all roses and happiness?

Jamila Gavin, The Track of the Wind

Marvinder and her younger brother Jaspal have returned home to India with their father Govind, and as by a miracle, their mother Jhoti isn’t dead, and they are together again. But because Marvinder has been abroad, she is seen as less pure than a girl ought to be, and there are no offers of marriage. Just as well, when her heart is still in London. And then someone does want to marry her and she can’t go against her father’s wishes.

Jaspal goes the way of many angry young Sikhs, and learns to fight for his own country. Relations with his one surviving childhood Muslim best friend are not good. And then Marvinder’s love Patrick turns up from London…

There is yet again a mystical element to what happens. There is a ‘Watcher’ who watches, and acts, hidden from the world. But what does he really want?

Because Jamila does not make this end – completely – happily in the expected western way, the story feels much more real. You can sense the despair of young women in forced marriages – like Jhoti – and the feeling of anger against the British. There is so much beauty, but also cruelty, and rules which must be obeyed.

Jamila counters this very Indian setting with letters from friends and family in Britain and America, which shows that they are light-years apart. But also that there are surprising similarities.

This has been a very enjoyable and educational trilogy. And I’m western enough that I’m really grateful for that epilogue.

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