The lists are gathering all over the internet. I am gathering a few books myself for my 2016 list, which is fairly imminent. Some people I admire, who are very knowledgeable about children’s books, are moaning and asking if this ‘list is any good?’ because they haven’t heard of a single book on it, or at least not read them.
And I’m rather like that myself. Not the moaning, obviously. I never moan. Except when I do, like now.
On most of those lists I have managed to find one I’ve read, and liked, and occasionally another I’ve heard of or even received but not read. My own gathering list already has too many books on it, even when I stick to my rules, children’s books published this year, which automatically disqualifies great adult crime and some really excellent books that were last year’s. But you have to have boundaries.
So I’m not short of wonderful books. I’m merely pondering why so many of the ones on other lists have not passed over my threshold. Or, it seems, a number of other thresholds either.
It is well nigh impossible to request books you don’t know exist, or I would do. And by the time enough people have enthused about them somewhere, there is less scope to jump on the bandwaggon. If they were by authors I know and have read before, the chances of hearing about their new books is greater. Except, even those writers who first became published during the Bookwitch era, and are considered – by me – to be established authors, seem to find it difficult to have their new books bought by publishers.
And at the same time there are countless debut authors. It makes me wonder if publishers actively go for new rather than established, because the established ones have failed to write the next Harry Potter, so the debut writers are seen as more likely to do a JKR? OK, so she was a beginner, but surely a new Potter success could come from anyone? Clearly not on quite the same unlikely scale, but still big.
Is a hitherto unpublished writer more likely to strike gold than the author who has had four really good novels published, but who is now not having any luck with their latest offering? Surely it must be possible to have plodded along for ten years before hitting on just the right thing at the right time?
Unless the only money publishers are looking for will be coming from celebrity books, ghost written or not?