I 95% adored this adult novel by Eva Ibbotson. It came highly recommended by several people whose taste I respect, and my knowledge of Eva Ibbotson’s children’s books backed this up.
To begin with I sat back and basked in the way Eva put her words together, how she described the background to what happens in The Morning Gift. The plot is good and the characters loveable and interesting and the setting in prewar Austria/Vienna was enough to make me want to go back there.
We meet the family of the heroine, Ruth, who is 20 when the real action begins in 1938. Prior to that we’ve learned how her parents met and how the well off Viennese intelligentsia lived. We also meet the British hero, Quin, who is everything you want from the romantic, but also kind, intelligent, rich man in your life.
When the Germans take over in Austria, the family flees to England, but due to a technical mishap Ruth does not manage to leave. Enter Quin, who obviously wants to help, and in the end this help has to take the form of a marriage of convenience.
If you’ve read romantic fiction before, you will know what to expect, except here you can expect it in a wittier and more intelligent shape than average. This is Eva Ibbotson we’re talking about.
You know it will end well, even though we are just coming up to the beginning of the war. You know that London in 1938/39 will lead to six years of a very bad time, and these are Jewish refugees we’re talking about. Added to which is the lack of acceptance by white English people who are not too keen on foreigners.
So the war is perhaps 2% of my ‘negative rating.’ The other few percent, well, this is set – fairly realistically, I would say – in the 1930s, and the book was published in 1993, written by someone who had experience of prewar London. Had I read it back then, I’d not have seen much of a problem when Ruth and Quin finally ‘get together’ properly. But now, in 2021, this is #metoo territory. And, well, I felt uncomfortable.
It quickly returns to most of its charm again, and all is well. Only, the degree Ruth worked so hard to get, is no longer needed once there is a happy ending. Not even in this modern version of a time when that would have been the norm (or so I imagine).
On the other hand, how can you not love a heroine who knows herself; ‘Would you like me to stop talking? Because I can. I have to concentrate, but it’s possible.’ So is reciting poetry – in German – to a sheep.