Tag Archives: Alex Nye

The 2019 Yay! YA+

It was time for another instalment of Kirkland Ciccone’s vendetta against the Edinburgh Book Festival yesterday.

Yay! YA+

Only joking. (But if you at first don’t get invited, start your own book festival.) This was the last time at the old Cumbernauld theatre, with great plans for what it’ll be like in the new one. Bistro. With chips. Or so I gather.

After introducing all his authors, Alex Nye, L J MacWhirter, Moira McPartlin, Philip Caveney/Danny Weston, Paul Murdoch and Ross Sayers, Kirkie sent the others off to their respective bars and dressing rooms, while he and Alex stayed in the main theatre for their longer performances.

Kirkland Ciccone at Yay! YA+

Considering that many of the school children who came, are less used to reading and book festivals, it was good to hear Kirkie talk about his own humble background. We got the lot; the exploding council house, his mother’s ‘apple juice’ and his older brother, Scotland’s worst armed robber. Yes, he mentioned the lamp post incident, Kev. And going to collect the benefits Kirkie discovered the library in Cumbernauld and it changed his life, starting with Meg&Mog.

The only reason Roald Dahl didn’t adopt him, despite his repeated entreaties, was that Dahl was already dead. After Dahl and Matilda we quickly covered Nancy Drew, Sweet Valley High, Point Horror, Jane Austen, Agatha Christie, Robert Cormier, Harry Potter and Twilight and Stephen King. All these were somehow responsible for Kirkland’s own books that have since been released into the wild.

Alex Nye’s turn next, where she took us back to the morning of the roof of Cumbernauld Castle falling down and how Mary Queen of Scots helped tidy up afterwards. Then we were in the snow on Sheriffmuir, in the ghostly tales of Chill and Shiver, before moving on to Glen Coe and Darker Ends.

Alex Nye at Yay! YA+

She bemoaned the fact that not enough Scottish history is taught in Scottish schools, and that it’s more British history. Mentioning the new film about Mary she said it was good, but featured a fake meeting between Mary and Elizabeth I and some laundry. This year Alex has two new books out, one about Mary Shelley and another about children from Syria.

When Kirkie turned up again to tell me that lunch was ready, I ordered him to assist Alex in coming to an end, so that the entire lunch break wasn’t taken up with questions from the audience.

Moira McPartlin and Alex Nye at Yay! YA+

Over lunch I was struck by the fact that out of the eight of us sitting round the table, three had a past in Stockport. Bit of a coincidence. Four if Danny Weston counts as a person… We ate fruit, and discussed the latest phenomenon of how to eat a pineapple. And when the children came with books to sign, the authors were surprisingly badly equipped with pens!

Alex Nye and LJ McWhirter at Yay! YA+

Photos and selfies were taken and books got bought, before everyone was herded back to their bars and dressing rooms for the afternoon. Having sworn never to return to the nether regions of the theatre, I’m afraid I missed Paul Murdoch and Ross Sayers, which was a double shame as they were the ones new to me.

L J McWhirter at Yay! YA+

I began in the bar where L J MacWhirter had music and candles and string lights to help her talk about her book featuring dreams back in the 1500s. She talked about the characters in the novel that took her 15 years to write. L J read to us, until the bell went and it was time to up and change to another author in another bar.

I went to hear Moira in ‘the Fireplace’ where she had bluetacked photos of her inspirations for her characters; Nicole Kidman and Sheila Hancock among them. Moira had purple badges with Celtic knots to hand out, and she told us how she got started writing, being bored when travelling on business. Then she was a runner up in a story competition, where Gillian Philip was a judge, and she told her this was material for a full novel. So she wrote a book.

Moira McPartlin at Yay! YA+

Moira read a piece from the first book in her trilogy, and it sounded pretty good, I have to say. With time for just one question, it was lucky it was an excellent one, about technology in her future. Good children, who paid attention.

Moving to the next bar where Philip/Danny was, I stayed for two talks, seeing as he alternated between his two personalities, and I didn’t want to miss one of them. Danny was born out of necessity, when Philip wanted to go darker in his writing, and the publisher wished to avoid upsetting his fans. And is there anything scarier than a ventriloquist’s dummy? Hence Mr Sparks, which he read in a variety of accents.

Danny Weston at Yay! YA+

By the time Danny became Philip again, he complained his voice was going, but ‘I don’t know where.’ He read from The Slithers, and it was no less disgusting than when I read the book. He reckons that writing fiction is ‘one time in your life you have autonomy.’ There were good questions, and Philip also had a great technique for dealing with the not so good ones, not to mention a way to force unwilling children to come up with questions. This was clearly not his first time out.

Yay! YA+ bookshop

At this point I discovered the bookshop was closed, which was a slight disappointment. I went back into the main theatre and listened to the end of Alex’s talk again, before all the authors congregated down ‘in the pit’ to answer the odd question – very odd, in fact – from Kirkie and the children. Someone wanted to know why they were all so ‘dark.’ It seems it’s what makes writing interesting, so I suspect the time for happily ever after is long gone.

Alex Nye, Ross Sayers, Philip Caveney, L J McWhirter, Paul Murdoch, Moira McPartlin and Kirkland Ciccone at Yay! YA+

The seven/eight signed books and exercise books and bits of paper, and were photographed with ever bolder fans. I saw at least one boy clutching three books, and it gladdened my heart. I will now imagine him sitting at home reading.

Yay! YA+

Carrot topping was discussed at least twice, and I for one am glad Alex still has all her fingers. And then L J went and mentioned Macbeth. In a theatre.

To be on the safe side, Moira drove L J and Philip/Danny to their train and then she gave me a lift home. Let’s hope for the best.

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…and the Christmas tagliatelle

The Fledgling Girls booked themselves in for Christmas lunch at Corrieri’s yesterday, and they allowed me to tag along, in all my un-Fledglingness.

Moira McPartlin, Alex Nye, Bookwitch and Helen Grant

It was good. Corrieri’s used to be somewhere the Resident IT Consultant’s relatives gathered for Christmas Eve pizzas in the semi-olden days, so it has Christmassy connotations for me. And what could be more seasonal than mushrooms and tagliatelle? Fish and chips. Pizza. It was all good.

We exchanged gifts and cards.

We exchanged opinions on a lot of things, from all that stuff in the news, to literary agents, authors having large incomes (hah), second husbands, incidents with cars, art, lemon desserts, having nice offspring, 1980s music, getting on with one’s parents. You know, perfectly normal conversation.

At least I think it was…

We might have stayed longer than the restaurant expected us to, but it’s hard to stop chatting mid-gossip. If there is a next time, I’ll have Moira’s dessert.

More handsome sitting down

Those were Michael Morpurgo’s words, but we would have loved him whatever he did. He decided he was most comfortable sitting down. His [event]chair, Alex Nye, grew so comfortable that she re-titled Michael’s book which he’d come to talk about, making it In the Mouth of the Lion, until Michael mildly said ‘I thought it was the Wolf..?’

You don’t get much past Michael Morpurgo. He must be a dream to ‘chair’ because he knows quite well what he’s going to be doing and he will go ahead and do it, no matter what. Never mind that he ‘mocked’ his illustrator for his Frenchness; you could tell there was much respect between the two of them, and he told us we must buy Barroux’s In the Line of Fire.

Michael Morpurgo, Alex Nye and Barroux

He began by reading to us, sitting down and being handsome, the first two chapters from In the Mouth of the Wolf. ‘They’re quite short. Don’t worry, it won’t be too boring.’ It wasn’t. And even those early chapters were enough to make us want to cry.

While Michael read, Barroux illustrated, showing us the views from [Michael’s uncle] Francis’s bedroom windows, saying he’s not a good illustrator. He prefers a bad drawing with a lot of emotion in it. Barroux also showed us his three different cover ideas for the book, explaining that it’s the publisher’s choice; not his.

When it was time for questions, the first was about Kensuke’s Kingdom. Michael was a little startled by this, but gave a long, considered answer, and then asked for the remaining questions to be about his new book. Because what authors need is to sell books, so they can have new socks, and J K Rowling has many many cupboards full of socks.

Barroux ‘hates fairies and unicorns’ because he can’t draw them, and he’s only recently learned to do dolphins. As Michael answered a question on freedom for his characters – who, of course, are not characters, but were real people – Barroux stealthily began to draw a dolphin. When discovered in the act, he was told that the whole entente cordiale was just then in danger.

Michael pointed out to his audience that in WWII, and for centuries before that, Britain was never occupied, while Europe was. In fact, not since William the Conqueror a thousand years ago… And we know where he came from.

Barroux

Asked about his passion for books, Michael said he’s more passionate about the reading of books. You should catch fire when reading, to reach those who never read. Currently he is working on several things; translating Le Petit Prince, putting words to The Snowman, and writing a new version of Gulliver’s Travels with Michael Foreman illustrating. He’s portraying Gulliver as a recent refugee, washing up somewhere new.

By then we’d overrun by at least five minutes, but Michael said he was going to sing for Barroux. There is a film being made of Waiting for Anya, and in it there is a song Michael likes very much. He sings it in the bath.

And ignoring his suggestion that we think of him in the bath – or not – or that he pretended the theatre’s doors would have to be locked to prevent us escaping, Michael stood up, still handsome, and he sang to us, and to Barroux.

It was a beautiful ending to a beautiful event, and to our book festival.

Quite early on a Sunday, or Day 5 of the EIBF

I never book tickets for events starting at ten on a Sunday, having discovered in our first year that you can’t get there that early. So this year I decided we’d go and see Michael Morpurgo and Barroux at ten, on a Sunday, just because Alex Nye was doing the chairing. And she clearly wouldn’t get there on time either. We came up with various solutions, wondering if we’d have to hoist Alex over the gate so she’d get in, but she ended up being all right, and so were we.

My Photographer and I were so all right we even had a second breakfast, which sort of helps you keep going when you have events at meal times and such like. In fact, as I rushed in to collect tickets I found a relaxed Michael Morpurgo being done by Chris Close, before the rain. I’d wanted to meet Michael properly this time, and when he saw me he said hello, so I must have looked like a hello kind of witch. I was pleased to discover he was being looked after by Vicki, one of my long-standing publicists.

Barroux

We ran on to Michael’s event in the Main theatre, which was worth every one of those early minutes of trying to get to Edinburgh in time. He didn’t do a signing afterwards, but we watched Barroux painting his way through his part of the signing.

‘Backstage’ we found Ade Adepitan being photographed, in the rain, and I was introduced to Mrs Morpurgo, who had not been expecting a Bookwitch to be thrust on her.

Frances Hardinge

Marcus Sedgwick

Before going to the Moomin event with Philip Ardagh, we called at the children’s bookshop where I had estimated we’d find Marcus Sedgwick and Frances Hardinge signing after their event, and as a lovely bonus we got a Blue Peter Gold Badge winner, aka former children’s laureate Chris Riddell. He claimed he had only sneaked into the event, but there he was, at the signing table. A chair for a chair?

Chris Riddell and Marcus Sedgwick

It was time for us to go on to the Corner theatre for Philip Ardagh’s event on the Moomins, before returning to the same corner in the bookshop to chat with him as he signed his rather lovely looking book on his favourite creatures. It is expensive, though, which will be why it was wrapped in plastic, until my Photographer helped by getting her Swiss Army knife out and slashing the wrapping for Philip and his publicist, who was wishing she had sharper nails.

Philip Ardagh

Back to the yurt for a photocall with Ehsan Abdollahi, except he needed an umbrella and we decided it was too wet to snap. (You know, first he doesn’t get a visa, and then we treat him to cold rain. What a host country!)

I thought we could go and catch him at the Story Box where he was drawing, but it was busy, and we left him in peace. I’m glad so many children dropped in for some art with the book festival’s resident artist.

Our early start required us to miss a lot of people we had wanted to see, but who were on much later. And Judith Kerr had been unable to travel, leaving us with more afternoon than expected.

Cressida Cowell

Before leaving for Bookwitch Towers, we made a detour to Cressida Cowell’s signing. Her queue went a long way round Charlotte Square.

By some miracle, the Photographer and I hadn’t quite killed each other by the end of our day.

(Photos by Helen Giles)

A second Saturday of EIBF 2018

Our second book festival Saturday was mostly spent chatting to author friends we’d made earlier. And that’s a very nice thing; this meeting up with people who’ve all come to the same place. It’s also a rather bad pun to indicate that the first event yesterday morning was chaired by Janet Ellis. I got slightly more excited by this than my Photographer, until I did my maths and realised she’s too young for Janet’s time on Blue Peter. But us oldies enjoyed the BP-ness of it.

Kit de Waal

We had to get out of bed really early to get to Edinburgh to hear Jo Nadin and Kit de Waal talking to Janet. But thank goodness it was in the Spiegeltent, where you can buy tea and cake to revive yourself. I reckon we survived until well past lunch on those calories. It was so early when we got to the gates that the gates were actually not open, so we joined the queue, where we were discovered by SCBWI’s Sarah Broadley. My eyes were not open enough to see anyone at all just then. (That’s Society of Children’s Book Writers and Illustrators, in case you were wondering. It is, even if you weren’t.)

Jo Nadin

Once my eyes had opened a little more, I saw Alex Nye arriving for her event chairing A L Kennedy. And when we were back by the yurts after the first event, we watched A L being given the Chris Close treatment, although I think she might actually have given Chris the A L Kennedy treatment. She had her own ideas of what to do, like covering her face with a mask.

Jo Nadin and Kit de Waal

We also hung in the signing tent while Jo and Kit did their thing, meeting young miss Nadin for the first time, and after that they were ushered out to the photocall area, which brought back fond memories for Jo. And us.

Sent the Photographer over to catch perennial weekend morning favourite Andy Stanton and his long signing queue. It’s nice with traditions.

Andy Stanton

While getting ready to cross to George Street, we spied Barry Hutchison coming away from his morning event, and I could have sworn that was Chae Strathie who turned up as well. Barry came over for a hug. Two hugs, really, but that was before my Photographer mentioned the squirrels. We were treated to an impromptu show about a banana drink and a piece of popcorn in the wrong place (Barry’s throat; the wrong part of it) before he was called on to drive his family home.

Lari Don

There was a queue for the SCBWI event with Lari Don, Candy Gourlay and Elizabeth Wein, but it was all right. We got in and we got seats.

Candy Gourlay

Elizabeth Wein

Afterwards we hung in the George Street signing tent talking to the various SCBWI members and waiting for Candy to be free to socialise. Even Mr Gourlay turned up for a moment before deciding it was hopeless and walked off again. When the wait was over and Candy had promised not to talk to anyone else – hah! – we went for tea in the yurt, where we had such a good time that we forgot that Candy was going to be photographed by Chris Close, and she had to be extricated to high-five herself and to smile at the unlikeliest props. (At least she didn’t get the head with the black and white-chequered cloth covering!)

Candy Gourlay

Finally met Barbara Henderson in person, a split second after I worked out that’s who she was, and mere hours after talking about her book at home. Chatted to a charming **illustrator, whose name I forgot immediately, and her charming son, who will go far. Caught a glimpse of Donna Moore and then Photographer and I disagreed on whether we saw Jenny Brown or not. But it was definitely Yanis Varoufakis outside.

When there were more SCBWIs round the tea table than you could shake a stick at*, we decided we needed to run for the train we had picked as reasonably safe from too many Runrig fans heading to Stirling. Seems most of the 20 000 or so had not chosen our train. Just as well.

*There is obviously no such thing. I have plenty of sticks.

** Hannah Sanguinetti!!

(Photos Helen Giles)

Ghost launch #2, take #2

I completely forgot the Mars bar. I’m the kind of witch who gives authors in need Mars bars.

Che Golden and Helen Grant

We launched Helen Grant’s Ghost last night. This was the second Edinburgh attempt, after the snow in March, and this time we were successful. Author Che Golden had mentioned the need for a Mars bar in her reverse psychology sort of invitation to the event on social media the day before. Che was chairing, so clearly felt the need to entice people to come. Online, Helen and Che have been known to call a spade a spade. And worse.

In person, Che is disappointingly polite.

Helen Grant and Ghost

We had a full room at Blackwells, and not just because both Daughter and the Resident IT Consultant came. There were a few authors, like Alex Nye, Joan Lennon, Philip Caveney and Roy Gill. Also a Ghost, except it was just some lunatic covered in a bedsheet, who later turned out to be Kirkland Ciccone gone bananas. And some perfectly normal people.

The bananas were later visible on his shirt, which he’d teamed quite nicely with a sequinned jacket. So while everyone else was also beautifully turned out, no one was quite as bananas as Kirkie.

Kirkland Ciccone

Once the silly photographs had been tweeted, Che went to work with a host of questions. Helen continued the fruit theme by mentioning The Pineapple, where you can stay for a holiday, and the deserted ruin nearby, which is one of the many places to have inspired her.

Helen Grant

She said again how hard Ghost had been to write. The dream would be an agent who reads her new novel immediately, loves it and calls with a book auction offer of £5 million. Helen doesn’t want to write more YA, but prefers to work on traditional ghost stories.

Che reminisced about how on their first meeting Helen took her to Innerpeffray Library, and showed her the leper squint. It’s what she does for her friends, I find.

Che Golden

Che also pointed out that while she has read every single book Helen has written, Helen has not read any* of Che’s. This is possibly not true, but a sign of how they insult each other. I occasionally wonder if I shouldn’t have introduced them, but then, where would I learn such a varied vocabulary?

Helen sets herself an amount of words to be written every week. If she has worked hard, she might get Fridays off. That’s when she relaxes by visiting solitary places, for the atmosphere. She can recommend graveyards.

Philip Caveney and Susan Singfield

And on that cheerful note it was time to buy copies of Ghost and to mingle and chat. There was wine.

Roy Gill

After I’d given Mr Grant a quick Swedish lesson, it was time to go home. Which, is easier said than done on a Thursday, with still no evening trains. We lured poor Kirkland to come along with us, which meant his debut on the Edinburgh trams as well as probably getting home considerably later than he’d have done under his own steam. But we meant well.

*I can recommend them.

They’re all women!

They all seemed to be women. Or perhaps I merely happened to choose Book Week Scotland events that featured women. I picked what interested me, and what was nearby enough to be doable, and at times convenient to me.

Four events, though, and a total of nine women speaking at them. Only the last one, about gender violence, had a subject that determined who was likely to be taking part.

The audiences were slightly different. For Mary Queen of Scots there were three men. The gender violence had one man in the audience for part of it, one man to operate Skype (!) and one man who seemed to be working in the room where we sat. Several men for both Lin Anderson and the autism discussion, while still being in a minority.

Three events were during daytime, but that doesn’t explain the lack of men, when the women were mostly well past 70.

Do they read less, or are they not interested in events? Or do they go to the ones with men talking? (I’d have been happy to see Chris Brookmyre, but he didn’t come this way, or James Oswald, but he was sold out.)

Anyway, whatever the answer to that is, over on Swedish Bookwitch we have women today. My interview with Maria Turtschaninoff is live, and it’s mostly – just about entirely, actually – about women. And it’s in Swedish. Sorry about that. (Translation will follow.)