Tag Archives: Debi Gliori

Day 7

Let me tell you about Keith Gray. Eight years ago, on our seventh and last day of our first Edinburgh Book Festival, Daughter and I happened upon Keith Gray signing in the children’s bookshop. It had been a bit of a learning curve for us, and we realised when we discovered Keith sitting there, that authors might be there even if we hadn’t gone to their events, and even when we didn’t know there was an event.

Keith Gray

Back then I was less shy about being forward, so walked up and introduced myself, and we had a nice chat. Over the years Keith has tended to pop up in Charlotte Square at some point, and there have been other Scottish-based events as well. But ever since that day – the 26th of August 2009 – in my mind he has personified the happy coincidence of the bookfest.

Yesterday was also the 26th of August, and Keith and his family had organised farewell drinks in Charlotte Square, for their many book friends, because they are moving away from Scotland. It was lovely of them to do so, and they will be missed. Much less coincidental popping in future, I suspect.

Jasmine Fassl and Debi Gliori

So, it was especially nice that Daughter was able to be there with me, freshly extricated from the Andes. She was able to say hello to Frances in the press yurt, and – oh, how convenient – she was able to take photos for me as I had an interview to do. I’m nothing but an opportunistic user of my nearest and dearest.

Claire McFall

The interview was with Claire McFall, about her astounding fame. In China, in case you were wondering. She’s lovely, and didn’t even complain as we almost cooked her in the ‘greenhouse’ café. (There will be more about Claire later.)

We’d already spied Michael Rosen, and I’d caught a glimpse of David Melling with Vivian French as they walked over to the Bosco Theatre (which meant I missed out on their signing in the Portakabin) for an event. The signing no one could miss was Julia Donaldson’s, still taking place right next to us in the greenhouse, a couple of hours after her event.

Kirkland Ciccone and Sharon Gosling

Pamela Butchart

Despite not dressing quite as loud as usual, we still managed to see Kirkland Ciccone, signing next to Sharon Gosling and Pamela Butchart. Who else but Kirkie would have posters of himself to sign and hand out? Pamela wore some rather fetching furry ears, but it wasn’t the same. Also milling about in the children’s bookshop were Danny Scott and Keith Charters. The latter chatted so much to Daughter that I had to do my own photographing…

Keith Charters

I believe that after this we managed to fit in eating our M&S sandwiches, before keeping our eyes peeled for one of Daughter’s heroes; Catherine Mayer of the Women’s Equality Party.

Catherine Mayer

We searched out some shade after this, enjoying a wee rest next to the Main theatre, where we were discovered by Kirkie and Keith C and chatted before they departed for home.

Cressida Cowell

Noticed Gill Lewis at a distance as we sped across the square to find illustrator Barroux in the children’s bookshop, and then straight over to the main signing tent for Cressida Cowell. Her signing queue was most likely of the two-hour variety, and necessitated the services of her publicity lady as well, so no chat for me.

Barroux and Sarah McIntyre

And as it seemed to be a day for dressing up, we lined up to see Sarah McIntyre sign, in her queenly outfit. You can join her but you can’t beat her. Barroux, who was still there, seemed to think so, as he stared admiringly at Sarah.

John Young

After all this to-ing and fro-ing we had covered all the signings we had planned for, and we went in search of the drinks party out in the square. Debi Gliori was there, before her own event later in the afternoon, and she and Daughter had a long chat, while I talked to Keith Gray himself. He introduced me to a few people, including debut author John Young, whose book I luckily happen to have waiting near the top of my tbr pile.

Philip Caveney and Lady Caveney turned up, and so did a number of other people I knew, but mostly people I didn’t. We were all charmed by a lovely young lady, who spent most of her time smiling and playing on the grass. If it had been socially accepted, I reckon Daughter might have taken her home with us.

Little M

Daughter and I had placed ourselves strategically by the path, so that when Philip Ardagh strolled past, we cut him off, forcing him to chat to us for a little, while also giving Keith an opportunity to come and say goodbye. And then Philip made Keith take the photo of him and the witches. It only looks as though we are of different height. In reality Philip’s arm on my shoulder was so heavy that I sank straight into the mud, making me look a little short…

Philip Ardagh and witches

We’d never have got away if we hadn’t had a train to catch, so we got away, and the train was caught, but not before we’d encountered Jackie Kay on the pavement outside. Seemed fitting, somehow.

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Tulips, redistributed

We ran out of time yesterday. You will have to wait until tomorrow to read about Lari Don at Blackwells (but by then ‘my story’ will be so much better). It was the sheer amount of travelling to see her on Saturday that took too much of our time.

OK, so it was only the Resident IT Consultant ordered to convey Daughter and me to Edinburgh, but that’s much the same thing.

We began the day by sitting on certain chairs at the big Swedish furniture store. It was a swift in and out, lasting 45 minutes, with no planned purchases. And while no unexpected tealights were bought, a few other small things happened to become ours. But fastly.

Among them a simple frame for one set of Debi Gliori’s tulips. I spent all of five minutes last night framing them in order for Daughter to pack them and take them to A Road In Switzerland. (It was the usual scenario, with the two of us weighing every last item to go in that suitcase.)

The other tulips went to Son, after we invited ourselves for afternoon tea, having argued that tulips travel more safely in a car than in a rucksack. He complained they had not been signed, so I suggested he should invite Debi for afternoon tea and present her with a pen.

After the buying of frames we had lunch out. I can safely say it was the rarest of places, as my tip was – almost – refused. After which we repaired to Blackwells, being greeted at the door by Ann Landmann, telling me the couch was waiting for me.

Post-Lari we met up with Baby Tollarp for the first of two consecutive afternoon teas (I know. It’s a hard life.) Daughter exhausted herself on this her first session of keeping a very young man occupied. But he did like her and smiled a lot, until he got too tired for smiling. Stairs in bookshops can have that effect.

That about covers our day; shops, lots of food, and tulips.

(There might have been more food with Doctor Who. I wouldn’t like to say.)

YA? Or actually for old, proper adults?

When I read the two books by Michael Grant recently, Silver Stars and his WBD book Dead of Night, I thought – again – about what makes them YA. Why not just plain adult? After all, they are about adults. More or less. OK, his characters lie a bit to enlist, just like teenagers did in WWI. But they are to all intents adults, and with what happens in the stories, they definitely become adults pretty soon.

There’s a lot of bad stuff happening, and some of them die. The reader is treated to war scenes that can be quite upsetting, especially when you know they are based on reality. It’s not just something the author has made up to spice the book up a little.

There are relationships that are more grown-up than what you find in ‘high school’ stories. Some sex, as would be appropriate for what is being written about.

Take Elizabeth Wein’s Code Name Verity, which is also about war and also about characters only just adult enough to do what they do in wartime. They are adult enough to appeal to the real adult reader, but not so old that they don’t suit teenagers.

At that age I used to read Nevil Shute, because there was no Elizabeth Wein or Michael Grant. His books were accessible enough, and often about the same kind of topics, but the characters were – generally – older, and their problems also a bit older.

But I think the main difference is still that there is hope. Yes, people die. It would be unrealistic for them not to in a war. But as Michael said in our first interview in 2010, ‘it’s always good to hope, don’t you think?’

While I’m going on about YA war books, we can mention Lee Weatherly’s Broken Sky dystopia, set in a world based fairly closely on WWII. Her characters are also adults, and behaving as such. And to me the books feel like YA, unless I’m thinking this because I know they are. Not having got to the end of the trilogy yet, I still hold out hope that the end will not be as bleak as an adult-only version could get away with.

And anyway, Debi Gliori told me years ago about signing her Pure Dead books for an adult reader, who refused to believe they were children’s books… After all, if you have them in your book club, that surely proves it?

Tulips

March isn’t over just yet, but I feel confident enough to state that two authors made it through the Bookwitch Towers doors (and safely out again) during this month. Both got the Lent bun treatment.

As you know, I try to operate a ‘come empty-handed’ policy, but people find this hard to do. Both my visitors brought tulips, which is probably the nicest thing anyone can do, and get away with it.

Tulips

Debi Gliori had talked about my tulips before she even came. It all sounded rather confusing to me, because she wanted to compare hers to Mother-of-witch’s tulips, that she’d noticed the last time she came. We have a large sketch of a vase of tulips on one wall. And it turned out Debi had sketched very nearly the exact same vase of tulips. She brought three of them for me to see, and then she said I could keep them!

One can never have too many tulips.

Which is lucky, as Helen Grant turned up with a bunch of tulips [real ones], looked at them doubtfully and said she thought they were tulips…

Good thing I’m an expert.

Tulips

And you know, I’d sort of overlooked the fact that the new room – still not quite finished, but in use – needed tulips. Any flower would have looked nice, obviously, but those tulips really made the room. And my week.

Yesterday was Waffle Day, so if any of you wanted to come over for waffles, you’re too late. We had one guest round for these lovely things, and then we sort of happened to eat the leftovers ourselves. (Although, if tulips were involved, I might rethink the waffle situation.)

Bookwitch bites #140

The London Book Fair was last week. There was plenty to tempt, but very little time and energy on my part, so I’ll hold out until some other year. The family was represented by Son, who sleepered south one night and sleepered back north the next night. In between all that ‘sleeping’ I imagine he did book-related work. So many people were there, and I have actually not asked him who he saw, but I do know he met up with/ran into Daniel Hahn.

Daniel did lots of things at LBF, most of which I’ve no idea what they were. (If you feel this is looking like me telling you very little, then you are right. I am.) I understand there was an event with Son’s colleague, fellow translator Guy Puzey. I’d hazard a guess they talked about translations.

Daniel Hahn radio

While on the subject of Mr Hahn, there was a piece on the radio the other week, where he talked about Good Books.

The Carnegie shortlist has been announced, and that has good books too. Mal Peet is on there, with Meg Rosoff, as are Glenda Millard, Bonnie-Sue Hitchcock, Zana Fraillon and Frank Cottrell Boyce.

Carnegie shortlist 2017

Damien Love who self-published his exciting book Like Clockwork a few years ago, now has a fantastic book deal in the US where it will be published some time in 2018 as Monstrous Devices.

Damien US deal

And finally, Debi Gliori tells the world about my marvellous baking skills in a recent blog post on her new blog. It’s very sweet of her. If I didn’t know what a great baker she herself is, I’d say she’s too easily impressed. In fact, I think I’ll say that anyway. Too easily impressed.

But you know, it’s not every culinary attempt of mine that ends up having a professional portrait made of itself.

Semla by Debi Gliori

Let’s keep them out

Or kick them out, in case they already sneaked in.

I’m afraid I can’t leave the state of the world’s affairs alone. There are days when several hours pass without me thinking about this, and there are days when they don’t.

Where to start? Last week at least the children’s books world cried out when Australian author Mem Fox was detained by US immigration officials and treated as though she was a threat to their country. There is very little I can say. I don’t know whether this was done through sheer ignorance, or knowing full well what they did and that that was the whole point.

Maybe on to Australia after that. It seems no country is better than the rest. Luckily it appears that a last minute intervention has saved the deportation of a [Bangladeshi] doctor and her autistic daughter, who it was feared might become a burden on Australia and its tax payers’ money.

While we’re in the medical world, let’s move on to Sweden, shall we? A week ago a 20-year-old pregnant woman was refused entry to the antenatal clinic in a leading Gothenburg hospital, because she looked like a muslim. She is muslim. Born in Sweden, but still. She had phoned in about a concern in her pregnancy and been told to come in. Except when they saw her staff didn’t want to open the door.

Sticking with medical issues, my thoughts went to Malala, the foreign girl from a country so many don’t want immigrants from, who was permitted to come to Britain for her life to be saved. And we all feel so good about that, and we admire her for what she’s gone on to do after recovering. She’s become a National Treasure, unless I’m mistaken?

The same goes for Nadiya Hussain, who bakes and writes books and is so popular you need to queue up to get her autograph.

On Saturday a Facebook friend of mine, author and journalist Hilary Freeman wrote an article for the Guardian about her worries for her family’s future. She has a young child and the father of the child is French. He hasn’t been here long enough to qualify for anything, nor does he earn enough money. The article is very well written, and manages to cover the concerns of many, even if our individual cases vary.

Thinking some more about authors. Two of my top three favourite books were written by immigrants. I keep those books in my ‘special’ bookcase. Had a little look to see who else is there, and counted up to eight ‘foreigners,’ including Italian Scots, before the shelf disappeared behind the armchair. But you get the picture; lots of fabulous books have a non-British background. Even when ‘we’ think it’s good old English stuff.

If I did to my bookcase what the Davis Museum in America did when they removed art by immigrants (for the best of reasons), it’d soon look pretty deserted.

And there is always something that can be done, putting people in their place. Quoting Wikipedia, Tamarind Books ‘was founded in 1987 as a small independent publisher specialising in picture books, fiction and non-fiction featuring black and Asian children and children with disabilities, with the mission of redressing the balance of diversity in children’s publishing.’ This is very worthy and I have the highest opinion of Tamarind. But now that it is also an imprint within a much larger organisation, has it become the place to stash away the slightly foreign authors? You know, ‘you will be happier next to your own kind’ sort of thought.

As for tax payers’ money, I always believed it was there for the burdens in life.

Debi’s Night Shift

There were people already sitting in the leather sofas at Blackwell’s. And I arrived really early, too. So there was nothing for it but to sit on one of the ‘filthy’ staffroom chairs (this charming description courtesy of the shop’s Ann Landmann) at the back, but that was fine too. I like the back. And I didn’t break the chair, which at one point seemed worryingly likely. Maybe next time.

Ann Landmann with Debi Gliori and Andrew Eaton-Lewis

I’d come to Edinburgh to see – well, hear – Debi Gliori talk to Andrew Eaton-Lewis from the Mental Health Foundation about Night Shift; her book on depression. The event had been sold out for some time, and it was the fullest I’ve seen the room. Hence the need for all the ‘uncomfortable folding chairs’ as well as the staffroom contribution.

Debi arrived with her family in tow, and was greeted by lots of people who seemed to know her. And she noted I wasn’t sitting on the sofa, as I’d promised…

Ann Landmann’s introduction was more honest than ever, and also covered the matter of blue drinks being served, the shop front being painted blue, and that it is ten months until Christmas, but that this musn’t deter anyone from buying copies of Night Shift.

Debi Gliori and Andrew Eaton-Lewis

Debi and Andrew ended up doing their talk standing up, the better for us to hear them. The first time Debi suffered from depression was the worst, possibly because it was the unknown. These days she doesn’t always notice when it’s coming, but her family can tell. Debi feels she has wasted enough time on depression over the years, which is partly why she started on the book.

The pictures were mainly intended for herself, but part-way in she changed her mind and felt there could be a book in it. Debi is an ‘ancient hippy’ which could be why she uses dragons to illustrate the bad feelings. She made the pictures big, but is unsure why the book ended up quite as small as it did.

The book was mostly intended as a communication tool, a bit like the Point It book she used on holiday in Portugal. If you can’t say it, you can always point to a picture of what you mean. It was hard finding a publisher for the book, because it was so dark, and so far removed from fluffy bunnies.

Debi Gliori

Fellow illustrator Kate Leiper, who sat next to me, asked how Debi manages her ordinary illustration work when she’s depressed. The first time it was so bad Debi couldn’t even go in her studio for over a year, but now she finds she writes better books the more depressed she is. No Matter What is ‘a very dark book.’ But she’d rather make bad books and be happy.

Running was what saved Debi, and that first time it was running that led to her feeling able to go next door and have coffee with her neighbour, at a time when even little things like that seemed impossible.

Andrew Eaton-Lewis and Debi Gliori

While she doesn’t want to put dark images in the minds of children, Debi pointed out that children watch some pretty grim television these days. The US version of No Matter What has lost the last page in order not to upset American sensitivities. Debi occasionally checks reviews on Amazon to see what people say about death in picture books.

Asked if there was a book that made her feel very special when she read it, Debi mentioned Tove Jansson’s Comet in Moominland; the most perfect book in the world. She wants to be adopted by the Moomins, and to have access to Moomin mamma’s handbag.

From there it was straight to the signing table, where a special silver sharpie awaitened Debi and her queue of fans. I hurried over with my book, but got stuck waiting for a bit after all, chatting to someone from the book festival, who in turn introduced me to the person responsible for Granite Noir. Queues can be useful that way.

Debi Gliori

Finally, before running off to the airport, I stopped and chatted to Kate Leiper who was busy ‘being spontaneous.’ And we talked a bit more about illustrating. Seems Kate makes ‘notes’ when she comes up with good ideas for pictures, just like I do with words; before they can escape.