Tag Archives: Francesca Simon

The EIBF schools programme

Do any of you feel like a school at all? I’m asking because the Edinburgh International Book Festival schools programme was released this week, and it’s what Kirkland Ciccone and others were rushing to Edinburgh for on Friday evening, after the Yay! YA+.

The organisers invited (I’m only guessing here) a group of authors, some of whom are part of this year’s programme, to come and meet the teachers and librarians who might be persuaded to book a session for their young charges in August. And as I keep saying every year; it’s the schools events you really want to go to. Except you can’t, unless you’re local enough to travel and can surround yourself with suitably aged children.

But you can treat the programme as a sort of guide as to who could potentially be in the ‘real’ programme, which won’t be released until the 10th of June, and you are forewarned. Or you might be disappointed when you find that your favourite someone is only doing schools this year. But at least they will be there, and you could get a signed book.

Francesca Simon

I’m already excited by the list of great names, even if Kirkland is also on it. I’m no school, though, so won’t be there. 😉 But perhaps this year will be the year when I catch a glimpse of Sarah McIntyre and Philip Reeve. Or Tim Bowler, David Almond or Ali Sparkes. The list is – almost – endless. I’ve already made a wish list for myself of people to look out for, or whose temporary husband I could be. Perhaps.

Whose illustrator?

I spoke to Thumper’s mum again. I realised I wasn’t quite done being unkind.

The thing is, one of the press releases I received for a recent book, mentioned David Walliams’ illustrator. Perhaps you are more aware than I am, who that actually might be, and are shouting out his name as you read this. But I was taken aback at the description. (I’m hoping it was a slip of the keyboard.)

The book was the new Horrid Henry, and Francesca Simon received the correct star billing as being a top-selling author. But guess what? The person who illustrated Horrid Henry (after all these years, 25 or some such number) is David Walliams’ illustrator! I wouldn’t know DW if he sat opposite me on the train, and even if this person was a rookie illustrator who had only made pretty pictures for a few books, I’d still expect him to be properly introduced, by his own name.

Especially since he is Tony Ross; one of the leading children’s books illustrators, and someone whose work is instantly recognisable. Tony does pretty pictures for many authors, and he also does them for himself, when he is the author as well as the illustrator. I always make a point of reading and reviewing his work if I can, because I know it will be good stuff.

Tony Ross and Wendy Finney, The Not So Little Princess

Like this one, The Not So Little Princess, What’s My Name? where the words are by Wendy Finney (they are good words, too), but you find that Tony’s name is mentioned first, and with no DW in sight. (OK, so it’s by a different publisher.) It’s as funny and lovely as all the other Little Princess books have been before it.

As you will have guessed, the Little Princess has got bigger. These things happen. And her family and ‘servants’ realise she can no longer be addressed as Little Princess. But when they recall what her real name is, they all turn a wobbly and run away, hoping they won’t be called upon to be the one who has to tell her.

Just as silly and amusing as you’d expect. And the LP is a sensible girl, deep down, and she solves the name problem herself and everyone is happy.

I wonder if there will be more Big Princess books?

Tony Ross

THAT is Tony Ross, above. In case you are ever called upon to sit opposite him on a train.

Lizday

At 9.59 there was considerable panic among Horrid Henry fans. Parents were seen running with their children across Charlotte Square, and then back again a minute or so later. It’s also known as ‘I didn’t need the toilet before but now I do.’ The event started at 10.

Liz Kessler

Francesca Simon

My first – literary – port of call was with Liz Kessler. I then had half an hour in which to take pictures of her signing, run across the square to see if I could catch Francesca Simon still at it, and then get myself to my second event with Gill Lewis. That’s when I remembered I had a book I wanted Liz to sign, and being a popular sort lady she still had a long queue and I wasn’t anywhere near the front of it. So I thrust the book at her publisher Fiona Kennedy and asked her to see to it that Daughter got an autograph. Surprisingly, Fiona seemed to know who I was.

Gill Lewis

Paul Stewart and Chris Riddell

After Gill’s event I had slightly longer, so had time to take pictures of her, and to dash across the square for Chris Riddell and Paul Stewart in the other signing tent. Had to remember to go back to base and get my hopefully signed book back. Then I went to meet Caroline Lawrence, whose Saturday event I had been forced to miss, but who very kindly sacrificed some of her time on me today.

Norse monster

Norse monster

Norse monster

Kate O'Hearn

We decided there was time for an ice cream – because we both carried spare food in our rucksacks, so didn’t need lunch – and we exchanged news and discussed what’s hot and what she’s working on now, and then she ran on to hear Kate O’Hearn, whose rather fantastic team of Norse monsters were a sight to behold. I caught up with them in the bookshop an hour later, where they chatted to babies (who will never forget this early literary experience) and posed and were generally rather unsusual.

Michael Rosen

Meanwhile I had found Michael Rosen signing across the square, talking to his young fans with his normal charm and performing facial acrobatics. He too had caused a late rush on the toilets, so that seems to be a hazard with young fans.

Simon Armitage

‘Backstage’ I found Carol Ann Duffy and I saw Peter Guttridge at a safe distance from sleeve-tugging. Again. While I waited for Simon Armitage to come to his photocall, Kate O’Hearn and her monsters returned, and thanks to Chris Close I got another opportunity to snap these fantastic creatures.

Kate O'Hearn

Elizabeth Wein

Elizabeth Laird

Chris Riddell

My final event this book festival was another couple of Elizabeths; Laird and Wein. I even had a few minutes during which to take photos of Liz and Liz, as well as of Chris Riddell who was still signing away an hour after his Goth Girl talk, before I ran off to find a tram to the airport. It was high time to collect Daughter from her Californian adventure.

EIBF and me, 2014

It is here. The programme for this year’s Edinburgh International Book festival. And I’m sorry, but all I can think of is that Sara Paretsky will be there. It’s been three years, and she is finally coming in the summer rather than freezing her nether regions off in February/March. Which is so sensible.

OK, there must be a few other authors scheduled for the two and a bit weeks. Think, witch, think!

There are some very interesting looking events where authors one admires talk about authors one admires. I’m going to have to see if I can catch one of those, because they look like tickets might sell out fast (small tent). Then there is Patrick Ness who will give the Siobhan Dowd talk and Val McDermid will pretend to be Jane Austen.

Wendy Meddour is coming and there is a lovely pairing of Francesca Simon and Irving Finkel. Another interesting pair is Caroline Lawrence with Geraldine McCaughrean. Elizabeths Laird and Wein will cooperate, and Gill Lewis is also making an appearance.

Many more excellent authors like Sophie Hannah and Arne Dahl, Tommy Donbavand and Liz Kessler will be at the festival. I have to admit to paying less attention to the ‘grown-up’ authors again, in favour of my ‘little ones.’ Those who are given orange juice instead of wine (although I am sure not at EIBF!) because they write for children.

Have to admit that many of my hoped for events are school events. I am glad that some of the best looking events are for schools, because it means someone thinks school children deserve the best. I want to be a school child on a very temporary basis at the end of August.

Deck chair

I’m hoping for plenty of stamina on my part. I have planned a number of full or nearly full days, for about two thirds of the festival. (I was thinking of having a holiday at some point.) The event I am fairly certain I won’t be able to go to but wish I could, is Eleanor Updale talking about Vera Brittain. That would be really something.

Perhaps I will see you in Charlotte Square? (If my eyes are – temporarily – closed, just give me a gentle nudge.)

The Lewis Chessmen

I was about to say I don’t reckon I’ve seen the Lewis Chessmen in real life, but in my younger museum-going days I looked at lots of things without retaining a great deal of memory. (In one eye, out the other?) So I might well have said hello to them.

If not, I have now, through a book. The British Museum is re-issuing Irving Finkel’s The Lewis Chessmen and what happened to them. Great illustrations from Clive Hodgson shows you the Queens braiding their hair, and chess people drinking and having fun.

And fun is what this is. To be honest, I didn’t expect it.

Irving Finkel and Clive Hodgson, The Lewis Chessmen

Irving is telling the tale of these chess pieces from back when they were hibernating on Lewis and were found by a cow, and soon after by a fisherman. Then follows a trail of the Lewis Chessmen’s travels all over the place. They kept being sold, until they ended up in The British Museum in 1831.

Well, most of them did. They had to suffer the agony of separation, and across marriage vows at that. It wasn’t until 1993 that some Queens and Kings were temporarily reunited, when they were able to ‘visit’ for a few months. (They had a lot to talk about.)

This is a terrific way to sell history and ‘boring old museum exhibits’ to people like me. I believe the book was mainly intended for children, and I hope loads of them get to take a copy home from the museum shop. You could do a lot worse.

(And afterwards I suggest you have a go with Francesca Simon’s version.)

The Christmas book ad

The advertisement for books for a child for Christmas; which books should it contain? I was happy to stumble upon an ad that seemed to recommend good books. And it did… but it was from The Folio Society, which sells expensive editions.

And what they suggested were classics. The kind the giver and/or their parents, and grandparents, used to read. When you see a suggestion like that you often think that’s all there is. Or you are likely to, if the only ‘new’ book you’ve heard of is Harry Potter, who will soon be joining The Wind in the Willows, Peter Pan and Wendy, The Hobbit, Ballet Shoes and Hans Andersen’s Fairy Tales as a classic read.

The kind of book well-meaning adults go on and on about.

At the other end of the scale you have the books ‘everyone’ has heard of, but which don’t necessarily need advertising to sell. Jacqueline Wilson, Horrid Henry, David Walliams, Wimpy Kid. They are all fine! But like the books above, they are obvious choices.

Could we have an ad like The Folio Society’s ‘Best books for kids this Christmas’ that might mention slightly less famous books (and that could also mean the recipient is less likely to have a copy already), but ones that are so very good in a general sense that few children would dislike them if they got them for Christmas?

As The Folio Society ad says, it’s good to leave children alone to read. I’d just like them to have something more recent than what grandad liked when he was a little boy. Considering the books in the ad, they will be aiming at the age group between seven and twelve, roughly?

So, let’s see. Eva Ibbotson. Very reliable choice. What do we think of Michael Morpurgo? I find he is less of a household name among mature buyers than you’d think. Perhaps one of his less famous titles. Philip Pullman. Again, some of his less well known books, so not HDM.

I’m rambling, and you are thinking I’m picking famous names. But away from our select and relatively small group of adults who like children’s books and know about them, I hear people chatting about my big heroes as though they are minor players or newly discovered small fry. Good, but not gods. I have to stop myself from bashing their heads in. (Figuratively.)

Morris Gleitzman. Anything, really. Judith Kerr. Michelle Magorian. Jan Mark.

How am I doing? I’m avoiding picking those authors whose work might be best aimed at a particular age or sex to be successful, however excellent.

By the way, do children still enjoy The Wind in the Willows? Or is it now more of an older person’s choice, rather like Roald Dahl?

Lobbying for Libraries

Mass Lobby of Parliament for School Libraries

Not all of us who would have wanted to, could make it to London on Monday for the mass lobby to save school libraries. Luckily, quite a few people did. Authors, librarians, readers.

Mass Lobby of Parliament for School Libraries

Mass Lobby of Parliament for School Libraries

Mass Lobby of Parliament for School Libraries

I didn’t even get the t-shirt.

Mass Lobby of Parliament for School Libraries

Mass Lobby of Parliament for School Libraries

Looks like they had fun, too.

Mass Lobby of Parliament for School Libraries

Some people clearly didn’t take it seriously, at all…

Mass Lobby of Parliament for School Libraries

Mass Lobby of Parliament for School Libraries

I’m hoping it doesn’t say ‘The Best Ardagh’ on this sign.

Mass Lobby of Parliament for School Libraries

Thanks to Candy Gourlay for the photos.

Mary Hoffman’s blog.