Tag Archives: Graham Greene

Careful with that advice

And I should obviously heed that, erm, piece of advice myself, re advice on what to tell people to read.

I can’t tell you how relieved I felt on reading today in the Guardian Review that Patricia Highsmith can be a bit iffy to read. It absolves me from the disaster that was the younger me having a go with one of her books, on the advice from someone else. I forget who. I found it a horrible book, and I can no longer recall if I soldiered on or if it was an early instance of me permitting myself to give up.

Since then I have steered well clear.

Setting personal tastes aside, I feel the suggestion was made to too young a reader. I don’t mind inappropriate sex or violence at too early an age, as you will generally just filter it out if you don’t enjoy it. But the sheer boredom of not understanding what’s being written about is a sure way of turning people off.

At what was most likely an even lower age, I was told to read Graham Greene. I started on The End of the Affair, found it incredibly boring, but made it to the, well, end of whatever this affair was. I forget. I went on to read many Greene books, but they were slightly later and they were chosen by me, so the subject was more suitable.

And at a rather more mature stage in my life, someone said I would love P D James, because she’s just like Agatha Christie. That sounded good, and I did have a go. But it was a lie. She’s not like Agatha. I’m sure she’s very good, but I was mis-sold, in all innocence. So me and P D have not really recovered from that first meeting.

I shall now go away and see if I can reign in my own advice on who should read what and when.

AAYA 88

Or Authors & Artists for Young Adults, volume 88, as published by Gale, Cengage Learning. It’s a reference book, and as the more astute of you have worked out, there have been 87 volumes before it, and I suspect (and hope) there will be many more after it as well.

Authors & Artists for Young Adults, vol 88

No, I’ve not taken to reading and reviewing piles of reference material, but this came my way four months ago when someone wanted to use ‘my’ photos of Michael Grant. They were really my Photographer’s pictures, and after thinking about it she gave her consent and they chose the ones they liked best.

It took me a while to even work out the publishers were in the US, and once I’d established what kind of book they were producing, I asked if we could see the finished copy, which they generously said they’d send us. It’s not really the kind of book you’d go out and buy as a private individual. The edition is fairly limited and the price is high, so I’m guessing it’s mainly for libraries and similar.

Michael Grant in Authors & Artists for Young Adults, vol 88

But it’s such a good idea, collecting information on people who write for Young Adults, or illustrators. The selection process seems a little random, since it’s not alphabetical, nor chronological. There is an index listing who has been in all the 88 volumes, and in which one.

It’s not your ordinary list of YA people, either. Adèle Geras sits tantalisingly near Mel Gibson and Paul Gauguin. Staying with the Gs we have Michael Grant as well as El Greco and Graham Greene. There are disproportionately more Americans, but in volume 88 we have Matt Haig, and he and Knut Hamsun and Stephen Hawking are close, index-wise.

Jane Austen is there, and so is Mrs Michael Grant, K A Applegate. Walter Dean Myers gets a lot of room in volume 88, which he also shares with Anna Godbersen and Aprilynne Pike and Kenneth Oppel. As you can see, a varied lot of writers. ‘My’ volume has just over thirty names, and I’m guessing the older volumes are similar. Some names are listed more than once.

Michael Grant in Authors & Artists for Young Adults, vol 88

Michael gets six pages in this edition, and unlike some he doesn’t have either his address or his email listed. I suppose it’s up to each person how easy to find they want to be. Since this isn’t intended for the young readers, I imagine contact details are more for people who might want to book someone for events.

It’s a nice idea. You can – probably – never have too much information about what young people want to read.