My resolve was to try new authors. At least new to me. And then Alex Gray turned out to have a whole event featuring new crime writers, which was perfect. She herself was obviously not new. The others were. Sort of.
While I didn’t recognise the very smiley Felicia Yap, as soon as she mentioned that she had been introduced to her husband by Anton Du Beke, I knew I had read about her in the Guardian recently. She is one of these people you want to dislike, because they are both attractive and talented and can do/have done so much.
This must be what led Mark Hill to claim that he had also been a catwalk model, although I feel that ‘only being a journalist’ is no bad thing. Ian Skewis, on the other hand, was a ‘pissed off’ former actor, and Rob Ewing a Falkirk GP. Ordinary, but not really ordinary. All four have got a debut crime novel out, something that made Alex point out that anyone can become a crime writer.
Rob’s book – The Last of Us – is set on Barra, except he doesn’t say it’s Barra, but it is. The bit he read to us was partly about posting coconuts through a letterbox, and surprised cows. I think it was, anyway. Ian read on the Kindle from his A Murder of Crows, which he began writing in 1989, and as he mentioned finding a dead body (in real life) ten years earlier, I’m having trouble working out his age. He looks younger than that.
Mark Hill’s novel Two O’Clock Boy was always going to be a crime novel. No doubt about that. Finding out it was going to be published made him the happiest ever. Unless that was having a child. And Felicia read from Yesterday, about the difficulty of solving a crime when you can only remember the last 48 hours. She might have claimed she wrote it on the dance floor.
(I’m wondering if books featuring amnesia are ‘in’?)
I found it interesting that all four had strong opinions on how to write, despite not having lots of books under their belts. Maybe they have lots of unpublished ones? Mark plots on a blackboard with coloured pens. Felicia writes anywhere as she travels a lot, and her writing in Germany differs from that in Italy.
Rob does only a little plotting and planning, while Ian said that writing over so many years has had an impact on the book. That, and being OCD, and having your characters talk to you. He crowdfunded his novel, which has caused him to have 900 friends on Facebook, after having virtually none.
How do you know when your book is finished? Felicia reckons when you are tired of it. She did 14 edits on Yesterday. Rob wrote fast, and Mark a bit less so, and as we’ve mentioned, Ian took a very long time. There’s the issue of having a day job, too.
Titles are difficult. All went through several, and had help from editors and agents.
Asked whether they could see themselves writing a series about the same character for 30 years, like Ian Rankin or Val McDermid, Mark reckoned he wants to have a go, and is already on the second book [about the same character]. Felicia is writing a prequel, and here I got rather lost in the days of the week. Might be called Today, or perhaps Tomorrow?
Caro Ramsay was in the audience, and she wants Ian Skewis to read audiobooks, because his own reading was so fantastic.
Finally, Mark had a question for Rob, the GP. He wanted to know how he would go about starting a pandemic. And Rob has clearly given this some thought, as he had his reply ready and waiting, finishing with ‘that will do the job.’
Well, that’s good, I suppose…