Tag Archives: Judith Kerr

Mummy Time

I read Mummy Time with an amused smile, thinking myself so much better than the mummy in Judith Kerr’s new book. But we’re probably all a little too unaware of what our toddlers get [got] up to.

Judith Kerr, Mummy Time

The illustrations are so lovely; really sweet and traditional, showing us a small child going to the park with his – or her? – mummy. The thing is, mummies today are always on their mobile phones, aren’t they? This one certainly is.

She sits blithely on a park bench as her little darling gets up to all kinds of things, and what put that smile on my face was the way her toddler’s antics completely mirrors what she’s talking about. ‘…well, all I can say is, different people have different tastes…’ as the child happily munches on what an elderly man has just thrown on the ground for the pigeons to eat.

But all’s well that ends well. At least for today. That child could do with more, and proper, mummy time. And the pigeons want their bread back.

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Quite early on a Sunday, or Day 5 of the EIBF

I never book tickets for events starting at ten on a Sunday, having discovered in our first year that you can’t get there that early. So this year I decided we’d go and see Michael Morpurgo and Barroux at ten, on a Sunday, just because Alex Nye was doing the chairing. And she clearly wouldn’t get there on time either. We came up with various solutions, wondering if we’d have to hoist Alex over the gate so she’d get in, but she ended up being all right, and so were we.

My Photographer and I were so all right we even had a second breakfast, which sort of helps you keep going when you have events at meal times and such like. In fact, as I rushed in to collect tickets I found a relaxed Michael Morpurgo being done by Chris Close, before the rain. I’d wanted to meet Michael properly this time, and when he saw me he said hello, so I must have looked like a hello kind of witch. I was pleased to discover he was being looked after by Vicki, one of my long-standing publicists.

Barroux

We ran on to Michael’s event in the Main theatre, which was worth every one of those early minutes of trying to get to Edinburgh in time. He didn’t do a signing afterwards, but we watched Barroux painting his way through his part of the signing.

‘Backstage’ we found Ade Adepitan being photographed, in the rain, and I was introduced to Mrs Morpurgo, who had not been expecting a Bookwitch to be thrust on her.

Frances Hardinge

Marcus Sedgwick

Before going to the Moomin event with Philip Ardagh, we called at the children’s bookshop where I had estimated we’d find Marcus Sedgwick and Frances Hardinge signing after their event, and as a lovely bonus we got a Blue Peter Gold Badge winner, aka former children’s laureate Chris Riddell. He claimed he had only sneaked into the event, but there he was, at the signing table. A chair for a chair?

Chris Riddell and Marcus Sedgwick

It was time for us to go on to the Corner theatre for Philip Ardagh’s event on the Moomins, before returning to the same corner in the bookshop to chat with him as he signed his rather lovely looking book on his favourite creatures. It is expensive, though, which will be why it was wrapped in plastic, until my Photographer helped by getting her Swiss Army knife out and slashing the wrapping for Philip and his publicist, who was wishing she had sharper nails.

Philip Ardagh

Back to the yurt for a photocall with Ehsan Abdollahi, except he needed an umbrella and we decided it was too wet to snap. (You know, first he doesn’t get a visa, and then we treat him to cold rain. What a host country!)

I thought we could go and catch him at the Story Box where he was drawing, but it was busy, and we left him in peace. I’m glad so many children dropped in for some art with the book festival’s resident artist.

Our early start required us to miss a lot of people we had wanted to see, but who were on much later. And Judith Kerr had been unable to travel, leaving us with more afternoon than expected.

Cressida Cowell

Before leaving for Bookwitch Towers, we made a detour to Cressida Cowell’s signing. Her queue went a long way round Charlotte Square.

By some miracle, the Photographer and I hadn’t quite killed each other by the end of our day.

(Photos by Helen Giles)

No room on the broom?

Axel Scheffler was awarded the inaugural Nibbie for illustration this week. He was ‘very grateful’ that the judges ‘chose me, a foreign EU citizen in Brexit times – that’s a nice gesture.’

I have had many thoughts about Brexit, and I have shared some of them with you. But I am always extra grateful when someone more important can say it for me, using better words. Axel is one such person. And this gifted man felt the award might be ‘a consolation prize. Or even a farewell gift.’

And there is that thing; a let’s be kind to this minority figure, just to show we mean well.

He points out that ‘it’s just ten months until “Freedom Day” – next March – and I – and my fellow EU citizens, many working in the UK book industry – are still living in uncertainty. We have, so far, no guarantee that we can still live and work here in the future. In a worst-case scenario, I might not be allowed to stay here by the time my next book with Julia Donaldson is launched.’

He quotes Michael Morpurgo who said,'”My uncles fought for peace, not for Brexit,” that Britain doesn’t really like the rest of Europe. And he’s right. That hurts, and it makes me angry every day.’

Axel goes on to mention someone I have often thought of in the last year, ‘my friend, Judith Kerr. Here, in this room, you have a refugee from the Nazis. — But after the Brexit vote it feels, despite our contribution, as if this country is saying, “It was all a mistake! We don’t really want you after all.”‘

Axel Scheffler

And he’s concerned for the country’s children. Did the adults who read Room on the Broom to them miss its ‘message of the importance of solidarity, partnership, friendship and kindness? The book wasn’t called No Room on the Broom.’

Well said, Axel, and thank you.

The full speech is here.

Help yourself, why don’t you?

It’s really simple. You have a Christmas ad to make. You look around at books aimed at young children and find something suitably sweet. You contact the author/illustrator and ask them to work with you in return for money.*

I’ve heard there is a fair amount of it available for the people who think up and subsequently make Christmas ads. I feel it’d be a nice Christmas touch to pay the author for their work.

It’s not quite so nice to steal someone’s creation and pass it on as your own, by saying that monsters under beds are so commonplace that no one, not even a former children’s laureate, can claim it’s actually theirs.

And when found out, it’d look a lot better if you admitted to making a mistake and offered a belated payment for the stuff you took.

Or, you could not. A bit like John Lewis and the monster under the bed, ‘inspired’ by Chris Riddell’s Mr Underbed.

If the Christmas ad was intended to spread goodwill and all those other things, I’d say it failed this year. If John Lewis wanted us to think nice thoughts about them, they also failed.

I’ll go and watch Mog’s Christmas again. That was a nice one. Judith Kerr was credited for her work. I suspect she might even have been paid for it.

*I’d be happy to make suggestions.

Bookwitch bites #142

It was nice to find myself in the company of Chris Riddell* and Judith Kerr for breakfast yesterday. Not for real, and it’s not as we were all in Hay or anything, but these two lovely people had dragged themselves into a radio studio ‘early’ on a Sunday morning to share their thoughts about Manchester and Hitler and whether to keep the truth from children.

Judit Kerr, stolen, borrowed from Chris Riddell

The downside to that, as Judith said, is that children think anyway and come up with the oddest ideas. So Hitler wasn’t actually hiding behind the hanging decoration in the toilet. But she sort of believed he might be. And Chris mentioned that his immediate reaction on hearing the Manchester news was to think of his daughter, recently graduated from University there. It’s how we function; we grab something close to ourselves.

In the Guardian Review we could read an extract from Philip Pullman’s Book of Dust. It didn’t take more than a few sentences and I was back in Lyra’s world. I already like Malcolm and his suspicious mind.

Jonathan Stroud, The Empty Grave

Another book to look forward to is Jonathan Stroud’s last Lockwood – The Empty Grave – which had a cover reveal this week. I tend to sneer a bit at reveals like this, but I found myself quite taken with it. Lovely to see George at long last. And I’d say that whereas an empty grave could be seen as a positive thing, I don’t think we should have such sweet expectations here (because where is the corpse?).

Awards are good. Especially when given to the right people for the right books. Some favourites of mine have recently managed this. Simon Mason was awarded Best Crime Novel for Young Adults at CrimeFest for Kid Got Shot. Robin Stevens got the award for Best Crime Novel for Children. I’m simply pleased that the younger books are getting attention like this.

Adrian McKinty won the Edgar for Rain Dogs, which is no minor thing, and is well deserved. He seems quite pleased, judging by this blog post. At home in Australia minding the children, Adrian sent his wife to receive the prize.

(*I’m counting on Mr Riddell’s goodwill in not minding having his sketch stolen by me, as usual.)

New arrivals

New children’s author Horatio Clare won the Branford Boase last night for his book Aubrey and the Terrible Yoot, edited by Penny Thomas, with whom he shares the award. Chris Riddell was there to do the honours. I couldn’t help thinking that this is a book I don’t know, but that’s the whole point. This prize is always for a newcomer, which is why I can’t remember anything else Horatio has done. And what a name!

Horatio Clare, Aubrey and the Terrible Yoot

You will hopefully understand my need to return to my review from last year, of Here I Am, by Patti Kim and Sonia Sánchez. It’s a beautiful, wordless, picture book about a young immigrant, by someone who herself was an immigrant. We need books like this one.

Patti Kim and Sonia Sánchez, Here I Am

And do you need Harry Potter? I was amused reading Blind Date in the most recent Guardian Weekend. You just never know whether the two people, new to each other, will like the other person; whether they will be polite, or honest, in the ‘review’ of their date. This time the man said about the woman, when asked if they kissed: ‘She had read only one of the Harry Potter books, which weirds me out a little, so no.’

Finally, another award to another – once – newcomer and immigrant. Judith Kerr has been given the BookTrust Lifetime Achievement award. Unlike the Branford Boase winners whom most of us have not yet read, by now surely most people have read something by Judith Kerr? Either for themselves, or with a child or a grandchild. Or they watched the Sainsbury’s Christmas ad last year.

New is good. Outsiders are good. Not kissing non-Harry Potter fans? Well…

London Book Fair

I made my London Book Fair debut this week. You already know why I was in London, and I happened to have an afternoon that needed filling with something, and it seemed silly not to test the waters at Kensington Olympia now, rather than travel to London specially for it, without knowing whether it’d be for me, or not.

Because that’s what I’d been told; that it’s not for the likes of me. Didn’t matter how many nice and supportive people said the opposite, when it was one person’s comment that stayed in my mind. Because I believe it was said on the basis that bloggers are wee little things who like reading books and reviewing them. Nothing about the bigger picture, or meeting up with book people in general.

In the end I didn’t see many people I knew at all. Partly because I’d not planned ahead – which I will do next time – either as regards arranging to meet, or to check what talk will be on where and when.

Mary Hoffman at London Book Fair

As I arrived I could hear a voice that sounded like it belonged to Mary Hoffman, and it did. And there she was, at Author HQ, talking to an audience about Author Collectives. I saw her briefly afterwards, lovely red hair and – I swear, purple lipstick – as she and husband Stephen Barber ran for something or other, hands full.

I wandered round the Children’s Publishing area upstairs, and with hindsight I understand it wasn’t merely full of people and companies I know, because it was mainly children’s publishers only, not the ones who do everything. So I saw Usborne’s sweet little ‘house,’ and I saw Andersen, with an active Klaus Flugge chatting to someone in the corner.

Andersen Press at London Book Fair

The next event at Author HQ was hopeful authors pitching their books to agents, which I only stayed briefly for. Eavesdropped a bit on another talk on non-author based books, which had a big and attentive audience, which is why I stayed on the sidelines.

Author pitch at London Book Fair

What I wish I could have caught, but was too late for, were events with Daniel Hahn, something else on children’s publishing until 2020, and the star turn of the day, Judith Kerr in conversation with Nicolette Jones. (I did run into Nicolette at the Barbican in the evening, so found out it had been good, that Judith had trended on Twitter – and that she had had to ask what this meant – and that she had refused the wheelchair laid on by her publishers on account of her recent hip operation, but Judith preferred to walk next to the wheelchair…)

FCB tea

I understand that by the third afternoon the LBF would be quieter, and it was certainly nothing like it is in Gothenburg, say, where you can’t move for people. I was offered the opportunity of winning a Kindle or an iPad, and for some reason I declined this… Maybe I could have won?

Had a cup of tea from what I will now think of as Frank Cottrell Boyce’s little moneyspinner; the FCB Artisan Espresso Bar. (It’s probably got nothing at all to do with Frank.)

Walking foot at London Book Fair

I happen to know that a reasonable number of people I know were there on Thursday. It’s just that I didn’t know where. Or when. As I said, I could have found out, had I not left it until the last moment to decide to go. I witnessed a girl carrying her head in her hand, and there was a padded foot walking about with its minder. Which was nice.

Kensington Olympia

The glass topped building of Olympia is beautiful, and I wouldn’t mind seeing it empty one day, the better to appreciate it. I walked up a purple staircase, and decided it was so tall that I’d get the lift down… There were men pushing those big trolleys around that you see in films, where they hide the corpses. Here I suspect it was mainly rubbish, and not lots of dead bodies.

Speaking of which, I glanced at some of the LBF publications lying around and learned that there is a new Albert Campion being published, not written by Margery Allingham. And I don’t know what I think of that…