Tag Archives: Lars Kepler

Crimetimes

The Gothenburg book fair has joined forces with Crimetimes, which I believe used to be its own separate book festival. And here, well before the main book fair programme, is the programme for crime fans, for the Saturday and Sunday, 29th and 30th September.

They have both the full seminars, as well as the shorter 20-minute sessions, into which it is possible to pack a surprising amount of book stuff. I know, because the ones I’ve been to have used their time really well, and small is at least as good as big.

You can also buy a crime pass, which will work like the book fair pass, except covering only the crime, and being a little cheaper.

Most of the authors are Swedish, but since they are all the rage right now, that should make it all the more exciting. Except possibly for the fact that you will need a crash course in the language first. You have four months!

(For apostrophe purists, there is an event on “do’s and dont’s…” It’s so hard.)

Jessica Fellowes and Donna Leon are among the English language authors, and among the Swedes you get Håkan Nesser, Camilla Läckberg, Lars Kepler and many more. You also get some very capable chairs/moderators.

It’s never too early to plan ahead. Well, it could be, but now is not it. I hope you already have a hotel room booked, because if not…

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Kepler, take 2

Translations can be tricky. I’m sure that in some cases it doesn’t matter what they are like. In the case of instructions for household appliances it does help if they don’t cause people to be injured, or worse. On the other hand, it has been claimed once or twice that a good translation of mediocre literature can win awards for authors, including the Nobel.

But does a bad translation prevent sales? After all, you tend to buy before you discover this, if you are able to tell. Sequels might suffer, though.

I read about the plans to reissue the crime novels by Lars Kepler, with new translations into English, and was reminded of a comment on here when I reviewed The Hypnotist, which was their first. Adèle Geras felt quite strongly that the translation was what put her off finishing the book. On the other hand, Alexander and Alexandra Ahndoril (aka Lars Kepler) reckoned the translation was good. And I found no immediate fault with it, but could have been handicapped by having already read the book in Swedish. It was just not a favourite of mine.

Now, however, Niclas Salomonsson of the Salomonsson Agency believes he knows why the books haven’t done as well in the US as he feels they deserve. When he ‘discovered’ that the translations were bad, he first spent a lot of money on buying the agency which owned the rights and then he bought back the US rights and hired a new translator to retranslate the first three books (of six). And he has high hopes of success, second time around.

It will be interesting to see if he’s right.

Another ‘fascinating’ aspect is how this all goes down in the translating community. A job is a job, so I can understand if the new translator feels OK about this improvement task. But it must surely also feel a little icky, re-doing what your colleague seemingly has ‘failed’ at? And if you’re the ‘failure’? Except, according to my in-house translator, we don’t know who did the first translation, as it was a pseudonym, so I imagine no one will be publicly embarrassed.

In the end, I wonder if it will make a difference. I believe more in a good publicity effort, even if it is second time lucky. After all, we mostly don’t read crime novels and thrillers for any literary chills that might run down our spines. We want quick thrills.

But the blurb by Lee Child probably won’t hurt.

The Nightmare

Lars Kepler’s second crime novel is far better than the first. I’d say the two Ahndorils have got the hang of what they are doing. The plot is still pretty gruesome, but it makes sense. The recurring characters are no more attractive than they were, but familiarity makes up for some of that. Some of the other characters are almost likeable. Actually, I did like one or two of them. Hence I sort of prayed they would last until the end and not be slaughtered halfway.

Their fondness for bloodbaths at the drop of a hat means you can never take a single thing for granted. Maybe that’s good, but sometimes it’d be nice to know there are certain things that just won’t be allowed to happen.

The plot has taken half a step towards the social conscience of Stieg Larsson, featuring the export of weapons to the wrong countries. This makes it easier to approve of the stance taken by some of the characters.

People are murdered, and sometimes appear to take their own life, for some really obscure reason. The police with Joona Linna race to find what exactly lies behind the deaths.

The police. I suppose it’s wrong to feel you’d want your law enforcers to have a higher moral standard than these do. Incompetence is human, but some of these people are most unpleasant.

And I can only assume foreign readers believe Sweden to be full of weird men and women, with hardly a normal average person anywhere. Very compulsive reading, though.

There is an epilogue which almost made me lose faith in what had gone before it. Sometimes we want to believe that things are fine, until the next book comes up with a new horror. I hope I misunderstood it, but I don’t think I did.

Lars Kepler and the Ahndorils

The Lars Kepler interview is finally here! Don’t let it be said that an inability to type will stop me for long.

Lars Kepler

Not that I was ever a typist, but RSI will fell the keenest witch. Thanks to Son who has done his utmost to be useful, and time has helped.

So here is what Lars Kepler had to say for himself on writing good crime, plotting and watching a great many films.

Identity problems

‘Do you smoke?’ was the first unlikely question. ‘Would you like a go in the rooftop jacuzzi?’ came next, closely followed by a query whether I drink. The bowler-hatted Scottish concierge at the hotel seemed bemused by this non-drinking, non-bathing, non-smoking witch trying to gain access to his rooftop bar. I assured him the only thing I’d possibly want to do was throw myself over the edge if my vertigo got the worse of me. So he sent me up in the lift, which incidentally didn’t quite reach all the way. There was still some manual climbing to be done. And then he had the nerve to suggest I could walk down…

Lars Kepler and concierge

London saw me coming. Big time. It had managed to put up scaffolding over most of town, in my honour. Even Leicester Square was off limits, being improved for 2012. So no sitting in the square between engagements. Pah.

Lars Kepler

I was down in the sunny smoke to see two, or possibly three, cruel and violent Nordic ‘killers’. Lars Kepler flew in for his (their?) launch yesterday. As soon as I heard they (he?) was/were coming I asked for an interview. We had tried to find a mutually convenient time and place in Sweden, but it fell on the difference in school holidays. They (he) have a holiday home close to me, so it could have been ideal. But as it happened, London was easier.

The Hypnotist launch at Goldsboro Books

Alexandra and Alexander Ahndoril (it’s going to be such a pain working out what to call them…) deposited their children at school and then flew into London, met up with the witch and then went on to the launch of The Hypnotist at Goldsboro Books, which specialises in signed first editions. Covered in plastic, which I will have to be persuaded is a good idea. (It reminds me of the Beanie Baby Daughter was told to play with through a plastic bag so as not to ruin it for when she got to be as old as her mother! It could have suffocated in there.) I will however be putting my Debi Gliori Pure Dead Magic in a safe from now on.

The Hypnotist launch at Goldsboro Books

Goldsboro Books

A and A were surprisingly excited about the excitement of all this. Not the plastic, but the rest. I suppose it’s not every day you launch your first crime novel in London. They certainly dressed the part, and the rest of us were nowhere near as elegant. Alexandra wore red high heeled strappy sandals, which she could actually move about in. She wore a dress too, obviously. A green affair. Alexander had a suit on, which is not too common among Swedes.

The Hypnotist launch at Goldsboro Books

Lars Kepler, The Hypnotist

They sign their books three times, and yesterday they also added a quote. Goldsboro didn’t run to a signing table, so they signed on the edge of the bookcase, perilously close to the glasses of red wine. But they were only collectible books, so no matter…

The witch doesn’t move in crime circles often enough to recognise even a few at a gathering like this. The only one I ‘knew’ was Peter Guttridge, after ‘our’ weekend in Bristol a few years ago.

Lars Kepler thought I might be driving back. I didn’t admit to broomstick, so they are under the impression I went home by train. Of course I did. It was coach B for Bookwitch, as usual. It’s a good one. After you’ve walked all that way to reach it, you’re halfway to Manchester already.

Alexandra and Alexander Ahndoril

The Hypnotist

Three members of the same family have been slaughtered, with a fourth one (aged 15) in hospital, severely injured. The boy is hypnotised in an effort to save another life, and this brief act leads to so many horrific things happening, that you can barely grasp quite how many or how bad.

There are current problems and there are problems from ten years earlier, and they all intertwine, somehow. Or maybe they don’t and it just looks like it.

Is this going to be the next big thing from Sweden? I have no idea. It’s done very well in the original, and while the Larsson/Nesser/Mankell fever rages I see no reason why it shouldn’t make its authors rich. I’ve seen reviews which suggest it’s much better written than the Millennium trilogy. It might be, but it does lack one important thing for me, and that’s someone to like.

I realise the detective is meant to be an attractive character, but there’s not very much of Joona Linna, and he’s not attractive (=nice) enough. The hypnotist is a dreadfully wet wimp, with problems galore. Job goes badly, his health is iffy, the marriage is not good and his son disappears. And someone is trying to kill him. Trouble is, I kept feeling I wouldn’t mind if they did.

Lars Kepler, The Hypnotist

It is very bloody. It’s probably borderline for what I can read and not feel faint. There’s some pretty ugly gratuitous sex. I usually don’t mind sex scenes that feel as if they are there because ‘you have to have them’, but this was something else. The plot is farfetched and one of the solutions at the end feels really quite unlikely, even for fiction.

But, and it’s an important but, the book reads itself, more or less. I could have left it when I was 100 pages in, and nearly did due to the lack of loveliness, but it’s very much a page turner. In the end I read and read until I was done and went with less sleep than I needed to fit it in.

So, that says something.

There is already another book out by ‘Lars Kepler’ – Alexandra and Alexander Ahndoril – which is considered much better. I’m reading it right now, so will be able to report back at a later stage.

If you want more Nordic gore and misery The Hypnotist could be the book for you!

Seeing things, or the wheels on the bus

I should have seen it coming.

I even thought about it, coming up Klammerdammsgatan (yes, get your chops round that one if you can) from the river, just before turning the corner. But I didn’t see.

Neither does Daughter, which is why we were heading there in the first place. The other day she asked ‘could I see that sign up there, clearly?’ I could. She couldn’t, so we decided to pay the optician a visit. Phoned ahead to make sure he’d be there. (This is Sweden, and it is July, and people close their businesses and go on holiday.) His friendly voice on the answerphone said he’d be back the next day, so we went. Up Klammerdammsgatan and all that.

‘I always get confused about how far along this street he is’, said Daughter, turning the corner. ‘So do I’, said I, surveying the street quickly. ‘But he’s actually not here. At all.’ Yup, couldn’t see the optician, because like the dentist he had moved. Without telling us!

We repaired to the next door clothes shop for some comfort browsing while regrouping. As Daughter tried on everything in the shop, I phoned Pelle the optician. ‘Where are you?’ ‘Oh, I thought about you as I moved shops’, he said, ‘I wondered how you’d find me…’

Anyone else in the Pelle-finding business will be pleased to hear he’s in the new area past the library. Well past. And we’d already just been. Didn’t see much there either. Only one of the books I had an interest in, and it honestly didn’t look terribly good. The photo exhibition we’d looked forward to was so tiny we barely saw it.

Having searched the local grocer’s bread department for a copy of the dreadfully hyped crime novel Hypnotisören (The Hypnotist) by Lars Kepler, and failed, we set off for a real proper bookshop. She may need new glasses, but when Daughter noticed my shopping list with the word hypnotisör on it, she got very worried indeed. I suppose one of those would have fitted in quite neatly between dentist and optician. See every specialist you can think of. If your eyesight is up to it.

That’s why we went to see the watchmaker. He’s on our permanent list of useful men. Son’s watch needed attention. (Now I just know that one of our other watches will die a slow death as soon as we leave.)

Picked up three pizzas before boarding the bus back, only to find that the buses are all new too. (Not just the tickets, as per my earlier woes.) Now there is nowhere to rest your pizza cartons. We have always let our pizzas travel on the wheel well thingy. Clearly I can never leave this place again. When I do, everything changes.

Post-pizza, the Resident IT Consultant and I went down to the beach for a late swim, wondering if we’d see cows. We had in the morning, so hoped not. Cows were gone, but there were actual people on the beach. We are used to getting our mirror-smooth sea to ourselves. And the cows.