The one event I wanted to go to on Saturday was Malorie Blackman talking to Gemma Cairney. Turned out she was only appearing remotely, but you can always record from your attic, which is what Malorie did. I’ve heard her talk many times, but never knew she went by the name Lorie. So I live and learn.
It’s what she does herself as well. Malorie likes taking a new course at City Lit every year, just to learn. And these days she gets paid to daydream. Take that, teachers!
Her Noughts & Crosses series is an alternate Britain, a recognisable here and now. It’s not dystopian; Malorie simply flipped reality. Callum is most like herself, and she gave him a couple of her own experiences. One was the time she was on a train travelling first class and the guard thought she’d stolen the ticket. The other was at school, being told by a teacher that there were no black scientists [to tell them about].
Imagination is like a muscle. You need to use it. And you should read read read. Malorie calls herself nosy, which is another way of talking about research. One should be curious.
Othello was her first coloured character. Later on she frequented the black bookshop, (New Beacon Books), in Islington. They stocked mostly African and Caribbean books, as there were relatively few black British books.
After a slow start for black authors, according to Malorie, about fifteen years ago they were ‘almost fashionable for a while’, but six or seven years ago it was down to her and someone else again. One of her early books was accepted by a publisher purely for their ‘multicultural list’ and they said no to her second idea for a book.
Reading The Colour Purple Malorie felt that ‘maybe I can do this too’. Before that she read Jane Eyre, Rebecca and The Murder of Roger Ackroyd (leading to her reading all the other Agatha Christie novels as well). This was due to the influence of the librarian who pointed her in the right direction. These days she often gets sent books, or her agent does. One recent book she recommends is The Upper World by Femi Fadugba, which is out soon.
In answer to a question whether she waits for the muse or just starts to write, Malorie said you ‘sit down and get on with it’. In her case it’s from nine to six in her attic office, with an hour for lunch. She’s looking forward to the second television series of Noughts & Crosses, and feels very lucky to be able to experience the bizarre, lovely feeling of seeing her own thoughts translated onto the screen.
To finish, Malorie read chapter 16 from Endgame, the last in the Noughts & Crosses series, publishing in September. We’ll just have to wait.