Tag Archives: Patrick Ness

Eight I’ve read

At last. A list I’ve read. I’m beginning to like Daniel Hahn even more. Clearly great minds think alike.

For the Guardian Daniel has chosen eight of the best YA novels, suitable – indeed highly recommended – for adults. And I’ve read them all, which I suppose isn’t so strange, really. I thought when I saw the list that they were all recent books, but YA hasn’t been around all that long, so it’s understandable.

I probably wouldn’t have chosen exactly that list, but I could have.

And I realise I should never have absolved Daughter from having to read The White Darkness. She asked, only a week or so ago, whether she still had to read it, and I said no. It is such a tremendous book. (Is it too late to force her now?) Fancy Daniel picking Revolver by Marcus Sedgwick! Very good choice. Henry Tumour by Anthony McGowan. That was a long time ago now, and I almost didn’t consider it a death/cancer novel, but I suppose it is.

The Graveyard Book by Neil Gaiman, of course. The odd thing is that when I read it, I was – almost – not keen on Chris Riddell’s illustrations. I thought I preferred Dave McKean’s. Well, a witch can change her mind. Siobhan Dowd’s A Swift Pure Cry; the book I thought I might not like because I had set notions about that ‘kind of plot’… What an idiot I was. But it’s a testament to Siobhan’s writing skills that this ‘kind of plot’ can be marvellous.

Kit’s Wilderness by David Almond is the one book I remember less well. Possibly because at the time I read several of David’s books in quick succession. Patrick Ness gets three books in, as Chaos Walking is a trilogy, but you can’t have just the one part. For me they are books that have grown in stature over the years. And finally, Mal Peet’s Life: An Exploded Diagram. One of the best. And now there will be no more.

I know that I tend to preach to the converted here on Bookwitch, but I hope that a few of today’s readers are doubting adults, who would never dream of reading YA. Until today. Because this is such a good start to a new life of reading YA books.

Lucky you.

Yellow, more yellow and black

The 2015 Carnegie medal shortlist is mostly yellow [book covers] and black. I trust that this is a coincidence, although fashion in cover design might be involved here. I’ve not checked to see what the books that didn’t make it have on their covers. Possibly more yellow.

Out of the eight, I’ve read three and they’re all potential worthy winners. Sally Gardner and Patrick Ness have won before. Some of the ones I’ve not read I have wanted to read, but they didn’t turn up in the post and it’s the usual problem of lack of time to chase, and sometimes lack of information that the book exists in the first place. Which is the case with the ones I’ve not read because I’d not heard of them.

If publishers do put together lists of what they intend to publish, it would cost them very little to email that list to ‘everyone.’ I keep hearing how overworked publicity departments are, and I realise that writing press releases and [personalised] letters and printing and posting them takes more time and will cost money. But you surely can’t run a company without listing what products you are about to offer the general public to buy, and if you have the list, please share it.

There have been other shortlists and longlists over the last few months. It is getting increasingly hard to keep up with the titles, let alone read them. But perhaps it’s not a bad thing for me not to have read as high a proportion of the chosen ones as I used to. I still read as many books, and that might mean I read and review ones that don’t even get close to the limelight of an award.

On the Carnegie longlist there are five books I would have liked to see make it, and several more ‘glaring omissions’ on the nominations list. As for the shortlist, I’d have liked to read Geraldine McCaughrean’s book and Elizabeth Laird’s, but as it is, I will root for Tanya Landman’s Buffalo Soldier.

The Siobhan Dowd Trust Memorial Lecture #1

Having been – sort of –  ‘in’ on Siobhan Dowd’s memorial trust since its start, there was no way I wouldn’t go and hear Patrick Ness deliver (such a posh word) the first lecture in aid of the trust. He is well known for calling a spade a spade, so my feeling was that it wouldn’t be boring.

Tony Bradman

It wasn’t. Introduced by Tony Bradman, Patrick got his usual superstar greeting from the audience (I’m trusting there were lots of young people in the theatre…), before offering us his 90 minute talk in 28 minutes. He talks fast when he gets nervous. Apparently. He reckoned there would probably be time left for some Q&A at the end.

The end. Yes, for him that was meant to come at the age of eight, in 1980, according to the pastor in his pentecostal church in Washington (state). They were all going to die.

Patrick fiddled with his stopwatch as he told us about Siobhan’s first short story, which she offered Tony Bradman for his collection Skin Deep. Just hearing about it again made my hairs stand on end. It’s that good. Siobhan was that good. ‘Just plain damned good’ as Patrick said.

Children have always suffered in silence. Not just being condemned to death by their pastor, but he told us about the poor girl who was certain she’d die a death by artichoke. Being young is ‘impossible.’

And it’s wrong to use the word ‘them’ for children. We’ve all been children. Patrick sees himself as one big warehouse, storing all his previous ages, because he is all those ages at all times. He at least had Judy Blume when he was young. And whereas he wanted to write, his understanding was that only famous people become authors.

He wanted to write about being young and gay in Washington, because there is a lot of shame involved in being young. And Siobhan Dowd was the writer Patrick always wanted to be. ‘Stories told with love.’

On the calling a spade a spade, Patrick felt that the first question put to him on Saturday evening was more of a comment from the member of the audience (How I resent those who use vaulable time voicing their own opinions at times like these!) The next question was more a ‘Patrick compliment’ kind of question, about what message he’d leave his eight-year-old self if he could.

Patrick Ness

Adept at avoiding tricky corners, Patrick wriggled out of a favourite list of books, which was the third question. On that note we ran out of time and Patrick attempted a fast escape out the fire exit, at which point he discovered a witch sitting nearby, so he said a quick hello, waved and ran.

The queue for his book signing was long and I’m sure he was there for a while. If people will insist on being photographed with their favourite author and can’t get the camera to work, queues like these will take forever. Although I saw Patrick later, so he must have escaped eventually.

There will be a singing

That’s not just my continued mis-reading of the promised signing after every event. As I got off the tram on Saturday, I found myself struggling to avoid becoming part of a happy group of singers from the something or other gospel. I let them sway on ahead, but they gospelled so slowly that I ended up joining them, eventually overtaking whenever a more spacially aware singer prodded one of the others out of the way. And finally I led the procession, but I speeded up so I’d be out of there completely.

Tram? I hear you ask. Yes, I let the Resident IT Consultant drive me (us) to the Park & Ride and the tram conveyed me into Edinburgh. (It was Saturday. I wanted to make sure I didn’t suffer a repeat of the Saturday in 2012 when the train home was simply too full to join.)

I cased the joint for a while, coming to the conclusion the bookshop doesn’t stock Into A Raging Blaze. Found that the photographers’ background carpet was a more mellow green than it has been. Checked the price of cake – as you do – in case the Resident IT Consultant would need some later. And I, erm, rearranged some books in the bookshop. Although it is hard to put books face out when it is at the expense of other top books. Where is Dan Brown when you need him?

Michelle Harrison and Charlie Fletcher

Joined the proper photographers to snap Charlie Fletcher and Michelle Harrison. Not unsurprisingly they were keenest on the beautiful Michelle (who reminded me of a black haired J K Rowling). Me, I sort of stood behind the dustbins. Which isn’t necessarily a bad place to be. Being short, I’d already come to the conclusion I might have to take photographs between the legs of the others who have this unwritten shooting order I will never ever be able to join.

Michelle Harrison

After Charlie’s and Michelle’s event I repaired to the press yurt and most serendipitously came face to face with the newlyweds. I had more or less given up hope of fitting Philip and Lady Caveney into our respective schedules this week. So we had all of several minutes before Philip’s interview (for television, he claims) and I dashed on to The Siobhan Dowd Trust Memorial Lecture, where I was unable to avoid the Resident IT Consultant. Former children’s laureate Anthony Browne was there too.

The Caveneys

I had asked permission to bring the Resident IT Consultant to the yurt, so we went there for our dinner sandwiches, and the life saving coffee. Sat opposite a woman I slowly worked out must be a Swedish journalist, and even more slowly I worked out that she the man she was interviewing was Bernardo Atxaga (whose book Shola miraculously appeared in my Swedish letterbox over the winter).

Being on translating grounds here, I wasn’t altogether surprised to see Daniel Hahn, but I didn’t tug at his sleeve either, as he was intent on Bernardo. I trawled the square for some action and found I arrived just in time for the signing by Anne Plichota and Cendrine Wolf, who write the Oksa Pollock books.

Anne Plichota and Cendrine Wolf

Sara Paretsky

After some killing of time had taken place (it rained…) we finally got to the evening’s long awaited photocall with Sara Paretsky. She jumped straight into her star role, saying the attention she got from the photographers made her feel as though she’s important. Murdo Macleod pointed out she is important. I hung back by the dustbins again, knowing my camera would never totally overcome the fact that it was eight o’clock and a little dark, and that I couldn’t hope to achieve what Murdo and Co did. Meanwhile the Resident IT Consultant chatted to one of the photographers about why they all wear black. (I had no idea he was so into fashion!)

Sara Paretsky

We went straight to Sara’s event with Tom Rob Smith who – it turns out – is half Swedish. Naturally. Not knowing what he looked like before last night, I did miss his photocall on the green carpet. Apologies. (He looks sort of Swedish, if that helps.)

My skills for getting to near the front of the singing, I mean signing, queue had not deserted me, and I had my two minutes with Sara before too long. We agreed that facebook is the way to keep track of house moves and dogs. And stuff.

The light was far too bad for pictures, so I led the Resident IT Consultant back to the tram stop with no more singing, and from there it was a smooth trip home, without any need to get too close to any fellow passengers.

(In the small hours leading up to Saturday I had dreamed an alternate Sara Paretsky signing. She and her many (?) publicists, as well as a large group of fans, turned up outside my – old – house, to do the signing. I invited them in for soup and sandwiches. Her and the PRs, not the fans, obviously. Once inside it became my new house and that was so not good, because of its unfinished state. Also, my freezer isn’t that well stocked yet, and I was busy working out how to make the small amount of soup I had stretch between so many. But other than that, it was a fine signing.)

EIBF and me, 2014

It is here. The programme for this year’s Edinburgh International Book festival. And I’m sorry, but all I can think of is that Sara Paretsky will be there. It’s been three years, and she is finally coming in the summer rather than freezing her nether regions off in February/March. Which is so sensible.

OK, there must be a few other authors scheduled for the two and a bit weeks. Think, witch, think!

There are some very interesting looking events where authors one admires talk about authors one admires. I’m going to have to see if I can catch one of those, because they look like tickets might sell out fast (small tent). Then there is Patrick Ness who will give the Siobhan Dowd talk and Val McDermid will pretend to be Jane Austen.

Wendy Meddour is coming and there is a lovely pairing of Francesca Simon and Irving Finkel. Another interesting pair is Caroline Lawrence with Geraldine McCaughrean. Elizabeths Laird and Wein will cooperate, and Gill Lewis is also making an appearance.

Many more excellent authors like Sophie Hannah and Arne Dahl, Tommy Donbavand and Liz Kessler will be at the festival. I have to admit to paying less attention to the ‘grown-up’ authors again, in favour of my ‘little ones.’ Those who are given orange juice instead of wine (although I am sure not at EIBF!) because they write for children.

Have to admit that many of my hoped for events are school events. I am glad that some of the best looking events are for schools, because it means someone thinks school children deserve the best. I want to be a school child on a very temporary basis at the end of August.

Deck chair

I’m hoping for plenty of stamina on my part. I have planned a number of full or nearly full days, for about two thirds of the festival. (I was thinking of having a holiday at some point.) The event I am fairly certain I won’t be able to go to but wish I could, is Eleanor Updale talking about Vera Brittain. That would be really something.

Perhaps I will see you in Charlotte Square? (If my eyes are – temporarily – closed, just give me a gentle nudge.)

The never ever books

Almost exactly seven years ago – when I was a brand new little Bookwitch – I blogged about which book from a list of 100 I would never read. Today the challenge has been upped somewhat, in that I’m supposed to find 100 books I would never read. I blame the Guardian. They started it. Then Maria Nikolajeva picked up the gauntlet and in turn got Clémentine Beauvais to pick hers.

And here I am, copying them, while having no clue what I am about to claim I will never read. So that is fine. I so know what I’m doing.

Anyway, the Guardian’s idea is that what is not on your shelves is more revealing than what is. Although that relies on you giving shelf space only to what you read and like. Some of us have books to show off with, or books we hope to read one day. Some of our best books might not be there at all. We could be in love with novels borrowed from friends and libraries, and actually returned to them again. We are not all shady types who steal what we can’t get hold of by any other means. Tempting, but …

Clémentine seems to agree with me on Martin Amis, so I was more topical than I realised the other day. Between them, she and Maria disagree on John Green’s The Fault in Our Stars. Clémentine won’t read it and Maria loved it. Well, I have read half, and am more than satisfied not to be taking it any further.

It’s almost impossible to know for certain what you won’t ever read (again). But I do feel very strongly I won’t be going near anything by G P Taylor.

Sitting here and squirming won’t get me to even ten, let alone 100. But I really don’t like saying negative things about books and authors. OK, I have severe reservations about Lionel Shriver and Jeanette Winterson.

Am in agreement with Clémentine on not wanting to read sequels to some books, whether I enjoyed the first one or not. I also have several more than TFIOS as a half-read-but-no-further book. Disagree about The Knife of Never Letting Go, which just got better and better.

It’s a relief to see that one is allowed to have no intention of reading certain classics or the big iconic books. You know, the kind that people you admire swear by, claiming it made them who they are, and all that. On that basis I honestly still don’t expect to read Hilary Mantel, however much Meg Rosoff likes her.

I unpack books from jiffy-bags every week that I will never read. Either because I don’t want to, or because time is limited. And that’s interesting in itself, since whatever people send me, it does tend to be children’s books or crime, which are my favourites. Just think how much worse it would be if my letterbox suddenly started spitting literary novels.

No, I give up. It’s an interesting concept, but I don’t know, and when I do know, I don’t always want to put it in print.

To G P Taylor: I want my wasted week back!

Paws and Whiskers

Who knew Philip Pullman has had dogs? Yeah, I suppose you all did, except me. He doesn’t strike me as a pet person, somehow. But he has had dogs. Three, of which two were very stupid, according to the doting Philip.

I learned all this in Paws and Whiskers, which is an anthology about cats and dogs, chosen by none other than Jacqueline Wilson. She wrote about her own cats, and they sounded so lovely I was halfway to Battersea and its Dogs & Cats* Home before I remembered I don’t want a pet.

Being my normal cynical self, I was intending to glance at this anthology, before handing it to someone who might appreciate it. Seems that person is me. I have only sampled the odd thing here and there – so far – but I can see that P&W will have to join my shelf of collections, where I can dip in and out of stories as and when I need something nice. (Will have to see about getting the shelf made longer.)

Jacqueline Wilson, Paws and Whiskers

Jacqueline has written a new story herself, and there is also her old Werepuppy. Apart from Philip Pullman, you can read about Malorie Blackman’s fondness for German shepherds, even when they are cowards. The usual suspects like Michael Morpurgo and Enid Blyton are there, as is Sharon Creech with her lovely Dog. Adèle Geras has written about a cat I didn’t know she once had, including a poem about her beloved pet, who was never left alone when they went on holiday. They took turns…

Patrick Ness is there with his much missed Manchee, along with countless expected and unexpected authors who have had pets, or who have written about them. Some pieces are excerpts from books, and other stories have been specially written for P&W.

The really good thing with this kind of selection of writing is that if you love Jacqueline (and who doesn’t?) you will discover new writers and their work, simply because if it’s good enough for your hero, it will be good enough for you.

Illustrations – as nearly always – by Nick Sharratt.

*Some of the proceeds from the sale of this book go to the home.