Tag Archives: Philip Caveney

Day 7

Let me tell you about Keith Gray. Eight years ago, on our seventh and last day of our first Edinburgh Book Festival, Daughter and I happened upon Keith Gray signing in the children’s bookshop. It had been a bit of a learning curve for us, and we realised when we discovered Keith sitting there, that authors might be there even if we hadn’t gone to their events, and even when we didn’t know there was an event.

Keith Gray

Back then I was less shy about being forward, so walked up and introduced myself, and we had a nice chat. Over the years Keith has tended to pop up in Charlotte Square at some point, and there have been other Scottish-based events as well. But ever since that day – the 26th of August 2009 – in my mind he has personified the happy coincidence of the bookfest.

Yesterday was also the 26th of August, and Keith and his family had organised farewell drinks in Charlotte Square, for their many book friends, because they are moving away from Scotland. It was lovely of them to do so, and they will be missed. Much less coincidental popping in future, I suspect.

Jasmine Fassl and Debi Gliori

So, it was especially nice that Daughter was able to be there with me, freshly extricated from the Andes. She was able to say hello to Frances in the press yurt, and – oh, how convenient – she was able to take photos for me as I had an interview to do. I’m nothing but an opportunistic user of my nearest and dearest.

Claire McFall

The interview was with Claire McFall, about her astounding fame. In China, in case you were wondering. She’s lovely, and didn’t even complain as we almost cooked her in the ‘greenhouse’ café. (There will be more about Claire later.)

We’d already spied Michael Rosen, and I’d caught a glimpse of David Melling with Vivian French as they walked over to the Bosco Theatre (which meant I missed out on their signing in the Portakabin) for an event. The signing no one could miss was Julia Donaldson’s, still taking place right next to us in the greenhouse, a couple of hours after her event.

Kirkland Ciccone and Sharon Gosling

Pamela Butchart

Despite not dressing quite as loud as usual, we still managed to see Kirkland Ciccone, signing next to Sharon Gosling and Pamela Butchart. Who else but Kirkie would have posters of himself to sign and hand out? Pamela wore some rather fetching furry ears, but it wasn’t the same. Also milling about in the children’s bookshop were Danny Scott and Keith Charters. The latter chatted so much to Daughter that I had to do my own photographing…

Keith Charters

I believe that after this we managed to fit in eating our M&S sandwiches, before keeping our eyes peeled for one of Daughter’s heroes; Catherine Mayer of the Women’s Equality Party.

Catherine Mayer

We searched out some shade after this, enjoying a wee rest next to the Main theatre, where we were discovered by Kirkie and Keith C and chatted before they departed for home.

Cressida Cowell

Noticed Gill Lewis at a distance as we sped across the square to find illustrator Barroux in the children’s bookshop, and then straight over to the main signing tent for Cressida Cowell. Her signing queue was most likely of the two-hour variety, and necessitated the services of her publicity lady as well, so no chat for me.

Barroux and Sarah McIntyre

And as it seemed to be a day for dressing up, we lined up to see Sarah McIntyre sign, in her queenly outfit. You can join her but you can’t beat her. Barroux, who was still there, seemed to think so, as he stared admiringly at Sarah.

John Young

After all this to-ing and fro-ing we had covered all the signings we had planned for, and we went in search of the drinks party out in the square. Debi Gliori was there, before her own event later in the afternoon, and she and Daughter had a long chat, while I talked to Keith Gray himself. He introduced me to a few people, including debut author John Young, whose book I luckily happen to have waiting near the top of my tbr pile.

Philip Caveney and Lady Caveney turned up, and so did a number of other people I knew, but mostly people I didn’t. We were all charmed by a lovely young lady, who spent most of her time smiling and playing on the grass. If it had been socially accepted, I reckon Daughter might have taken her home with us.

Little M

Daughter and I had placed ourselves strategically by the path, so that when Philip Ardagh strolled past, we cut him off, forcing him to chat to us for a little, while also giving Keith an opportunity to come and say goodbye. And then Philip made Keith take the photo of him and the witches. It only looks as though we are of different height. In reality Philip’s arm on my shoulder was so heavy that I sank straight into the mud, making me look a little short…

Philip Ardagh and witches

We’d never have got away if we hadn’t had a train to catch, so we got away, and the train was caught, but not before we’d encountered Jackie Kay on the pavement outside. Seemed fitting, somehow.

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Day 1

What a day! Now all I need is for the rest of the Edinburgh International Book Festival to be as good. And if the sunshine could continue shining? As I might have mentioned yesterday, I had a good line-up for Tuesday, and it did not disappoint. Nor did any of the day’s little bonuses.

After collecting my press pass, which is a new, edgier design this year, I picked up my events tickets from a boiling entrance tent. I reckon they were expecting rain with that ‘glass’ ceiling in there. I nearly expired, and was grateful I wasn’t queueing up for returns for Peter May.

I ate my M&S salad and ran for Barry Hutchison’s event, where I found Lari Don, busy checking out the competition. Well, she said she was enjoying seeing her colleagues, but… In the bookshop, after I’d taken hundreds of pictures of Barry, I encountered Keith Charters standing next to the Strident shelves, surreptitiously checking they looked all right. They did. He’d been expecting to rearrange them.

Strident books

While we were talking about running, and stargazing, Theresa Breslin arrived on her off-day, and the conversation turned to Kirkland Ciccone, as conversations sometimes do. Then Keith and I went over to bother Barry for a bit, and to find out how he writes quite so many books quite so fast. He was mostly – I think – pondering the groceries he had to buy on his way home, and how appearing at the book festival wasn’t quite as glamorous as it was the first time.

Barry Hutchison

Glamorous would be the word to describe Judy Murray, whom I saw as I returned to the yurt area. Onesies never looked classier.

Stephen Baxter

I did another turn round the bookshops, and found Stephen Baxter signing for adults, and in the children’s bookshop a signing table for, well, I’m not sure who it was for. But after some googling I’d say that the people in this photo are Ehsan Abdollahi – who was originally refused a visa to enter the country – and I think Delaram Ghanimifard from his publisher. And I only wish I’d stopped to talk to them. (I didn’t, because the books on the table confused me.)

Ehsan Abdollahi and Delaram Ghanimafard

Begged some tea in the yurt before walking over to Julie Bertagna’s event with William Sutcliffe. I noticed a man in the queue behind me and my witchy senses told me this was Mr Bertagna, which was confirmed later. And I couldn’t help noticing that ‘my’ photo tree either has moved, or the Corner theatre has, or the theatre has grown fatter over the winter.

Tree

Was introduced to Mr B and also to Miss B in the bookshop, after Julie and I had covered Brexit and Meg Rosoff and lunches in our conversation. And then I needed to go and queue for Meg’s event, which seemed to draw a similar crowd, with much of the audience being the same as at Julie’s and William’s talk.

Julie Bertagna and William Sutcliffe

Miss Rosoff had come along, as had Elspeth Graham, who has been involved a lot with Meg’s work on Mal Peet’s last book, which Meg was here to talk about. Spoke to Louise Cole in the signing queue, before Meg persuaded me to miss my train in favour of having a drink with her.

Meg Rosoff

So she and I and Elspeth chatted over wine and water on the deck outside the yurt, and many people were discussed, but my memory has been disabled on that front. Sorry. They had a French restaurant to go to and I had another train to catch.

I hobbled along Princes Street as best I could, and hobbling fast is never a good look, which is why I paid little heed to being hailed by someone who insisted on being noticed, and who turned out to be fellow ex-Stopfordians Philip Caveney and Lady Caveney. They had been to a church half-filled with water. Apparently this was very good.

My train was caught, and the Resident IT Consultant and I ended up at our destination almost simultaneously. I believe we both thought that our day had been the best.

‘I am Mary Queen of Scots’

Or so Alex Nye claimed, when she launched For My Sins at Blackwells last night. (She laughed when she said it. So she’s perhaps not entirely serious about it.) It’s her first adult novel, and it’s about Mary, Queen of Scots.

Mary Queen of Scots

The real Mary was there too, and she was looking good for her age. Actually, on such a dark and stormy night when the rest of us were pretty drenched, I have to point out that Mary looked both dry and beautiful.

As I ran in, Tesco prawn sandwich in hand, Alex and her publisher Clare were already there, and Mary turned up soon after. She posed for photos like Royals tend to do, and I believe she even showed off what was under her skirt. Honestly. I ate my sandwich, turned down the offer of wine and was rescued from dying of thirst by the lovely Ann Landmann of Blackwells.

Roy Gill, Kirkland Ciccone and Mary Queen of Scots

We admired the book, which has unusually nice looking pages. I know this sounds strange, but it does. Several other authors turned up to celebrate, among them Kirkland Ciccone wearing a rather loud outfit, Roy Gill who looked suitably handsome, Gill Arbuthnott, Philip Caveney (or was it Danny Weston? They look so alike…) with Lady Caveney, and then Kate Leiper came and sat next to me again.

Alex talked about her love of Scottish history, and for Mary, about her research, and walking round Edinburgh for two years (that must have been tiring) to see the places Mary went, and visiting all her castles. And 28 years on, the book is finally here.

Alex Nye and Mary Queen of Scots

Luckily Alex has managed to get hold of Mary’s diary from her time ‘in jail,’ which must be considered a bit of a royal scoop.

Kate Leiper, Gill Arbuthnott, Kirkland Ciccone and Roy Gill

There was a signing afterwards, and much literary gossip. It was almost a shame some of us had to go home, but I couldn’t leave my chauffeur in the Park&Ride all night.

Alex Nye

I’m just over halfway through the book so far, and I have a dreadful feeling this isn’t going to end well.

The 2016 best

Yes, there were good books, even in a year like 2016. Let’s not lose [all] hope, shall we? In fact, after careful consideration, there were more serious contenders than I could allow through to the final round. Sorry about that.

During 2016 I seem to have read and reviewed 154 books. Before you gasp with admiration, I should mention that 40 of those were picture books.

2016 books

And here, without me even peeping at other best of lists, are my favourites, in alphabetical order:

Beck, by Mal Peet and Meg Rosoff

Broken Sky + Darkness Follows, by L A Weatherly

Crongton Knights, by Alex Wheatle

Five Hundred Miles, by Kevin Brooks

Front Lines, by Michael Grant

Knights of the Borrowed Dark, by Dave Rudden

More of Me, by Kathryn Evans

The White Fox, by Jackie Morris

I believe it’s a good list, and I’m glad that two of the books are dyslexia friendly; one at either end of the age spectrum.

And, you are human after all, so you want to know who just missed this list. I’m human enough to want to mention them. They were Hilary McKay, J K Rowling, Malcolm McNeill, G R Gemin, Jonathan Stroud, Kate DiCamillo and Philip Caveney.

Two dozen more on my longlist, and we mustn’t forget; if a book has been reviewed on Bookwitch at all, it has passed quite a few quality tests. So there. You’re all winners. But some are more winners than others.

I love you.

Best Scottish?

It came back to me, out of the blue, a few days ago. I had a Scottish Reading tag on Bookwitch. First, I had my one year Foreign Reading Challenge, which was tough enough. Not the doing, so much as the finding a new foreign published book every month for twelve months. And a different foreign every time.

Seemingly I wasn’t challenged enough, as I veered off onto a new tag, Scottish Reading. I believe I felt I should concentrate a bit more on a slightly ignored section of British books for children. But I just cannot remember what happened to it! The foreign challenge had rules; the Scottish was just supposed to happen.

Recently I have, for obvious reasons, read more Scottish again, but without tagging it or anything. My memory isn’t what it was.

The Resident IT Consultant pointed me in the direction of the the BBC’s 30 top Scottish books list the other day. It even made us argue a bit, en famille. What counts as a Scottish book? Who counts as having written one?

I had my opinion, he had his and Son turned up and said his bit. Can Harry Potter be Scottish? I think so, others are less sure. Does the author have to be Scottish, merely live in Scotland, write about Scottish topics or set their novel in Scotland?

England is full of wonderful authors who are American. But I think we tend to happily adopt these foreigners as homemade successes if they are successful. On that basis, English or American writers living in Scotland ought to qualify, whether or not they write about a wizard school that may or may not be in Scotland (never mind that the train there leaves from King’s Cross).

If a novel is set in outer space, what does that make it? If a Scottish born and bred author sets their novel in London or Cornwall, what then? In fact, it’s getting a bit Brexit. If anyone is supposed to go back to where they came from, the only true Scottish novel must be by a Scottish author, set in Scotland, featuring Scottish characters, who wouldn’t dream of stepping south of the border.

And that’s not right. Elizabeth Wein lives and writes in Scotland. Alex Nye likewise, entertaining us with what Sheriffmuir covered in snow is like. Helen Grant has so far killed the good people of Belgium from the comfort of her Scottish home. Philip Caveney has just joined the ladies here, after some frantic years commuting between Stockport and Scotland. The Scottish Book Trust have all four of these writers on their list of authors.

I have read three of the books on the BBC’s list, and watched another four on film. That’s not much at all, and the fault is all mine. I am overdue another Scottish Reading Challenge. Although it shouldn’t be a challenge at all.

The Calling

I enjoyed this book enormously. Philip Caveney’s new novel The Calling is an exciting and hilarious caper across Edinburgh, Philip’s new home city, and Manchester, his soon-to-be former home.

Philip Caveney, The Calling

It’s not often that I can recognise a pub from a short description of its exterior, but I had no trouble identifying the green tiled building that the main character Ed vaguely remembers, which is about the only thing he does recall. He seems to be suffering from amnesia, so has no idea who he is or how he ended up in Edinburgh, with no train ticket and no money. And life’s not made any easier when Ed finds himself awake at night, the only human in a city full of statues who have come to life for 24 hours.

The statues name the 13-year-old Ed, after Edinburgh, and the majority of them want to chop his head off to make sure he stays quiet.

This is fascinating stuff, and after meeting the characters who usually stand so silently all over Edinburgh, I’d quite like to walk round the city and say hello. (This could be a touristy sort of book, seducing young readers into wanting to look at the sights, whilst teaching them history.)

Anyway, some of the more sympathetic statues reckon Ed needs help and who better to assist than Sherlock Holmes? Sherlock is a crafty old – well, actually, fairly recent – statue, who’s got plenty of tricks up his deerstalker, and he and Ed start unravelling the mystery of the Softie who stayed awake.

At the risk of offending old Sir William, pardon, Walter Scott, I’d not heard of Peveril of the Peak as anything other than a Manchester pub. But we live and learn. With the help of James Clerk Maxwell, and a small terrier called Bobby, Ed and Sherlock engage in some sleuthing as well as a spot of portal hopping.

It’s a surprisingly likely story in the end. Except possibly for what goes on in Chorlton, but that’s Chorlton for you. You need to be more circumspect.

Elementary, my dears.

(Fledgling Press are onto something good here, I reckon. This is Philip’s fourth Edinburgh-based book, and I can see how attractive an idea this is, for local readers, as well as for visitors. And the Scotland-Manchester combo is one I find suits me.)

When Philip met Danny

It’s all my fault. I wanted to ask Danny Weston a few questions on his winning the Scottish Children’s Book Award last week. But then I had this – I thought – brilliant idea. So I asked Philip Caveney if he’d have a go and do the interview. I might get better questions that way.

I’m so sorry.

“The brief was very straightforward. ‘Get an interview with Danny Weston,’ she said. ‘Go to his house and get him to talk.’ It sounded easy enough.

But it wasn’t as simple as I might have imagined. For a start, it wasn’t to be at his apartment in Tollcross; that would have been too easy. No, it was to be recorded at his ancestral home in the Highlands, a big rambling Victorian construction out in the sticks and the only way to get there was to hire a pony and trap at the local station. There followed a long, slow ride across the moors and the aged driver, a grey bearded fellow with a wizened face, clearly wasn’t in the mood to make polite conservation.

‘Do you know Mr Weston?’ I asked him and he gave me a long, withering look.

‘Aye, I know him,’ he said darkly, and spoke no more.

When we finally arrived at the house, I asked the driver if he’d wait for me but he simply shook his head and set off back in the direction from which we had come, whipping up the horses into a near gallop. Charming, I thought. The ancient front door of the house was ajar. I pushed it open and stepped into the hallway. There were no lights on within and the place smelled of decay and neglect. I shouted Weston’s name and my voice seemed to echo throughout the house but there was no reply.

I was obliged to wander disconsolately from room to room until I finally found him sitting in what looked like a library, surrounded by shelves of mouldering books. ‘What kept you?’ he snarled and indicated a vacant seat in front of him. There was no offer of refreshment after my long journey so I settled myself down, thinking what a poor host this man was. Perhaps everything I’d heard about him was true.

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I switched on my voice recorder. ‘You must be pleased,’ I ventured. ‘After winning the Scottish Book Award and everything.’

‘Delirious,’ he said, but his expression remained grave.

‘But it must be nice, surely? After all, this is your first attempt at a novel…’

There was no reaction to that, so I decided to dispense with the niceties and asked him a few questions about his childhood. I was amazed to discover that the two of us had rather a lot in common – both of us had fathers in the Royal Air Force, we had spent much of our childhoods in boarding schools and both of us acquired the overpowering urge to write in our teens. Astonishingly, we were inspired by the very same book, Ray Bradbury’s Something Wicked This Way Comes. ‘I’m not always banging on about it like you, though,’ he muttered ungraciously. I let that one go.

‘So what attracts you to such dark stories?’ I asked.

He looked annoyed at the question. ‘Your stories aren’t exactly Rebecca of Sunnybrook Farm,’ he growled.

Fair point, I admitted, but… a vengeful ghost haunting two young evacuees on Romney Marsh? And the new book, Mr Sparks… a twisted ventriloquist’s dummy who outlives his operators? Where do these strange ideas come from?

He gave me a scornful look as though he thought I should have known better than to ask that question.

‘Is there anything new in the pipeline?’ I asked. I was floundering here.

‘There will be a new story along in September,’ he said. ‘The Haunting of Jessop Rise…’

‘See, right there,’ I interrupted him. ‘That’s clearly not going to be a laugh riot.’

‘Young readers love to be scared,’ he assured me. ‘And little wonder! What are the very first stories we give them? Little Red Riding Hood… Hansel and Gretel… These are horror stories and they are of course, thrilled by them, as soon as they’re old enough to understand words.’ He gestured to a shelf of books to his left. ‘It’s not as though you’re unfamiliar with the idea yourself, after all.’

I was astonished to see a whole row of my old titles residing there. ‘What about your Edinburgh trilogy?’ he asked me. ‘As I said before, your books are not all sweetness and light are they? In Crow Boy you deal with the bubonic plague. And Seventeen Coffins features the serial killers, Burke and Hare.’

I was frankly astonished. ‘I had no idea you were familiar with my work,’ I said.

‘My dear fellow, you are one of my biggest influences,’ he assured me. ‘After all, we have so much in common.’

‘Some of my books are lighter in tone,’ I protested. ‘The new book, The Calling, for instance, that’s about all the statues in Edinburgh, coming to life for one night a year. It’s quite funny in places…’

‘… and also features a brutal kidnapping,’ he interrupted. He raised his eyebrows. ‘The publishers sent me a proof copy,’ he added by way of explanation. Then his expression changed to one of annoyance. ‘Isn’t this supposed to be about me?’ he snapped.

‘Oh, er… yes. So… Jessop Rise. Tell me a bit about that.’

‘It features all my favourite things,’ he said, looking animated for the first time. ‘Ghosts. Children terrorized by things that go bump in the night. An ancient supernatural being. Oh yes, and a really cruel villain.’ He smirked. ‘There’s one scene where…’ He leaned closer and whispered something into my ear. I blanched. I’ve been writing for something like 40 years but that…. that was going too far.

He grinned at me, his face ghoulish in the already fading light. ‘What’s the matter?’ he asked me. ‘Have I offended you? Are you shocked?’

‘Not at all,’ I said but I was beginning to feel distinctly nervous. I was uncomfortably aware that it was already getting late and I had no transport arranged. I glanced at my watch.’ ‘I er…. really should be getting back,’ I murmured. ‘I was wondering if you had a phone number for the coachman at the station.’

He smiled grimly, shook his head. ‘There are no phones in this house,’ he said. ‘And even if there were, the old man wouldn’t come all the way out here this late in the day. Not after what happened last time.’ He raised his eyebrows. ‘I’m afraid you’ll have to walk back. Unless of course, you’d like to stay in the guest room for the night? The sheets haven’t been changed in several years and there’s been an invasion of slugs, but if you’d prefer to…’

‘No thanks,’ I said, a little too quickly. ‘I’ll walk. I… could do with the exercise.’

‘As you wish.’ He picked up an oil lamp from the table and handed it to me. ‘You’ll need this,’ he said. ‘To light your way. But a word of warning. Whatever you do, stay on the track. And make sure you keep your gaze fixed on the way ahead…’

It took me hours to get back to the station, by which time it was dark and the moon was up. The place was absolutely deserted. Sitting alone in the ancient waiting room by the light of the failing oil lamp, I wondered if I had got enough from Weston to actually write up the interview. I took out my recorder to listen back to what was on there.

There was nothing. Not a single word – only a deep rasping chuckle. And then, without any warning, the lamp went out.”