Patrick Ness wanted to be an author from an early age, but had no expectations about getting to where he is today. Not through misguided modesty or anything, but his Pentecostal church knew the world was going to end (in 1980, I believe), so there was no point in looking further. He is now living on borrowed time, and reckons God just hasn’t noticed.
At this point Patrick tried to deflect the attention from him to Keith Gray by talking about Ostrich Boys, but Keith told him in no uncertain terms that this was no debate; it was an interview.
He – Patrick – actually entered the Corner theatre so quietly we hardly noticed he had arrived. But Keith made sure we knew all his achievements by listing Patrick’s awards, from the Carnegies and ‘down.’ The place was packed, and mostly by teenagers, which is almost unusual these days.
So it was interesting to hear Patrick’s next book is an adult one. The Crane Wife was written because he needed to write it, and he sort of omitted telling his publisher about it. It will be out in 2013, and so will the next YA book he is currently two thirds through editing the second draft of.
Keith asked him about his rather public argument with G P Taylor, on age banding, which Patrick felt had more to do with G P T’s wish for publicity (he’s not here today, is he?) than anything else. Then it was on to Will Self, and later Stephen King, after which Patrick might have run out of steam, coming up with caustic comments about his peers… He doesn’t mince words, and I suspect that’s something young readers notice and like.
As for his own writing, if Patrick doesn’t like it himself, why should he expect anyone else to? You need to laugh at your own jokes. He needs to want to hurry back to writing, or we won’t want to hurry back to where we left off reading. You can’t be both an oracle and an author. To him being an author has to come first. Always.
‘Momentum is everything’ and the Chaos trilogy really has come to an end. He can’t rule out another book set in the same world, but these books are done. There will be no more. When he wrote The Knife of Never Letting Go, Patrick knew what the last line of Monsters of Men would be. (Although, there could be a few more short stories…)
For those who might not already know, Patrick explained the background to A Monster Calls, talking at length about Siobhan Dowd. It was important to him that the book should be his book. He didn’t want to pretend to be Siobhan. When he began, he could see the ruined living room in his head, so he knew what to do.
As to whether the tree is real, he leaves that to every reader to determine for themself. He knows what he thinks. But he won’t tell. He has written the screenplay for A Monster Calls, because he didn’t want it changed by someone else.
Patrick might feel he has left the church behind, but the phrase ‘totems are the work of the devil’ tripped very easily off his lips. One piece of advice he has for would-be writers is to write from a totally new or different point of view. If you are a boy, write as though you’re a girl. And write the best you can. You can always go back and fix it, so don’t wait for perfect.
And then to the last question, which Keith bagged for himself: ‘Will you marry me?’
Patrick pointed out they were both happily married, and not to be an idiot. (He might not have used that exact word.)
The explanation for all this was simpler, and also stranger, than you’d think. Patrick’s oldest friend in America had got married recently. She wanted him to marry her. So he went and got ordained online, and then he married his friend.
Form an orderly queue here.