I appreciate being able to go first.
And I completely trust the Gruffalo.
I thought it felt roomier on the broom!
Thank you to Axel Scheffler for the extra airy broom he’s provided me with for the present situation. Besides, I am someone who is happiest with much emptiness around me. Not completely, you understand, but enough room for the swinging of cats, and peace of mind.
This year’s Astrid Lindgren Memorial Award winner is completely unknown not just to me, but to some other people who often know a lot more about these things than I do. That’s not to say Baek Hee-na is not a worthy laureate. I wish her all the best, especially in a year when not even the award ceremony can take place in the usual way.
“Baek Hee-na is one of Korea’s most recognized picture book artists. With a background in film animation, her unique visual style features handmade miniature figurines and environments painstakingly lighted and photographed. She has published thirteen picture books that are popular throughout Asia, a number of which have been translated.”
Thank goodness for David Lammy! I was really pleased to see his choice of book that made him laugh.
Usually even that question in the Guardian Review’s questions to writers gets a ‘worthier’ response. But here was a grown-up, a politician, willing to mention a silly – but funny – picture book.
I remember Who’s in the Loo? by Jeanne Willis. Like all her picture books it’s both funny and seriously sensible. And I have my own personal interest in toilets, making it a lot more relevant than some.
In fact, most of the books mentioned by David are more normal than I have come to expect.
It’s not only country singers who give away books. The Scottish government has been handing out book bags to different age groups of children for years now, and the 2020 Bookbug Picture Book Prize, The Station Mouse by Meg McLaren, is one of this year’s books.
‘The Bookbug Picture Book Prize celebrates the most popular new picture books by Scottish authors or illustrators. The runners-up were The Prince and the Witch and the Thief and the Bears by Alastair Chisholm, illustrated by Jez Tuya, and Sophie Johnson: Unicorn Expert by Morag Hood, illustrated by Ella Okstad.’
A free copy of each of the three books was gifted to every Primary 1 child during Book Week Scotland in November, in the Bookbug P1 Family Bag.
How could I not love Ulf Nilsson’s All the Dear Little Animals? To begin with, anything illustrated by Eva Eriksson is automatically extremely loveable. And the story of three children who hunt out dead animals so they can bury them is also rather sweet, don’t you think?
It starts with a bumblebee, which died of natural causes, and its death causes the poetic narrator and his friend Esther to arrange a funeral for it. Our narrator is good at coming up with poems for the ceremony.
And then Esther’s little brother Puttie discovers what they are up to, and he cries. He cries so well that he becomes their official crier. Puttie – unlike his older sister – finds death rather upsetting. He can see that when he dies, their parents will be very distraught.
Esther, on the other hand, avoids telling him that the most likely scenario might be the other way round. This, presumably, is for the adult who reads with their young child to decide to discuss. Mortality, and how it makes you feel.
Once they have hunted out a good many corpses, dug graves, read poems and cried, they are satisfied.
Tomorrow they will do something else.
(Translated by Julia Marshall, this is not a new book. Not even in translation. I would have liked the original title to be mentioned, so I didn’t have to Google it; Alla döda små djur.)
I appear to have come to a Hans Christian Andersen spot. It’s a nice place to be, now that December gets a move on, and it’s Advent. It doesn’t all have to be Andersen, however. Even though The Snow Queen originally is his, this version is by Geraldine McCaughrean.
But however great they both are, and you know they are, what really truly makes this book are the illustrations by Laura Barrett. The are simply fabulous, and I’d be quite happy to ‘read’ only her pictures, with no words at all. Done in silhouette in black and white with some pale blue, this is the most beautiful volume.
The story is the same it always was, about two young friends torn apart when the Snow Queen whisks the boy away to her palace. And then the girl searches everywhere for her soulmate, never giving up until she finds him.
It’s all very satisfying, at least if you don’t have to endure the cold, and it’s nicely romantic, and just as a fairy tale should be.