The difficulty of buying books

I went to Waterstones. I even went upstairs, despite me saying I wouldn’t (because of the crazy lift). I walked up. And down again.

It was a choice between spending my money on the High Street or online, so I went to the physical shop, stairs and all. I had about six or seven books on my list.

After trying not to fall over the outstretched legs of the family sitting in the armchairs upstairs, in the children’s department, I eventually found Malorie Blackman’s Crossfire. It had a ‘second book half price’ sticker, so I thought ‘Great!’ Because I was buying several books.

But there was no other book from my list.

I hobbled downstairs again and looked for the adult books on the list. Good Omens is not shelved under Pratchett, and after a bit I discovered it under Gaiman. Then I saw one with a nicer cover on one of the tables.

After which I found no more books [from my list].

I know. I could have ordered them online, to pick up in the shop. I just didn’t think I’d have to. They were all new novels by big names. To be fair, they had every single Skulduggery Pleasant book except for the new one. And that was the one I needed.

My next solution was to look for the books in the Charlotte Square festival bookshop. And three of them were available. I deemed one too expensive. It’s a hardback, which I hadn’t counted on. The other two were also hardbacks and so huge I came to the conclusion there was no way I’d walk round carrying them along with my daily burden.

All this makes online shopping quite attractive. I haven’t decided what I’ll do yet.

Let there be calm

Easier said than done. But this is a lovely calm place to be. At least if you are not a crab, this time of year.

And I did bake that cake, a day late. Calorie defiance.

Wars versus dictatorships

I’ve been stomping round the house unable to do much of what needs doing. I can’t think, and I can’t do. Can’t write.

I do have the odd ‘neutral’ blog post sitting waiting for when it’s needed. But while something is needed today, it’s not neutral.

37 years ago I moved to a country at war, and that disturbed me. Coming from a country that had not warred with anyone for a very long time, it felt so alien and so wrong.

It was the Falkland war and it was fought a long way away, by people I didn’t know. The closest I got was the Brother-in-Law’s then girlfriend’s flatmate’s brother. He died.

It brought the whole thing closer, because it was such an abnormal thing to happen to normal, everyday people.

On consideration, however, I prefer war to dictatorship. At least today. Or maybe I don’t. Both are evil. Evil is bad.

I would have baked a cake, to have with cream, and a cup of tea. But I really don’t feel able to do anything. Not even baking an emergency cake.

How To Be an Astronaut

‘and other space jobs,’ as it says in the title of Sheila Kanani’s book about becoming an astronaut. I never wanted to be the one to go into space, but this book reminded me that I did rather fancy a job in mission control. Yes.

As illustrated non-fiction books go, this is a great one. I don’t say this because it’s about space and astronauting, but because it has been intelligently written, with just the right amount of humour, and no talking down at the young reader.

Sheila did tell us a lot of these facts in her event at the book festival, so it was mostly not new to me, but it still makes for fascinating reading. And I do like Sol Linero’s pictures, which are factual and beautiful, all at the same time.

(I would have preferred no white text on dark blue background, though, but I am old and perhaps wannabe astronauts are just fine with that. They probably have to be, now that I think of it.)

There are so many jobs you can do for space, and still stay on the ground. It means you don’t have to live off dried food or send your poo into space, or use special velcro to scratch your nose if it itches.

The book also tells us that there were women – a very long time ago – who discovered about eclipses and gravity (I would say long before that Newton chap), even if there was a risk of being thought of as a witch.

This is an excellent book to put into the hands of children. And you will enjoy it too.

Too tired to haiku

You know how it is with those subject lines in your inbox? Whatever it was you started discussing, it follows you around, even when you’ve moved onto something quite different.

I emailed Theresa Breslin about something, and then back, and back again, we went. Until she declared she was ‘tired’ of me being ‘tired’ in the subject line, and she was going to write a poem. As you do.

Since I don’t go on Twitter as often as others, it was pure chance that I discovered Theresa’s Haiku.

I have absolutely no idea what it is about. Am I dead? Or is there bird poo?

But I’m impressed that I could ‘inspire’ some inbox poetry.

Where the River Runs Gold

I would have enjoyed Sita Brahmachari’s Where the River Runs Gold a lot more if I’d properly understood it. And I am unsure what happened at the end. I have two theories.

This is a dystopia featuring some of the fears we are already facing in our lives. What if the bees stop doing their job of pollinating? Twins Shifa and Themba live in Kairos City – which I assume to be loosely based on somewhere in the Middle East. When they turn eleven they have to go to a farm where they will work for – I think – five years, pollinating crops. This is supposedly the only way the world will survive.

Not everyone does this, however. Just the poor.

There is much that is beautiful here; the family’s love for each other, for plants and their hopes for the future. As with any dystopia there is also much that is ugly and dangerous and upsetting. Because it’s so wrong, so unfair.

Arriving on the farm, they discover things are not quite as people at home had been made to believe. To save themselves they have to learn to shut up and to bide their time until the right moment to escape comes. If it ever does.

This topic is so important. I just wish I’d understood the world Shifa and Themba belong to. And I wonder how I was meant to interpret the end.

Farewell to EIBF 2019

This may surprise you, but I occasionally wonder if I’m doing the right thing. In this case the ‘thing’ is children’s books and their authors. But the event honouring Judith Kerr this week, proved to me I was in the right place, and not even crime – the fictional kind – can hope to reach such heights, pleasant though it it.

There was such a perfect feeling of how good it can be, and I suspect that this is hard to achieve away from children’s books.

And chatting to Chris Close about Judith, I was pleased to find that he too had special memories of her. I was also a little surprised to discover that while he couldn’t instantly recall Daniel Hahn’s name when he walked past, he knows perfectly well what t-shirt Daniel wore in 2010. As you do.

What I was really wanting was to talk to Chris about his photo of Sheila Kanani [in Space], and I like the way he remembers virtually all the people he has shot in his spot in Yurt Gardens. Apparently most of Space this time was made up of St Abb’s Head, which I suppose is the photographer’s ‘bottle of washing up liquid’ in using whatever comes to hand.

When it doesn’t rain, the new style Yurt Gardens is a good place to hang, as proven by the gang of crime writers just round the corner from my sandwich spot. There’s ducks, Chris, and the passing through of many people, who either are very famous, or carrying trays of food. All are important. (Though no ‘Kevin Costner’ this year…)

What’s always good in the festival’s second week are all the school children. They have come for the same thing as I have, and often getting the most exciting events combos. I even spied a few teens wearing the authorial blue lanyards the other day. Made me green with envy, that did.

It’s not only old age and feebleness that determines when I attend. Trains have a lot to do with it. They were better this year; partly to do with the new electric rolling stock (pardon me for getting nerdy), and partly because I tried to avoid the worst hours of the day. But when the doors refused to open as we got to Haymarket one day, I learned from the guard that it’s all down to computers now. I wish I didn’t know that!

We mentioned teeth in connection with Mog’s nightmares. I haven’t been able to ignore the fact that so many authors also have teeth. Well, I suppose most people do, but I am always struck by the wide smiles, full of perfect teeth. And not just the Americans, either. I’ll be spending this winter practising smiling in front of the mirror, but am not hopeful.

Here’s to EIBF 2020, when we will see more clearly?

(Most photos by Helen Giles)

Writing Rhythm

It’s odd. First, I don’t read that much poetry, or go to poetry events. And then in quick succession I found myself in the Spark theatre for poetry, two events running. Also, out of five poets, three are American. But they explained that poetry is big in the US, in a way it’s not in the UK.

Chaired by Amy McKay, whose flamingo skirt I couldn’t help noticing at the first event (about flamingos), she’d moved on to an equally stunning daisy skirt. And as she said in her introduction of Sarah Crossan, Kwame Alexander and Jason Reynolds; ‘we are really spoiling you this afternoon.’ They really were. She also knew not to waste time on listing all the great stuff the three have done.

For some reason I’d not realised Kwame wasn’t British, but he’d just moved to London six days earlier, so I was almost right. Brixton has changed in 28 years, apparently. He read his new ‘picture book’ The Undefeated to us, showing the audience the illustrations while he recited his own poems by heart.

This impressed Sarah Crossan, the current Irish Laureate na nÓg, because she can’t remember hers. Maybe it depends on which side of the Atlantic you’re from. She chose to read about Marla and Toffee, the young and the old, and no one listens to either.

And I finally got to ‘meet’ Jason Reynolds, whom I’d not heard of two years ago when I met someone who enthused about him a great deal. At first he gave a fair impression of a sullen teenager while the other two spoke, but once it was his turn,  he sprang to life and you could see why people admire him so much. He mentioned the weather [in the tent], before moving on to gun violence, and talking about how we ‘strap monikers to children so we won’t have to call them children.’

So, anyway, poems are cool in America. Sarah was in luck, writing her first novel while living in the US. According to Kwame poetry is big, but he reckons the publishers don’t know much. He mentioned the impact of Walter Dean Myers, the hero in Love That Dog. Verse novels is quite a new thing, but ‘the kids were already there.’

Sarah is ‘impressed by myself’ and keeps anything she’s written, but edited out, in case she can slot poems in where they are needed. Kwame had many nice poems, but they didn’t go together, so he rewrote.

Jason said ‘it’s my job to keep the rhythm,’ and according to Kwame ‘when it works, the reader forgets it is poetry.’ And he told Sarah that she needs to learn to ‘own her own work.’ She felt that sounded like therapy, and very American.

Kwame went on to mention the American ‘call and response’ to poetry, which is clearly what Elizabeth Acevedo was busy doing a couple of days before, when Dean Atta read from his book. Sarah doesn’t want to manipulate the readers, but Kwame is ‘totally into manipulating’ them… You need to make the world better, and it’s his responsibility to make you feel something. Jason said he’s somewhere between the other two, and manipulation is a dangerous word. ‘I just wanna bear witness.’

Someone in the audience mentioned that with verse novels you don’t have to write the boring bits, which made Kwame quote a secondary school pupil who had described it as ‘the right words in the right order.’

Jason pointed out that writing poetry is like painting with only half a palette, which is harder; ‘really difficult.’ Sarah feels that writing is very democratic, and you only need pen and paper. And it helps if you don’t go to the cinema, don’t have any friends and if you work hard.

Kwame, ‘I steal a lot. Mature writers steal.’

And that was it. The main problem with the event was that it was too short. We could have done with at least another hour. Maybe two. It’s all that poetry, with so few words.

Cracking the Reading Code

You can’t hear enough about getting children – or even old people – to read, especially if they have extra obstacles to deal with. Well, I can’t, anyway. And I’d already heard the background stories of Tom Palmer, Sally Gardner and Alex Wheatle, but they can do with being repeated. Often. Until everyone who wants to can read.

The three guests were ably interviewed by Mairi Kidd in Tuesday’s event hosted by Barrington Stoke, where she used to work. She knows about this business of dyslexia friendly books. And so do the three; with Tom probably having written the most books for Barrington Stoke, Sally being the most dyslexic while still writing the the most wonderful stories, and Alex for knowing what his readers know.

I do like the sound of Tom’s mother, getting him to read by giving him books and articles on football. And then he went to night school where he was supposed to read Shakespeare and Chaucer! It wasn’t until a tutor introduced him to poetry about Leeds United (!), and took students out to the actual ‘Wuthering Heights’ that Tom felt he could get on with this reading.

Not sure I like the sound of Sally’s school for maladjusted children (whose fault is it if children are maladjusted?), but at 14 when she tried reading Wuthering Heights for the second time and she suddenly was ‘in the f***ing book,’ things changed for her. As Sally said, you can be good at something and it needn’t be only academic for it to matter. We need ‘diversity in the brain.’

And Alex, who did read a bit as a child, from Huckleberry Finn and Ivanhoe to sports books, finally discovered books in jail at the age of 18. His cellmate, and mentor, gave him The Black Jacobins to read, as he ‘wouldn’t have anything better to do in there.’

Asked to read to us, Alex again chose the bit from Kerb Stain Boys about being in detention, and this time it was Sally who asked if he reads his own audio books. And after Sally had treated us to a dyslexic pirate in Mr Tiger, Betsy and the Sea Dragon, Alex returned the compliment. Sally does have a great voice. Last but not least, Tom read from Armistice Runner, which is close to his heart, featuring both running and fells, and it still makes me cry.

Mairi asked the three about graphic novels; if they make reading easier. Sally mentioned Shaun Tan, and the ‘most genius book ever,’ which has no words at all. Both Alex and Tom were fans of Shoot Magazine, but understandably Sally’s not. Talking about Tom’s novel Scrum, and the revelation it brought a young boy at a school; ‘Miss, I can read this!’

Sally gets angry when people say to those who have listened to an unabridged novel as an audio book, that they ‘haven’t really read it.’ This is snobbery. She suggested to someone in the audience that if they can get a certificate from their GP that their child is dyslexic, then they have the right to access audio books for the blind and partially sighted.

The last question of the evening was not a question but a thank you, from a teacher who uses these books in her school. And it seems that Scotland might be better in this instance, not having reading rules, which means that teachers can let the children read anything, even if it’s not from the right part of a reading scheme. (This brings back dreadful memories of Son being forced to read ‘backwards’ so as not to rock the boat of equality.)

We then gathered in the bookshop where people were so keen to continue talking about this important subject, that poor Tom was unable to sit down at the signing table for quite some time.

This is what we like.

Remembering Judith Kerr

Now that we don’t have Judith Kerr to come and do events, we can have events about her. Because we need them.

Judith might have looked like a little old lady, but in Tuesday’s panel we learned that this was a woman who could out-party those much younger than her. I think Daniel Hahn rather envied her her stamina in that department. And Lindsey Fraser remembered a time when Judith’s train had been late and she needed a whisky, a bit early in the day, but someone sourced the requested tipple.

Her arrivals in the yurt always caused a certain kind of murmur among those present, those who were more famous than Judith, richer, younger; even more important. Everyone had some kind of relationship to her. Catherine Rayner said it felt like meeting the Queen. And like meeting the Queen, it was impossible to talk to her. She tried, but could never get the words out.

Catherine’s friends would ask ‘is she any good?’ as though Judith’s simple picture book drawings meant she couldn’t do proper art. She showed us some of Judith’s sketches, and they were certainly proper art. As was Mog’s scared face in the book about Mog’s nightmares. And those pictures of birds with teeth!

The first book, The Tiger Who Came to Tea, often caused people to read hidden meanings into what the tiger symbolised. According to Daniel, Judith said it’s a book about a tiger who came to tea. As for Mog and the translation into German there was a discussion with the translator that Judith lost. Mog would be a boy in German. And then she gave Mog kittens.

After Judith was widowed she kept drawing, sitting at the same table she’d worked at for fifty years, saying ‘if I didn’t draw, I’d probably have taken to religion.’ Her husband was the one who suggested the plot for her first Mog book by saying ‘couldn’t she catch a burglar, or something?’

Tom Morgan-Jones talked about Judith’s last book, Mummy Time, and brought out so much more meaning from it than I’d seen. It even had those horrible teeth in it, again. He read most of the book, showing how it works on two levels; for the child, and for the adult reader.

Like Tom, Eilidh Muldoon never met Judith. And as everyone seemed to say, she also found the Tiger really scary. When Goodbye Mog was published, she was too old for picture books, but has since discovered how good it is to read them as an adult. The pictures in this last Mog are dreamier than the early Mog illustrations, and this could in part have been due to the same ink not being available.

It’s not only Mog’s death that has helped readers deal with bereavement. Kate Leiper has experience from working in care homes for people with dementia, where she used to show them My Henry, which is about an old lady in a home, who dreams about her dead husband coming back for her. This was written after Judith’s husband died.

As Daniel said, you can have quite dark stuff in picture books. It’s all about condensing, according to Catherine. You put a lot in and then take more and more out. Judith would never use words about that which you could see from the pictures. And in Mog in the Dark – the nightmare book – she only used 50 [different] words.

This was a wonderful panel event; one which made us love Judith Kerr even more. As someone said, she had faith in human nature. And she considered herself British from the start of WWII. That’s worth remembering now, when we remember Judith. The piece from When Hitler Stole Pink Rabbit, read by Lindsey, about the family fleeing Germany, approaching the Swiss border by train, and being so very nervous. It’s all coming back.