Category Archives: Writing

Hear Candy here

There is a nice interview with Candy Gourlay on YouTube. If you haven’t heard her at an event for Bone Talk, you’ll find this fascinating. There is so much a reader never realises about the journey the author made to be able to write that wonderful book you’ve just enjoyed.

While it all makes sense when you hear it, I don’t think I’d ever have been able to work it out for myself. Unless I was brave enough to start writing a book, thus discovering how you need to change how you look at everything.

And I had no idea that rice paddies are noisy.

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Bookworm – A Memoir of Childhood Reading

I want to be Lucy Mangan. We are so alike in many ways, but I haven’t read all the books she has, nor can I write like she does. I want to [be able to] write like Lucy Mangan!

I don’t expect that will happen.

I also want to know what her house/library/bookshelves look like. I can’t conceive how you can keep that many books – in a findable way – in a normal house. Assuming she lives in a normal house.

Lucy Mangan, Bookworm

After reading Lucy’s Bookworm, I now love her parents, too. I especially feel I’ve got to know Mrs Mangan better – and that’s without the letter to the Guardian stating that the Mangans were happy to have their daughter adopted by some other Guardian letter writer.

A friend of mine often mentions the fear induced in millions of people by the four minute warning so ‘popular’ in the 1980s. I’d almost forgotten about it, and never really worried all that much. Little Lucy was extremely concerned, but was reassured by her mother, who clearly knew what the child needed to hear. Basically, it would be in the news, so they would be prepared. They’d not send her to school if the end seemed imminent, and they would all die together at home. Problem solved.

Bookworm is about what one bookworm has read – so far – in her life of loving children’s books. She is not repentant (I must try harder), and will keep reading what she wants, as well as keep not doing all those ghastly things other people like, if she doesn’t want to. That’s my kind of bookworm!

This reading memoir is full of the same books we have all read, or decided not to read, as well as some real secret gems I’d never heard of and will need to look for. Lucy rereads books regularly, but doesn’t mention how she finds the time for all this.

It’s been such a relief to discover that she dislikes some of the same books I’d never consider reading, and even more of a relief to understand how acceptable, and necessary this is. Lucy even has the right opinions on clothes. Very useful to know there are sensible women in this world.

I had to read Bookworm slowly. I needed to savour what I could sense wouldn’t last forever. Although one can obviously reread Bookworm, just as one can other books. (Where to find the extra time, though?)

Growing up a generation – not to mention a North Sea – apart, we didn’t always read the same books. But by now we sort of meet in the here and now, and Lucy ends her book by listing a number of today’s must-read authors, and her judgement is almost completely spot on and correct.

So to summarise; I can read the same books. I can probably not store as many in my house. But I will never be able to write as well. (And I rather mind that.)

(According to Lucy, she loves her young son more than she loves books. Bookworm was given to me – after some hinting – by Daughter, whom I happen to love more than books too.)

…and the Christmas tagliatelle

The Fledgling Girls booked themselves in for Christmas lunch at Corrieri’s yesterday, and they allowed me to tag along, in all my un-Fledglingness.

Moira McPartlin, Alex Nye, Bookwitch and Helen Grant

It was good. Corrieri’s used to be somewhere the Resident IT Consultant’s relatives gathered for Christmas Eve pizzas in the semi-olden days, so it has Christmassy connotations for me. And what could be more seasonal than mushrooms and tagliatelle? Fish and chips. Pizza. It was all good.

We exchanged gifts and cards.

We exchanged opinions on a lot of things, from all that stuff in the news, to literary agents, authors having large incomes (hah), second husbands, incidents with cars, art, lemon desserts, having nice offspring, 1980s music, getting on with one’s parents. You know, perfectly normal conversation.

At least I think it was…

We might have stayed longer than the restaurant expected us to, but it’s hard to stop chatting mid-gossip. If there is a next time, I’ll have Moira’s dessert.

The bad deal

What a shame. A celebrity author who is hurt – or perhaps merely surprised – he doesn’t feature on any best books lists. Despite his books being liked by children!

Good grief.

Not DW this time, but his namesake David Baddiel, about whom I’ve previously said not altogether lovely things. I note how naïve I was, now that I’ve read this blog post by Gareth P Jones. (Who, incidentally came up with a very similar title to his post. Great minds.) Gareth is an actual children’s author. The not rich kind.

The kindest and fairest thing I can say to Mr Baddiel is that he might be quite a good author of children’s books. I don’t know, obviously, not having been supplied with a copy when I didn’t want to engage in one-sided publicity for him. However, there are a lot of quite good authors out there. And they can’t all make the best lists, no matter how much they wish.

I know this because I very recently looked through my 2018 books, and having only read somewhere between 100 and 150 books, some of which don’t qualify for best of Bookwitch rules, I had to discard a big number of really excellent books. Books I’d enjoyed a lot. Because I’d enjoyed a few others even more.

That’s how lists work. It’s rather like winning Wimbledon. They are playing because they are the best, and they don’t finish until the bestest of them all has beaten the rest.

Reaching their destinations

Rachel Ward’s back where I first met her, in Edinburgh, nearly ten years on. She has left behind her ‘hideously dark’ YA novels, and is enjoying cosy, humorous crime for adults. Rachel was doing an event at Blackwell’s last night, but first she met up for coffee with your witch, after a walk in Princes’ Street Gardens in the morning darkness, visiting the Royal Yacht Britannia, and going to Waterstones for [leftover] wine with Ceris from Sandstone Press, ferrying two boxes of the stuff on the bus to the other bookshop in town. That’s dedication.

The event –  Examining the Crime Scene: Three Crime Writers in Conversation – was with fellow Sandstone Press authors Lesley Kelly and William McIntyre, and I can’t tell you how good it is to ‘meet’ two authors I didn’t know at all and discovering they are fun and interesting and that I might not be totally opposed to reading their books.

Lesley Kelly, William McIntyre, Ceris Jones and Rachel Ward

I will have to get used to events no longer run by Ann Landmann, who has left, but I dare say that will be possible. I was introduced to her replacement. I immediately forgot his name. Completely my fault. It’s my age. But I do have to say he had arranged things very nicely. Differently, but almost, well, better… Except for ‘my’ sofa, which I surreptitiously shoved a little.

Helen Grant arrived in the nick of time, having struggled with the travelling-to-Blackwell’s-for-an-event-and-trains-running-late problem. Chair Ceris allowed her authors to cheat, by showing them her questions in advance… And I didn’t get the memo, but it seems that white spots on navy or black is the way to dress. The size of the audience worried our host, because why were we all out on a Monday night, being so interested in crime?

William McIntyre

William, who seems to kill people in Linlithgow – which I find an admirable thing – believes that you should commit the crime before speaking to a lawyer. He borrows freely from his day job in the legal business and puts it all in his books, which are either nine, or four, depending on whether you count his self-published novels. It saves on research. And he says he only uses already publicly known facts.

Lesley Kelly

Lesley has a policeman father, but she wished she’d spoken before William, as she’s ‘not as interesting’. She used to be a stand-up comedian, and finds the two-year wait for laughs when writing a book rather long. You never know what readers want, but in her next book she kills a lot of civil servants.

Rachel Ward

And then we have Rachel, who based her detectives on ‘a life of food shopping.’ This is a fine thing, and you can listen to and observe people in the supermarket. Everyone shops for food. The humour in her dialogue wasn’t intentional, but when she sent her husband a chapter at a time to read, she liked hearing him laugh.

None of the three authors write about sex. Well, Rachel does, a little. There was a question as to whether you have to be a bit drunk when writing about sex.

Asked whether they plot in advance, William described how you need only know some, because as long as you can see into the near distance if you are driving in fog, you will be able to reach your destination. A little at a time, and that works for writing as well. Rachel has realised that ‘plot is quite important’ and Lesley plots because she doesn’t want to get lost.

Then there was some discussion about Tom Cruise, and I’ve forgotten how many of them want him in the film of their book. Potentially all three.

And then we got to the end. Helen and I both went up to ‘Mr Ward’ and chatted. I reckon Rachel will want to lock him up, but it was nice to meet him at last.

Spoke briefly to a book fan from Chile, as well as more formally meeting blogger Kelly, who apparently reads Bookwitch. Hello!!

Realised that Sandstone Press, and Ceris, are not from Perth. They are in Dingwall, and that is a very long way north. Very very.

Chatted some more with William and urged him to really let go in Linlithgow, without telling him the whole story. Tried to be professional, handing out business cards to him and Lesley. Just hope they’re not going to turn up outside my door..!

Then I grabbed Helen Grant, and carefully avoiding Fleshmarket Close, we walked to the station where we got our train home, and one of us almost told the guard he was too loud.

(Photos by Helen Grant)

Kristallnacht – 80 years on

It has been 80 years since Kristallnacht, and ordinarily I’d feel relieved it is now well in the past, and not a recent memory. But somehow life has moved in a direction that makes another such event feel not in the slightest unlikely. In fact, depending on where you draw the boundaries, it’s already happening. It’s just that some of us would like to feel that it won’t take place anywhere near us.

And then there is the other important K, the Kindertransport, which started almost immediately after Kristallnacht, so that’s another 80th anniversary, and another thing we’d prefer if there was no need for it to happen again.

Both events caused some good books to be written; books I’ve ‘enjoyed’ because of their historical aspects, and because the good that happened after something so bad, was a cause for some celebration. This works for both fact-based books and pure fiction, inspired by these events.

And still bad stuff keeps happening, and we keep getting books based on what goes on in the world. The books are usually excellent, but I would so love for them not to be possible to have been written. Just think. What if these people had not been hunted out of their homes, losing their lives, or having to send their children to a strange country? Whatever great things they ended up doing here, they could have done in their own countries.

Something I read in the paper the other day made me aware that the last couple of years will by now be featuring in fiction, or are about to turn up in novels some time soon. And once I’d had that thought, I felt that I don’t want to read those books. So far everything I’ve read has been removed from me in time or place.

I’m not ready to read about my own daily fears. Maybe I never will.

Kristallnacht was bad, but I believed it could stay in the past. Because we know better now. Don’t we?

(Read this Wikipedia page on the Kindertransport. Then try to envisage the same thing being agreed – in Westminster – now.)

Tell Me No Truths

I loved Gill Vickery’s Tell Me No Truths! Similar to Mal Peet’s Tamar it deals with what happened in Florence during WWII, and we meet three British teenagers who have come to Italy looking for answers to questions they have.

Gill Vickery, Tell Me No Truths

Twins Jade and Amber had an Italian grandfather, and they want to discover what the place he felt he could never return to is like. They speak Italian, as does their mother. Teen artist Nico is on holiday away from his boarding school, with his mum and her latest boyfriend. Nico and his mum are big fans of a crime writer who lives in the area and they want to discover more about this elusive man.

Interspersed with today’s activities, we read a sort of diary from the war, about dramatic things that happened, but we don’t quite know who is doing the telling. But it’s easy to see it has a bearing on what all three teenagers are searching for.

There is romance in the air, as well, and now is a time for families to learn to accept the past and to start again.

There are too few novels about the war from inside another country, like Italy. We don’t know enough, and we need to learn more, as do Nico, Jade and Amber.

Great blend of art, crime and food, against the backdrop of WWII and Florence as it is today.