Category Archives: Writing

TTFN

I’ve been lucky. Or perhaps I should call it successful, if that’s not too big a word to use? Because I have achieved what I set out to do, fourteen and a half years ago.

I have done writing. And reading. I have travelled and I’ve met a lot of great people. I have been to fun events. Occasionally I was almost a little bit famous, in the right circles. Not too much, but still.

Giving this up is hard. So hard that I am going to take a little break first. This means there are few promises as to what will come, but I suspect I will find it impossible to stay away completely. Expect a trickle of witchy stuff for a while. Maybe.

But right now I have one or two things to do, and I need to attend to them without feeling I’ve not written today’s blog post yet.

There are some books outstanding. Some books are also outstanding. I imagine I will tell you about them. Later.

I wasn’t sure how to choose my ‘when’ moment, but after so long of no live events and no live meetings with authors, I feel Saturday’s Pitch Black Humour is a good one to finish with. After all, it featured a Finnish crime writer, a local[ish] author closely connected with Bloody Scotland, which in turn is set in my current home town, plus my favourite author from Fort William, who I’d never heard of before Bookwitch, and who now features big in our minds, here at Bookwitch Towers.

So, I’m pausing with a smile. A laugh, even.

Flash Forward

His inhaler, a bag of helium, and a games console were the single luxuries Wednesday morning’s three time travelling fantasy writers chose from life today. They should have thought this through more, shouldn’t they?

The indefatigable Ann Landmann was at the book festival to chat to Jonathan Stroud – who played it safe by remaining in Hertfordshire – and who’s written three gazillion books (Ann has read every one of them), and to relative newcomer Ben Oliver and debut author Femi Fadugba. This was, not surprisingly, another really good event.

They all had to start by describing themselves, so now I understand better what’s been happening at earlier events. It’s so people with impaired vision knows who’s who. Ben regretted getting his hair wet on the way, and Femi seemed to wish he’d picked a different t-shirt (I liked it).

We were promised a spoiler-free conversation, and I’m grateful, having read just Jonathan’s Scarlett & Browne, but not the other two books. I want to.

Ben is a teacher from Glasgow, who writes about a character on death row, in a world maybe 150 to 200 years in the future. It’s very dark.

For Femi Physics comes first. His book is two narratives of 4D space time, in Peckham. No, that doesn’t make a lot of sense to me either, but it’s how I heard it. (The short excerpt in the Guardian is Very Promising.) And as time travel goes, Femi moves only 15 years into the future. He wanted it to be somewhere well known.

Jonathan on the other hand, has placed his characters in a submerged England, maybe 500 years away, and no one much knows what happened. I expect we’ll learn along with the characters. Jonathan likes using humour, because everyone’s mostly like they would be now. Except Scarlett who started life as a middle aged man, but is now a teenage girl.

Asked if their worlds could become reality, Femi feels that maybe his already is. Ben hopes sincerely not, whereas Jonathan is full of optimism, despite the giant otters. Another question was about possible actors for any films they may have given life to. Femi already knows, but can’t tell. Ben would like young, unknown actors. Plus Hugh Grant. Jonathan, too, goes for someone unknown, as long as she has red hair.

This just left me wanting to read. And that’s really what this should all be about. More. Reading.

Not smelling us

Yes, Bernardine Evaristo really did regret not being able to smell us, as well as see us, and hear us, last night at the book festival. The audience was there for her Black Britain, Writing Back event with Judith Bryan, S I Martin and Nicola Williams, but the authors themselves were not.

Bernardine would be my ideal English professor and she can teach me anytime. Although, it seems not how to pronounce incomparable, which she admitted she’d been getting wrong until very recently when her husband pointed it out. She’s the one selecting the ‘black novels’ that are being republished by Hamish Hamilton, after first appearing in the 1990s.

I freely admit to never having heard of the authors she had invited yesterday. All three were interesting and had a lot to say, about themselves and other black authors, why they wrote what they did, and how they got there.

Judith sat in front of a nicely curated bookcase as she talked about her novel Bernard and the Cloth Monkey, and read a short piece from it, about a young couple meeting for the first time after getting to know each other by writing letters (!), after finding each other in a lonely hearts column. The book won her the Saga Prize, and she talked about attending writing classes at City Lit where she met Andrea Levy, among others.

[Steve] S I Martin sticks to writing about black Britain before 1948. He wants to show readers that this country has had black people living here for hundreds of years. His novel Incomparable World is set in the London of 1786, and whereas he’d hoped it would be discovered by black readers, he reckoned it mostly ended up on coffee tables in Hampstead. But that was fine, too. Bernardine said she feels his books would be perfect for becoming films, and Steve said he’s still waiting.

Barrister Nicola Williams wrote her legal thriller Without Prejudice about a black, female barrister, and she did so from midnight to four in the morning every night for nine months. (The audience question was when she slept. Between four and eight, apparently…) Nicola read the bit where her character goes back to her old, failing secondary school to give a talk about her success thanks to the school, but changing it to ‘despite’ her school. This went down well with the students. Nicola’s inspiration was reading John Grisham.

Asked who they grew up reading, the answer was mostly American authors. For closer to home now, two of the authors mentioned Luke Sutherland (from Blairgowrie) as their black Scottish inspiration, and Jackie Kay is much admired. And Judith managed a charmingly muddled senior moment when looking for a name and a place, and finding neither. I’m glad I’m not the only one!

This was another book festival event I most likely wouldn’t have chosen to go to in person in ‘the olden days’. Being able to sit at home and run the mouse down the list of events and picking – almost at random – yields some fantastic experiences. And when reading time becomes plentiful, I know what to look for.

Just a small detail

There was a thing Zoë Wicomb said on Saturday. I believe it was in response to an audience question, but I don’t recall exactly what it was. A sort of how/why you write, I think.

The answer was along the lines of ‘because she’s here (UK), not there (South Africa)’. So she needs to write.

It resonated with me in a way that surprised me. I have little idea of how and why Zoë left her native country, but I can see how writing when you’re not ‘at home’ can help. In fact, it can be hard knowing where home really is when you have more than one.

Writing helps.

Malorie Blackman – Flipping reality

The one event I wanted to go to on Saturday was Malorie Blackman talking to Gemma Cairney. Turned out she was only appearing remotely, but you can always record from your attic, which is what Malorie did. I’ve heard her talk many times, but never knew she went by the name Lorie. So I live and learn.

It’s what she does herself as well. Malorie likes taking a new course at City Lit every year, just to learn. And these days she gets paid to daydream. Take that, teachers!

Her Noughts & Crosses series is an alternate Britain, a recognisable here and now. It’s not dystopian; Malorie simply flipped reality. Callum is most like herself, and she gave him a couple of her own experiences. One was the time she was on a train travelling first class and the guard thought she’d stolen the ticket. The other was at school, being told by a teacher that there were no black scientists [to tell them about].

Imagination is like a muscle. You need to use it. And you should read read read. Malorie calls herself nosy, which is another way of talking about research. One should be curious.

Othello was her first coloured character. Later on she frequented the black bookshop, (New Beacon Books), in Islington. They stocked mostly African and Caribbean books, as there were relatively few black British books.

After a slow start for black authors, according to Malorie, about fifteen years ago they were ‘almost fashionable for a while’, but six or seven years ago it was down to her and someone else again. One of her early books was accepted by a publisher purely for their ‘multicultural list’ and they said no to her second idea for a book.

Reading The Colour Purple Malorie felt that ‘maybe I can do this too’. Before that she read Jane Eyre, Rebecca and The Murder of Roger Ackroyd (leading to her reading all the other Agatha Christie novels as well). This was due to the influence of the librarian who pointed her in the right direction. These days she often gets sent books, or her agent does. One recent book she recommends is The Upper World by Femi Fadugba, which is out soon.

In answer to a question whether she waits for the muse or just starts to write, Malorie said you ‘sit down and get on with it’. In her case it’s from nine to six in her attic office, with an hour for lunch. She’s looking forward to the second television series of Noughts & Crosses, and feels very lucky to be able to experience the bizarre, lovely feeling of seeing her own thoughts translated onto the screen.

To finish, Malorie read chapter 16 from Endgame, the last in the Noughts & Crosses series, publishing in September. We’ll just have to wait.

Tea?

This morning I woke up to an offer of afternoon tea with Jamila Gavin and S F Said. I immediately assumed I was not worthy, because I’ve seen these ‘afternoon tea withs’ advertised before, for members of the Society of Authors. But I pressed the buttons and some hours later, there I was, not actually having actual tea, but watching S F drinking something from a large glass while chatting to Jamila.

Jamila Gavin is royalty to us in Bookwitch Towers. And I started wondering how come I’ve not ever seen her in an event. I’m assuming she very sensibly stays at home and writes and stays sane, and anyway, you don’t expect royalty to come wandering into your neck of the woods. But there we were.

This was a well run event, from the technical to the discussion. No hitches. S F knew precisely what the rest of us would want him to ask Jamila. Starting with Wheel of Surya, named one of the 100 best children’s books by Booktrust, it seems SF is as big a fan as I am.

He asked Jamila to read to us, and she chose the bit with the bullock carts, and the sound they made, which was something she’d got from her mother, who was still alive when the book was written and who could share her own, adult, memories of people having to leave their homes.

Before that S F wanted to know how Jamila came to start writing. This wasn’t anything she’d imagined herself doing, wanting to be a musician, but via Paris and Berlin and the BBC, and after getting married and having children, she discovered that non-white children drew themselves as white, because they didn’t see children like themselves in books. So that’s how The Magic Orange Tree came to be. Jamila spoke warmly of her publisher, Methuen, who told her that other books which sold more copies, were there to support smaller books.

She was with a friend in the North when she first heard of the ‘Coram man’ and about child abuse from a long time ago. She went home and looked for all the Corams in the phone book and spoke to all of them, until she came across the Coram Foundation and discovered what had happened. It seems that while there was no specific Coram man, many child traffickers made use of the name. When Jamila met someone in Hebden Bridge during an Arvon course, she learned about the children buried in the woods, and with the slave trade added to this, she had what she needed for her book. Not sure it was even going to be a book for children at first, it’s what it became, because if children lived and died like that, then children could read about it.

Of Jamila’s more recent books she spoke about Blackberry Blue, a short story called In Her Element, and what went before it, a 1990s book called Wormholers. From there we were told about her work in progress, a WWII novel titled Never Shall I Ever Forget You, which will be published in January next year. None of us felt we wanted to wait that long.

In the Q&A someone wanted to know why Grandpa Chatterji is no longer available, and she wishes it was too. As a recommendation for adult mixed race reading Jamila mentioned Bhowani Junction by John Masters, made famous by the film starring Ava Gardner.

Mentioning children’s books with issues, be it Philip Pullman, David Almond or Jacqueline Wilson, Jamila said that one should try to ‘end with hope’.

Asked whether she feels that you are allowed to write about something you’ve not experienced, Jamila said that cultural appropriation are her ‘most dreaded words’. She feels everyone has the right to write about things. ‘It’s our job to find the truth of your stories’, and publishers must be prepared to publish them.

Her motivation to ‘write well’ is to read a lot, although she admitted to not reading as much as she’d want to. Also, she doesn’t like the way we now talk about ‘reading for pleasure’ which feels like an indictment on education. Reading should be spontaneous, not a timetabled event.

So that was a really excellent chat between two authors, and the questions from the audience were well above average, and Jamila’s responses to them very interesting. I will happily attend more events with Jamila, and it’s so odd that after all these years, this was my first time.

We have all arrived

And we would like to stay. I think that’s really what last night’s launch for Barbara Henderson’s book Scottish by Inclination was about. She came here thirty years ago, and has now written a non-fiction book about her time in Scotland, including interviews with a number of EU citizens who also came here some time in the past, and were expecting the right to a future.

The letter from the Scottish Government, telling us we are welcome here and they want us here, helped. But it’s no guarantee. Barbara has now acquired British citizenship, just to be on the safe side. She did this on the advice of Elizabeth Wein, who felt that it’s the only reliable thing to do, if you want to be sure.

Wearing her starry EU t-shirt, Barbara was talking to Margaret Kirk (who almost struggled to get a word in edgeways…). Barbara is a very cheerful force to be reckoned with. She read to us. Her arrival at Glasgow airport, where her first task was to find Fergus, which involved her walking round the arrivals hall singing, to attract the attention of the right very tall person. Then she read her memories from June 23rd five years ago, when the result of the referendum took her completely by surprise. (Available on YouTube.)

At first Barbara had no wish to write her memoirs, when it was suggested to her, but she changed her mind. And as I usually say, no one can tell you you have got your own story wrong.

She shared her path to British citizenship, which wasn’t plain sailing. With help from an excellent lawyer and making far too many trips from Inverness to Glasgow, she’s been successful. Barbara tested us on our knowledge of ‘Life in the UK’ from the official test (which I passed with flying colours). This could be because I have also taken, and studied for, this test. Mostly it seems people (those born here) got three out of five.

There was a question as to whether as a foreigner you have to be better, prove that you can do more than the natives. It certainly seems like it. But by now Barbara has decided she doesn’t need permission from others to determine ‘how Scottish’ she is. It’s her right to say, and she is Scottish by Inclination.

And so say all of us.

This, of course, has no bearing as to which football team she was rooting for on Wednesday evening.

The pension

To my great surprise I’ve discovered I am old. I mean, I knew this, but mostly in the creaky old knees and getting slower way. Not that I’d stop doing what I am doing, and receive a pension. And not just because this writing I do doesn’t pay. It just doesn’t feel like the sort of work one would give up, at least on age grounds.

I even have a pension. Received the first payment yesterday. It’s for work I did before 1982, and I didn’t work for all that many years, and certainly not for an unbroken period. But it seems it was enough to pay for the odd ice cream, if and when I make it across the North Sea again.

As coincidence would have it, I just read an article in The Author about authors’ pensions. They’re mostly not great, if they exist at all. I knew authors’ pay is generally lower than any of us think, or would want it to be. But this pensions thing is dire. At this rate many authors will not be thinking about ice cream. Definitely not about crossing any North Seas.

In some ways authors have it easier. ‘Just’ needing to write means they can carry on the same into their nineties. While others perhaps have to give up due to typing becoming hard in cases of arthritis, as the example in the article showed.

It’s the same for unpaid witches; there is freedom to continue, or to stop right now. The odd thing is I never thought I’d do that for age reasons. You know me, I moan and complain about other things, but not once did I consider ageing into the wrong half of one’s sixties to be a reason for hanging up the laptop.

I’m still 29 inside, just as I was when I was 40, or 50.

How I Live Now

It’s not going to win Most Beautiful Book Cover in the World, but the cover of How I Live Now by Meg Rosoff carries so much meaning to me, that its looks are just fine. More than fine.

All of it came as a surprise to me. The look of the book. The content; which turned out not to be another WWI story. The fact that it was the best book I’d read. The fact that it changed my life.

It genuinely caused ‘how I live now’.

Big in Barnes

Today I bring you a review from the keyboard of the Resident IT Consultant. He’s been enjoying Bernard O’Keeffe’s debut crime novel, The Final Round:

“DI Garibaldi is the only policeman in the Met who can’t drive a car which means when he’s not being driven by his DS, he uses a bicycle or buses to get around. The tube gives him claustrophobia and he feels you learn more about London and its people by travelling by bus. You have to go back sixty years to the crime novels of John Creasey and his ‘handsome West of the Yard’ to find a London detective who travels by bus.

DI Garibaldi lives in Barnes, so when a man’s body is found near the Thames, he’s conveniently close to hand. The victim was last seen at a charity quiz at which, during the last round, a series of scandalous allegations were made about his Oxford contemporaries, most of whom also live in Barnes. Any one of them might be the murderer, and their sense of entitlement and self-satisfaction only reinforces one’s suspicions.

Perhaps DI Garibaldi is a little unrealistically free from the police procedures and paperwork that dog most other modern detectives, but it’s an amusing story, firmly rooted in southwest London, and leading to an exciting climax.”

And, there’s more! On the day of publication – Thursday – the Resident IT Consultant joined me at the launch, held online and also a little bit in the Barnes Bookshop, where Gyles Brandreth showed what a fan of the book he is, by asking Bernard lots of questions. And he’s also a Barnes inhabitant…

After explaining quite how much the book, or rather, the detective, has to do with Garibaldi biscuits, Bernard read from the beginning of the book, when the dead body is found..

Generally speaking, this was a very Barnes-y launch, quite noisy, in fact, with what I suspect to have been mostly Bernard’s friends and family, plus the publishers. And us at Bookwitch Towers and Bernard’s publicist Fiona, also up here in the north.

Apart from being a bit related to the biscuit, on his wife’s side, Bernard refused to jinx book no. 2 by talking about it prematurely. He is a pantser, not a plotter, and it sounded as if he’s the kind of author who changes his mind about who did it, somewhere in the process of writing. More exciting that way.

Asked who he’d like to see as Garibaldi on screen, were this ever to happen, Bernard moved swiftly between [a younger] Tom Conti, or maybe Peter Capaldi, to Toby Jones, which really doesn’t leave us any the wiser as to what the man looks like.

Oh well.