Miss Graham’s [Cold] War [Cookbook]

We’ve got used to books where we are all terribly pleased the Allies won WWII. And it’s quite obvious, really – isn’t it? – that the victors take over and they run things, while the losers put up with it. Especially if you are the victorious one. And the British were quite decent and everything worked out for the best.

Well, there’s much that’s wrong with this picture, and I’m glad to report that Celia Rees deals with these tired clichés in her adult book about Miss Graham and her cookbook, back in Germany in 1946. To begin with, I found it refreshing to have a heroine – neither young, nor old – who drinks and has sex, in a way that we’ve got used to female heroines not doing [back then]. In fact, Edith Graham is quite normal, in a way that fits in with both modern thinking, but also doesn’t feel wrong for the 1940s.

And the British… well. They ‘know’ they are right and the Germans ‘had it coming.’ But they are not very nice. Nor are the Americans, and it goes without saying that the Russians are all wrong. We see the victors eating and drinking really well, while the Germans are quietly starving on the sides. Perhaps not those who ‘had it coming’ but more the normal civilians.

Edith is in Lübeck to look after education, but she has also been involved in a couple of sidelines, doing bits of minor (?) spying for the Military, and also for someone else. She does this with the help of her recipe collection, which turns out to be a useful hobby.

She makes friends, but also plenty of enemies. Above all, she learns that all is not simple and that even close friends are doing the wrong thing and not always for the right reason.

In a way I already knew this, but I still feel my eyes have been opened. And the book has probably forever ruined similarly set books where the Allies are the heroes.

There are a couple of unusual twists to the story, at least one of which I could sense from the beginning, while not quite sure how it would work out. I’ll leave you to enjoy the book, and to see what you think will happen.

(I believe the words ‘cold’ and ‘cookbook’ have been dropped from the paperback edition. I would like to think that they have also edited the surplus of ‘Teirgartens’ I was disturbed by. Or not. German is a foreign language, after all.)

Advertisement

Not smelling us

Yes, Bernardine Evaristo really did regret not being able to smell us, as well as see us, and hear us, last night at the book festival. The audience was there for her Black Britain, Writing Back event with Judith Bryan, S I Martin and Nicola Williams, but the authors themselves were not.

Bernardine would be my ideal English professor and she can teach me anytime. Although, it seems not how to pronounce incomparable, which she admitted she’d been getting wrong until very recently when her husband pointed it out. She’s the one selecting the ‘black novels’ that are being republished by Hamish Hamilton, after first appearing in the 1990s.

I freely admit to never having heard of the authors she had invited yesterday. All three were interesting and had a lot to say, about themselves and other black authors, why they wrote what they did, and how they got there.

Judith sat in front of a nicely curated bookcase as she talked about her novel Bernard and the Cloth Monkey, and read a short piece from it, about a young couple meeting for the first time after getting to know each other by writing letters (!), after finding each other in a lonely hearts column. The book won her the Saga Prize, and she talked about attending writing classes at City Lit where she met Andrea Levy, among others.

[Steve] S I Martin sticks to writing about black Britain before 1948. He wants to show readers that this country has had black people living here for hundreds of years. His novel Incomparable World is set in the London of 1786, and whereas he’d hoped it would be discovered by black readers, he reckoned it mostly ended up on coffee tables in Hampstead. But that was fine, too. Bernardine said she feels his books would be perfect for becoming films, and Steve said he’s still waiting.

Barrister Nicola Williams wrote her legal thriller Without Prejudice about a black, female barrister, and she did so from midnight to four in the morning every night for nine months. (The audience question was when she slept. Between four and eight, apparently…) Nicola read the bit where her character goes back to her old, failing secondary school to give a talk about her success thanks to the school, but changing it to ‘despite’ her school. This went down well with the students. Nicola’s inspiration was reading John Grisham.

Asked who they grew up reading, the answer was mostly American authors. For closer to home now, two of the authors mentioned Luke Sutherland (from Blairgowrie) as their black Scottish inspiration, and Jackie Kay is much admired. And Judith managed a charmingly muddled senior moment when looking for a name and a place, and finding neither. I’m glad I’m not the only one!

This was another book festival event I most likely wouldn’t have chosen to go to in person in ‘the olden days’. Being able to sit at home and run the mouse down the list of events and picking – almost at random – yields some fantastic experiences. And when reading time becomes plentiful, I know what to look for.

Fake News

‘I’ll send out a copy of Fake News too’, said the publisher in response to my comment that while C J Dunford’s new YA title looked quite promising, I didn’t have a lot of May left in which to read it. But she clearly knew what she was doing, guilting me into finding more reading time.

Only joking! Once Fake News was here, I could tell it was a book for which May had to be stretched a little. But it has caused me much trouble, I have to tell you. The first afternoon when it was lying on my table, to be picked up by my hands, I had to – twice – remove it from the hands of the Resident IT Consultant, who, unbidden, declared it looked really good. And as I was racing through the book, I attempted to stop for little breaks every now and then, but it was actually impossible to stop. I closed the book and opened it again within seconds.

This is an intelligently written story – which will be why a certain somebody thought it was an adult novel. Let me just say it takes much more to write quite so sensibly and entertainingly for a YA audience. Partly set in a school, and also in the bedrooms of the four children involved, it doesn’t sink to the usual levels of such tales.

Three teenagers, one 11-year-old (he’s so clever he’s been moved up a few years at school) and a dog, decide to give the world some more fake news. Just to prove it can be done and that we are gullible. They do it for several good reasons, or I wouldn’t have approved. And there are aliens.

Possibly the aliens were why things happened the way they did, but that was also a lot of fun. And can you believe teenagers are so young these days they haven’t watched ET? GCHQ might have been involved. And eco-warriors. A creepy wannabe journalist, some surprisingly decent teachers at school, and the question of whether pink and purple go together.

Fake News is so much fun. You too will want to read it, even if there is very little May left. You can have June.

See you at the launch tonight?

Kissing frogs

When we were in the front garden a while back, with the Resident IT Consultant doing the gardening and me sitting comfortably, issuing instructions, the neighbour next door gave us two frogs. I suspect they were ours originally, and we do have a tiny pond they can live near.

Those are not the frogs I am kissing. Wouldn’t dream of it. But it struck me, not long ago, as I was contemplating what to read and why, that it’s a bit like kissing frogs, to see if they will turn into princes. Sometimes you have to kiss quite a few frogs, to find a book worth spending your time on. (This might be a mixed metaphor. I am hazy about those, but I suspect frogs and books are not interchangeable.)

So, I kiss fewer frogs these days, and am not able to bother with quite a few of them, even if they really are princes, deep down. And far too many have no blue blood in them at all.

Not sure how our frogs are doing, as I’m rarely out there searching for them. At the time we had a lot of frog spawn, however. Whether they will grow up into handsome princes, I have no idea.

Once a week Daughter has online tea with some friends/colleagues. On some occasion the chat turned to books (one can never be certain those academic types actually read…) and one of them mentioned she’d loved a Swedish thriller recently. Some more digging revealed a title and the mention of two authors, which in turn made me sort of, nearly, remember something. She had read it in Dutch, as the English version isn’t out yet. It will be, though, seeing as my inkling confirmed that it’s one of Son’s translations.

This week he received his copies of another Swedish crime novel – Gustaf Skördeman’s Geiger – which is out sooner. Both of these books have been much talked about, enough so even I could hear it and be a little aware of things.

And both Daughter and Son have recently sent off copies of their theses to GP Cousin, who was foolish enough to ask to read them. Those books are definitely not frogs. At all. I know, because I have read them. One a bit more closely than the other, but I pride myself on believing that I understood more than GP will. (Which is unkind, because he is a boy and he is four years older than I am, so…)

Some books actually are about frogs. They can be quite good too.

Baby, it’s cold out there

‘Do you even know what that is?’ Daughter asked as I read out loud from the television guide, suggesting that Saturday afternoon we could have watched Ice Station Zebra.

Would I suggest something without knowing; without meaning it?

I swiftly informed her about the film, whose novel it was based on and that the Alistair MacLean book was far superior. But the film would still have been worth watching. Again. Can only have seen it three or four times.

This was confirmed by friends on social media, who did actually watch yesterday, and I felt I had sort of missed out. Even if I can watch later. But I’m glad that at least people my age are still enjoying these ancient adventure thrillers. And there was nothing wrong with Where Eagles Dare, which both Offspring have watched.

I probably won’t reread the MacLeans. Although the reason I gave up at whatever point, must have had more to do with me moving on as the books moved in a different direction. I suspect I favour the WWII and Cold War stories.

And if I may say so, one good side to the lack of new programmes and films has been that there is so much old stuff offered again. Things that would usually have been hidden away in the middle of the night if it ever came to light again. I like seeing films again.

Again.

Beauty Sleep

When you wake up after a sleep lasting over forty years, what do you expect to happen?

Laura was frozen some time in the late 1980s, suffering from an incurable illness, and now that it’s 2028 she’s awake, having to get used to all the scientific ‘advances’ that have been made. So it’s mobile phones and computers, and it’s getting your muscles to obey you when you start to walk again.

But what else? This thought provoking novel by Kathryn Evans is pretty scary, and surely the Mrs Coulter-like character can’t possibly be as awful as she seems?

Well, I’m not going to tell.

Set in and around a future Brighton, it’s both new and strange, but also reassuringly ‘old’ in a way I’ve not come across for years. I’d have expected the police to be worse. Also, the setting of a new school for Laura is less of the catty and more, well, mature.

At one stage I wasn’t sure I could face this future Laura was having to deal with. But if she could, then I would. This is so well written, and unusual. Makes me wonder why more novels aren’t written on this kind of topic.

An Artful Assassin in Amsterdam

Oh the alliteration in that title! This is Michael Grant’s second thriller featuring his younger alter ego David Mitre, of the symmetrical looks. He’s even given the man an author event at Waterstones. In Amsterdam. It’s as if he knows.

So first someone tries to murder David, and works quite hard at it too. After which more strange stuff happens, and David’s favourite FBI agent – the very special one – turns up and wants him to be useful again.

He obviously has to do what she says, and then he comes up with  ways of embellishing that task a little.

I’m somewhat concerned that a famous Amsterdam museum should be so lax in its security, but perhaps Michael made it up. Every single weakness gets a mention in this novel, so I sincerely hope none of you will want to break the law now.

It’s most satisfying how David plans what has to be done, and how he puts an impromptu team together in order to ‘help’ the Very Special Agent. And Chante is growing on both him, and us, I reckon. Or it’s her cooking.

I could easily read a lot more of these, except I suspect this might be it.

A Sudden Death in Cyprus

I was already a fan of Death in Cyprus, so it’s just as well Michael Grant added two more words to make his thriller A Sudden Death in Cyprus. Just so I can tell him apart from M M Kaye..! That one was rather more clean-living, not to mention romantic, than Michael’s offering sixty years on.

Adult it may be, but it’s still pretty clean, and I’ve learned at least one new use for a toilet. His author [former] crook David Mitre shares a lot of traits with Michael himself, including ‘the girl in the window.’ So Mr ‘Mitre’ may be a mere 42 years old, boasting symmetrical looks (I understand this is good), but he’s an attractive enough reformed villain, with enough brains, and Mr ‘Grant’ has given him a worthy crime to deal with.

Yes, there is death. After all the title suggests it. But mostly it’s a thrilling mystery-solving exercise, and I particularly like it when heroes can cobble together a team on the hop, so to speak; one that works well and gets us all where we want to be. Except possibly for David himself, who’d like to get a bit further with some of the ladies. (I believe it’s good for him to have to wait.)

And he is funny, this David/Michael. Just the right amount of funny. What more can you want apart from the gorgeous actresses, sullen French neighbours, FBI Special Agents, priests, sex workers and refugees? And hamsters.

When he’d solved the problems in Cyprus, I waited all of one day before turning to the next David Mitre story.

Middle of the night reading

It’s not every book that lends itself to intermittent attention in both directions.

By that I mean something that is so good, but still easy to read when you’re feeling iffy, that it grabs your interest enough to read, until you fall asleep, and have to leave it.

And when you can’t sleep, it’s just as easy to return to for however long you need to be entertained, until you feel tired again and have to lie down.

Please note, I don’t do reading lying down. Must sit up, and preferably not in bed. Armchair next to bed will do. Means the return journey is conveniently short.

So in the last day or so I’ve dipped in and out of Michael Grant’s first [for some time, at least] adult crime thriller. I don’t think it should be described as light reading; I reckon it requires a fair bit of skill to be so accessible in an on-off kind of way.

There is a Dolly Parton quote about her looks, which you could tweak to refer to Michael’s writing. I think. And I’m a little surprised he kept the name, seeing as he changed to Grant in order to keep his YA writing separate from previous adult stuff. This being pretty adult, I had somehow assumed he’d be back to being Reynolds.

I’ll tell you more later. First I need paracetamol.

Highfire

This was lots of fun! It was also rather gory, with not only missing body parts but a fair bit of death and destruction. It’s only what you’d expect when you have a real live dragon in a Louisiana swamp, a cheeky teenage boy plus a pretty crooked cop.

Highfire by Eoin Colfer shows, as did his earlier adult crime novels, that he can be just as funny when writing for grown-ups, but also that he knows plenty of bad language. If it weren’t for the air turning rather blue around Vern, as the dragon calls himself, this would almost suit Eoin’s child fans. Almost.

15-year-old Squib Moreau is working hard, if not legally, to see if he can get himself and his mother out of the swamp, and preferably away from Constable Hooke who wouldn’t mind knowing Mrs Moreau a little better.

And then Vern happens, and when he does, he happens a lot, in an unavoidable fashion. He wants to kill Squib. Squib doesn’t want to be killed, and there we have a problem. But it’s not as big or bad a problem as the one of staying alive when Constable Hooke gets going.

Think Carl Hiaasen and his Florida criminals, except this is a state further west and there is a dragon. Highfire has been labelled fantasy, but it all feels quite normal. There is just a fire-breathing, flying dragon. Heroes come in all shapes and sizes. Squib is small and human, and Vern is bigger and more dragon-shaped.

As I said, not everyone survives. And it’s hard to work out how Vern can avoid being discovered, but those swamp-dwellers are canny people. Unless they are dead.

Personally I wouldn’t mind more of this. It could be a sequel..? It could, couldn’t it? Or a standalone. As long as there is more.