Buying a book for my sister

About to visit my eldest [half]-sister for the first time; and the second time we’d meet, I felt I needed to turn up bearing a gift. But what?

I ‘always’ give books. But I knew she’d left school early, so didn’t expect a children’s book in English to be any good. But after some more thinking I came up with Adèle Geras’s first adult novel – Facing the Light – which I knew had been translated into Swedish.

In the end I managed to source what appeared to be the last copy on earth of Ljus och skugga, from an online shop in Sweden. I had it sent to me in England. After that I contacted Adèle asking if she would sign it, and she very kindly invited me round to her house and we had a nice chat, mainly about wearing green, chocolate from Oxfam, and swimming in the sea, which caused a very cold May/June and no swimming in the sea. And she signed the book.

After which I carried the novel back to Sweden so I could hand it over.

Daughter and I had a lovely day with our new sister/aunt and it was gratifying to see how pleased she seemed to be given a personally signed book.

We met a few more times after that, and I’m glad we did. Acquiring an older sister in one’s forties is perhaps slightly unusual, but why not? And we discovered we had a connection through School Friend, whose older brother was at school with my sister. Sweden really is a small world.

My sister died a few weeks ago. I’m grateful to have known her. And kind of pleased that they played Elvis at the funeral.

Getting to know them

My most recent book cull made me think. You can look at reading in different ways.

I’ve often envied those who came to Harry Potter once he was all here; with no need to wait for ten years before being able to finish the series of books. But then, we who did wait, had ample time to read and wait and think and do other things.

Back in 2003 – and how long ago that seems now! – Offspring’s secondary school library started its Author of the Term project. Our first one was Adèle Geras. Then came Tim Bowler and after him, Linda Newbery. After them it is a blur and I can no longer recall who came or when.

I had barely read anything by Adèle when she came. (I’d probably hurriedly read a short book to enlighten myself a little.) But afterwards, well, I read them ‘all.’ Because I wanted to and I could. I had the time to cover her backlist, as well as everything new that came my way. What a treat! And how lovely it was.

With Tim I had read a little more. After all, I was the one who suggested him and who ‘forced’ Tim to agree to come. But there was still room for improvement and I did have a few of his books to catch up on. And then, again, the new ones.

Finally, I am almost certain I’d not read any of Linda’s many books. But she spoke so well about her writing that no sooner had she left than I started working my way through ‘all’ her books. I especially liked her war books, of which there were quite a few. And before long I also tackled Testament of Youth by Vera Brittain, for the simple reason that if Linda had been inspired by it, it had to be good. Which it was.

I can no longer do this. Occasionally I have read someone’s books extra fast, before an interview, perhaps. But that was also some time ago. No more. Anyway, reading too fast is a waste of a good book, and if it isn’t all that good, then why bother?

It was a luxury, getting to know someone both as a person and reading what they’d written.

(And although I mostly bought copies of my own, I had the good luck to be helping out in the school library, with instant access to the books by Adèle, Tim and Linda. That’s why we need libraries.)

Refugee reads

The other night, I was suddenly reminded of Anne Holm’s I Am David. This lovely, lovely story has always been on my ‘journey book’ list. But it is also a refugee kind of story. And worth reading again.

I won’t lie. A publisher presented me with a list of their refugee books, and many of them are excellent. But I will let my mind wander of its own here, and see what I come up with. It will probably mean I forget a really important one, but…

When Hitler Stole Pink Rabbit, by Judith Kerr. I see from the comments that Judith wanted a cuckoo clock. It brings a whole more human scale to the refugee issue.

In the Sea There Are Crocodiles, told by Enaiatollah Akbari to Fabio Geda. Enaiatollah who’s a real refugee, but who was also refused a visa to come to the Edinburgh International Book Festival. Oh, those fears that everyone will want to come and live here illegally…

Like the poor souls we meet in Eoin Colfer’s and Andrew Donkin’s Illegal. All that suffering.

Life in refugee camps is no picnic, and The Bone Sparrow by Zana Fraillon is a hard read. Necessary, but harrowing. Or you can read books by Elizabeth Laird and the Deborah Ellis stories from Afghanistan.

In No Ballet Shoes in Syria by Catherine Bruton the refugees have arrived, but don’t know if they will be allowed to stay. You need to adapt, but with no guarantee that it will be worth it.

A Candle in the Dark by Adèle Geras is almost happy by comparison. It’s Kristallnacht and Kindertransport territory, but when we read that book we believed we were improving year by year. Yes, it was bad back then, but no more…

Like the true story told by Eva Ibbotson, by one refugee about another. Still makes me want to cry.

They come in waves, don’t they?

‘What if I say Beverley Naidoo?’ I asked.

I had been talking YA authors with someone; someone who had only started reading YA not very long ago. And I wasn’t thinking, so mentioned Celia Rees and was met by a blank stare. It’s understandable. If you are recommended books to try right now, it will be the most talked about books and authors, plus some olden goldies like Philip Pullman and David Almond. Names ‘everyone’ has heard of.

Whereas when I began reading current YA novels 20 or 25 years ago, there was no Meg Rosoff or Keren David or Angie Thomas. At the time Celia Rees and Beverley Naidoo were the reigning queens to me, along with Gillian Cross and Anne Cassidy. Adèle Geras and Mary Hoffman and Linda Newbery. Anne Fine. Malorie Blackman.

No matter how many I list here, I will forget someone really important. Most of them still write and publish, but perhaps not as frequently as before.

There’s the group of authors who appeared when Bookwitch [the blog] was in her infancy, with 2010 being a particularly fruitful year. Candy Gourlay and Keren David, followed by Teri Terry and Kathryn Evans. Again, I will have left someone out.

And now, those ladies have many books under their belts, and there is a new wave of YA authors. I mentioned Angie Thomas, because she’s brand new, both in the book world, and to me. She’s also American, which seems to be where things are happening now.

When I reviewed Celia’s latest novel, I compared it to Truth or Dare, and her reaction to that was that I’m probably the only person who’s been around long enough to have read both it, and the new book. This struck me as silly, as surely everyone would have read Truth or Dare. Wouldn’t they? Well, they haven’t, and it’s not lack of dedication, or anything. Most YA readers don’t last a couple of decades. Real, young people, grow up, and move on to other stuff. And if you’re already ‘old’ and catching up, you can’t read everything.

But when I first met Beverley Naidoo, I almost curtsied.

Goodbye, Amos Oz

Amos Oz has died.

He was an inspiration, and I’m glad I got close enough to him to take this photo. That was over ten years ago, but I remember the moment well. It involved a bit of planning, some sprinting and sharp-ish elbows.

Below are two of my blog posts about Amos. And – naturally – I know someone (Adèle Geras) who almost knew him.

https://bookwitch.wordpress.com/2007/09/28/amos-oz/

https://bookwitch.wordpress.com/2008/08/01/oz-for-august/

We’ve lost that community feeling

I had honestly forgotten about it. Totally, I mean, and not just the finer details. A while ago a freak pingback on a nine-year-old post on here made me have a look to see what it was. To begin with I didn’t even recall it as I read, but slowly it came back to me.

It, and the 27 comments, from nine authors, including the then children’s laureate Michael Rosen. Usually I remember my more successful posts, even in the past. But not this one.

The funny thing is, it started as nothing more than a disappointed review of a television programme on school libraries. A programme about Michael Rosen visiting a school. I wanted a good moan, and then I was fine.

But people commented like there was no tomorrow, and then, as I said, Michael himself pitched in with a couple of very long comments. I don’t even know how he found the post. (Until that day a few weeks ago, I’d been proud that he’d joined in a discussion on a blog I’d written for the Guardian…)

By now, it’s not just the comments on blogs that we’ve lost; it’s the school libraries too. So from that point of view, the programme is obsolete, even if our opinions are still valid.

Much as I enjoy the bantering on Facebook, it is what killed blog communities. I miss those comments and the way people returned to see what had been said and then offered up more thoughts. I get the hits, and if I hadn’t disabled the like button, people would like my posts.

But most of any chatting about anything I write on here now happens on Facebook. That’s not bad, but it happens away from the actual article we’re discussing, and it’s limited to my friends, or friends of friends, if someone shares. But you can’t do what I did that day recently, which is revisit the post, and then read all the comments from the past.

I called it a freak pingback. It really was, because it wasn’t new, it was a repeat from nine years ago, and presumably happened for some technical reason in cyberspace. But revisiting the whole thing was interesting.

Kepler, take 2

Translations can be tricky. I’m sure that in some cases it doesn’t matter what they are like. In the case of instructions for household appliances it does help if they don’t cause people to be injured, or worse. On the other hand, it has been claimed once or twice that a good translation of mediocre literature can win awards for authors, including the Nobel.

But does a bad translation prevent sales? After all, you tend to buy before you discover this, if you are able to tell. Sequels might suffer, though.

I read about the plans to reissue the crime novels by Lars Kepler, with new translations into English, and was reminded of a comment on here when I reviewed The Hypnotist, which was their first. Adèle Geras felt quite strongly that the translation was what put her off finishing the book. On the other hand, Alexander and Alexandra Ahndoril (aka Lars Kepler) reckoned the translation was good. And I found no immediate fault with it, but could have been handicapped by having already read the book in Swedish. It was just not a favourite of mine.

Now, however, Niclas Salomonsson of the Salomonsson Agency believes he knows why the books haven’t done as well in the US as he feels they deserve. When he ‘discovered’ that the translations were bad, he first spent a lot of money on buying the agency which owned the rights and then he bought back the US rights and hired a new translator to retranslate the first three books (of six). And he has high hopes of success, second time around.

It will be interesting to see if he’s right.

Another ‘fascinating’ aspect is how this all goes down in the translating community. A job is a job, so I can understand if the new translator feels OK about this improvement task. But it must surely also feel a little icky, re-doing what your colleague seemingly has ‘failed’ at? And if you’re the ‘failure’? Except, according to my in-house translator, we don’t know who did the first translation, as it was a pseudonym, so I imagine no one will be publicly embarrassed.

In the end, I wonder if it will make a difference. I believe more in a good publicity effort, even if it is second time lucky. After all, we mostly don’t read crime novels and thrillers for any literary chills that might run down our spines. We want quick thrills.

But the blurb by Lee Child probably won’t hurt.