Category Archives: Bookshops

Manchester Children’s Book Festival 2015

Oh, how I miss them! That’s Draper and Tew, of the Manchester Children’s Book Festival. They – and their festival – could almost have made me not move away. And as soon as I moved, they decided they could just drink lots more coffee and they’d be able to put up a festival every year.

Kaye Tew

Hmph! It’s too late to move back. However, I will make it there before this year’s festival is over. I will, I will.

Unfortunately, I will also have to miss a lot of good stuff before I get there. Like Liz Kessler launching her Read Me Like a Book, again. This time in the company of none other than Carol Ann Duffy. That could actually be quite good.

Did I mention it starts on Friday this week, on the 26th? Before that they have some trailblazers during the next few days. On Saturday 27th it’s the Family Fun Day, with Steve Hartley, Ruth Fitzgerald and Matt Brown.

More bookish events on the Sunday, before the Monday 29th Liz Kessler event. During the week there will be lots to do, including Alex Wheatle, Alex Scarrow and Sam & Mark, who I don’t know at all, but understand I should know…

Then we have the poetry weekend 4th and 5th July, when Mandy Coe will simultaneously be at two local bookshops (as if I believe that!). Meanwhile at the library and at Waterstones more poetry will be flowing, and James Dawson, the reigning Queen of Teen, will appear on Saturday afternoon.

James Draper

I have probably missed something off, but that’s because I’m missing Kaye and James. And you won’t mind me posting ‘library’ photos of them from last year, because it’s all I have, and anyway, they will be needing that coffee. I think I might label the last photo James and the Giant Coffee. That’s literary enough.

Forget about the red carpet; and just put a reserved sign on the chair at the back, please.

What can you say?

Daughter was browsing in Toppings in St Andrews a few weeks ago, when a young teenage girl and her mother came in. The girl looked around and noticed a copy of Celia Rees’ Witch Child, which seemed to have some significance to her. So she picked it up and handed it to her mother, presumably in the hope that she’d be allowed to buy it.

The mother looked at the cover and read the blurb on the back and looked inside the book, before telling the girl it wasn’t a book for her.

So, what should this Witch’s Daughter have done? She badly wanted to tell the mother that she had just rejected a tremendously good book, and that the girl had excellent taste, and should be allowed to read what she wanted.

But she didn’t dare interfere. Perhaps rightly so.

I’d like to think if I was that mother, I was simply making a rash decision from a quick look, and that I wasn’t involved in any serious gatekeeping regarding my child. That if another young person stood there and said they loved the book, I would change my mind and buy it.

But what if she was a strongly minded gatekeeper? Then she’d look a fool, and might feel forced to either buy the book, or to stomp out of the shop in anger.

And would this kind of advice or suggestion be better coming from a ‘recent teen’ reader, or from a trustworthy adult who is also a parent?

Coffee, beer and a book launch

You’ll have to excuse me, but I saw so many authors on Thursday that I am unable to list them all here. Not because the list would be too long, but simply because I no longer recall absolutely everyone, nor did I necessarily see or recognise them in the first place. But if you were there, tell me and I will add you to the list.

I had crawled out of bed to go and have ‘coffee’ with Marnie Riches who was also in town. She’d been doing her own book related things the night before, and was now up for grabs while on her way to CrimeFest via Paddington. We chatted and drank ‘coffee’ and then I accompanied her to her train and made sure she got on it, to join her murderously minded colleagues in Bristol. (I provided her with a secret list of who to talk to there, but I doubt she’ll obey.)

After some admin and a good rest (because having ‘coffee’ is hard work…), I packed my going to do an interview and going to a book launch bag and went off to Hampstead in the rain.

Anthony McGowan's beer

First I did a recce at my second Waterstones in two days, before walking uphill (they have some surprisingly steep hills in Hampstead) to a very old pub suggested by Anthony McGowan as a suitable venue for me to grill him on all kinds of authorly secrets. He was right; it was a good place to go, even if there was a slight but steady drip of water from the skylight above me. Before leaving for the book launch we were going to, Tony took his t-shirt off, but that wasn’t as bad as it sounds.

He brought me along the scenic route to Waterstones, and we encountered new author Nicole Burstein in a café across the road, and she came along as well. And then everyone started the game of turning their books face out on the shelves. Nicole’s bookshop past also meant she had to tidy all the book piles on the tables, and I have to admit it’s hard to resist…

Caroline Green, Rachel Ward, Joy Court and Anthony McGowan at the Read Me Like a Book launch

Laura at the Read Me Like a Book launch

More and more authors kept arriving at the shop, and even a few ordinary people. Liz Kessler, whose launch it was – for Read Me Like a Book, arrived accompanied by her wife. Before long the upstairs at Waterstones was full of guests, and after a while it was just about too crowded to move about and take photos of people, because there was always someone else ‘in the way.’ But believe me when I say they were all there.

Read Me Like a Book launch

There were drinks, and there was the most enormous cake. And you can’t celebrate a novel like this without some speeches. Orion’s Fiona Kennedy spoke of her decision to publish Liz’s book; because she ‘didn’t want anyone else to have it.’

Read Me Like a Book launch

Liz herself talked about why she wrote Read Me Like a Book, and how things on the lgbt front have changed over the last twenty years or so. She thanked all the people in her life who had made the book possible, from her former English teacher, to her wonderful agent and her publisher, to her wife.

She read a chapter from the book, where Ashleigh stays behind to talk to her English teachers, just because she needs to.

Liz Kessler at the Read Me Like a Book launch

Finally there was a short speech from Ruth Hunt, Chief Executive of Stonewall. And I believe there was even a little time left for the buying and signing of books

‘Extraordinary tellers of stories’

Daniel Hahn had trouble getting his tongue round the above words, but as he said, it might have been worth the wait. It was.

The witch travelled yesterday. Remind me not to do that again. Ever. There was a major IT hitch on almost all fronts on arrival in London, but if you are reading this, then it ‘solved itself.’ You know, sort of putting petrol in your mobile phone kind of thing.

OK, so you’re at Waterstones piccalilli (I thought Anne Rooney was being funny, but it seems she just suffered predictive texting) and you’re there to hear Penelope Lively and Philip Pullman tell Daniel Hahn anything he asks. Who – apart from your good self – will be in the audience? Anne Rooney was there, and so was Celia Rees, without whom I wouldn’t have known this was even on. Thank you! And then there was the lady in the row in front of me (i.e. second from the back), Judith Kerr. That’s what I call class.

Philip Pullman and Penelope Lively

(And before I forget, please let me mention how friendly and helpful the organisers were. They were friendly and helpful. I was trying to do really weird things with tickets and then it turned out to be dead easy, and they were pleased that my friend was Anne Rooney.)

I very nearly sat down on the chairs where Penelope and Philip went to sit before going ‘on stage’ so it was lucky I didn’t. I’ve not seen Philip for almost three years. I’d hazard a guess that he hasn’t seen his barber since then either. Very cool.

In his introduction Daniel Hahn reflected that when he grows up he will become Penelope Lively. I think this was based on the fact that all three of them either are or have been something great in the Society of Authors. And he listed their books, making a wild guess that if we wanted to buy any, then Waterstones probably had them somewhere in their shop.

Philip Pullman, Penelope Lively and Daniel Hahn

Penelope seems to be proof that home education works, since that’s what she got as a child in Egypt. She read a lot. By WWII, Arthur Ransome’s books had arrived in Cairo, and all those lakes and all that rain seemed like fantasy. Later on she was sent to boarding school, where punishment for bad behaviour was an hour’s reading in the library. Both she and Philip are of the opinion that the kind of reading you do as a child is something you’ll never get back.

Philip learned how big the world is on his many trips round the globe by boat. He read the Just So stories, Noddy and comics (they were allowed in Australia, apparently), and he read Moomin in Battersea library. He needs the rythm of words, and when he’s writing he can’t tolerate music. Penelope agreed about rythm, and often reads her writing out loud to see if it works.

Penelope Lively

Her writing career came from her obsessive reading. She writes less these days, but always writes something. Philip compared the early days when he worked as a teacher all day, and still was able to write at night. Now he manages his three pages per day, but that’s it. (And no, no one asked about the Book of Dust.)

While Penelope generally knows what is going to happen in a book, Philip writes ‘in the dark’ and is quite opposed to planning. Daniel wanted to know if they are optimists, despite last week’s [political] results, and they are. Both agreed that stories are a human necessity and always will be. Both prefer paper books, and Philip pointed out it’s so difficult to dry your Kindle if you drop it in the bath, with thousands of books on it.

Philip Pullman and Penelope Lively

Philip reckons that the good thing about the very large publishing companies we have today, is that their sheer size means there is room for smaller publishers in the holes between them. And that’s good.

Philip Pullman

Book festivals and book groups are new concepts for authors, and Philip likened author events to a roadshow, but without the possibility of filling large arenas or selling any merchandising. Although Daniel tried to suggest we could buy some HDM hats afterwards…

A book that really affected them when they were young, was a version of Robin Hood where Robin dies, for Philip, and Nicholas Nickleby for Penelope. The reason Philip introduced daemons in HDM was to make it easier to write; it was his version of Raymond Chandler’s idea of introducing a man with a gun whenever necessary.

Diversity is obviously important; it’s what you seek in books. Both to find yourself in the book, as well as learning about others. Neither of them writes a last page or chapter to use as a goal for their writing. Penelope might have an important scene, whereas Philip writes in the order you read, and he knows when he gets to the end.

He is superstitious and prefers to write at his own table, with all his ‘lucky’ things around him, although he has written in many different places too. Except in a concert hall. Penelope can write anywhere and often has done, including in airports. She quite likes to write in the garden.

Philip Pullman and Penelope Lively

Daniel Hahn

And on that note Daniel brought things to a close, which meant that the audience got wine and an opportunity to chat with the two Ps and to have books signed. And Daniel also had his book there (which I should have thought of!) to be bought and signed.

Before returning to my temporary home to face my IT woes, I had a nice chat with Celia Rees, thanking her for her part in this evening, and saying how this is the way we like our events.

The drawbacks of being Scottish

Well, I’m not, obviously. But some people are.

There are good books being published by Scottish publishers, written by Scottish authors or authors resident in Scotland, sometimes actually about something Scottish. But not always.

It makes a great deal of sense to highlight the Scottish aspect of these books when you do PR in Scotland. We all like to buy homegrown, be it haggis from the next field or whatever. Nearby is good. Fresher. More like you. Just look at how the voting in Eurovision is done.

But that’s not to say that the Scottish author and his/her book does not travel well, or that no one outside Scotland would ever want to read a Scottish book. It’s not all tartans and heather and ‘och aye.’ Scottish authors are just as capable of writing books that will appeal to people all over the world as, say, J K Rowling. (Oh. She wrote the Harry Potter books in Scotland, you say?)

Scotland has about five million inhabitants, while the UK is more than ten times that, and as for the number of people in the rest of the world who can read books in English, that’s a wee bit larger still.

I spoke to a Scottish author recently. One who writes marvellous books, and which as far as I can tell are not particularly Scottish (any more so than a novel set in Newcastle would be deemed suitable only for the good people of that city). Anyway, this author told me of speaking to booksellers south of the border, and they were puzzled. Because they didn’t stock these books, and the reason they didn’t, was that the publicity had been such as to suggest ‘tartan books to be read in Scotland only.’ Sigh…

So, when selling at home, do point out it’s by ‘one of our own’ and when selling anywhere else, say it’s the best book ever. Maybe that the author lives in Scotland, like J K.

Ye ken?

Working for free

This is what I do. It’s by choice. Often I feel as if I’ve got a tiger by the tail and I can’t let go. That’s when I harbour thoughts of giving up/slowing down/having a holiday. I like being Bookwitch, and I suspect that when my grasp on the tiger’s tail wavers, that I might stop being quite so Bookwitchy.

Authors don’t expect to write/work for free, but sometimes it ends up like that anyway, or very nearly. And then they are invited to events, with no payment for their effort or the time invested in travelling. ‘It will be good publicity.’ Annoying, but part of life for many writers.

I’m just amazed that this has now moved on to me. I too am requested to do stuff for organisations, for free. Because it’s useful to them (they don’t actually put it like that, but I can see that someone salaried in their office would get material for free and with very little effort), and I can ‘gain visibility.’

Maybe they believe that I also sit at a desk all day long, being paid for my efforts. In which case it should be easy enough for me to share my work with them.

I Bookwitch because it’s fun. If it wasn’t, I could have endless time available for actually reading more books, and socialising with friends (might not have any left), baking bread and, well, stuff. I have no wish to add to my workload by blogging for others, for free. Not when they are large companies, who could actually afford to pay for the few hours they’d like to hire my services for.

Where did all this using people because it’s convenient come from? Why do they think I should be grateful? I recently asked how much someone would pay for the work, and got a sniffy email back. What’s more, the request/suggestion originally sent out was so wooly and longwinded and half incomprehensible that I didn’t really want to read all of it. Nor was it totally clear what they were doing, after I’d done so anyway.

If companies do employ someone to sort out the company blog, say, they would do better to get someone who can write. That way they could do their own work, and not approach others with poorly written requests. But it does make sense to pocket the money while doing none of the work.

I might just get myself a high visibility vest. Should do the trick.

Yay! YA+

Cumbernauld Theatre

Yesterday saw the long awaited birth of Kirkland Ciccone’s first ever Scottish YA book festival Yay! YA+, and I really appreciate his thoughtfulness in arranging it for the day on which I celebrated my first year in Scotland. Kirkie had lined up ten teen authors, 200 teens and one tardis-like venue in the shape of the Cumbernauld Theatre. In Cumbernauld. He also arranged for the lovely people of Scotia Books to come and sell books, and between you and me, they not only had the good taste to like my sense of humour, but their mobile shop was the best I’ve seen.

Scotia Books

Once we were all in, Kirkland explained how some authors would ‘be taken out’ and split up into tiny pieces. Yeah. I don’t think he meant that literally. He wanted to say that six of the authors would be ensconced in their own little rooms (=bars and subterranean dressing rooms), where smaller groups of the audience would come to hear them read from their books, or talk about their writing, or anything else they might want to do. Ten times. Eek!

Kirkland Ciccone

Cathy MacPhail

Meanwhile, Cathy MacPhail, Theresa Breslin and Barry Hutchison stayed in the main theatre and each had 25 minutes in which to charm the half of the audience left behind, which they did with real style. Twice. Multi award-winner Cathy started by sharing the trailer to her film Another Me, based on a nightmare she once had. She can see a story in anything (perhaps because she’s from Greenock, where you know everyone), and Cathy is surprised she writes such scary books, when she really is such a nice person.

Theresa Breslin

Theresa brought her gasmask, which looked quite uncomfortable to wear, and some shrapnel from WWI. She reminisced about travelling to America a month after September 11th, and hearing he same words then, that soldiers used a 90 years earlier to describe why they went to war. Some things never change. She read a tense bit from Remembrance, before telling us how good it is to write YA for teens, as they will read everything, with no set ideas of what a book has to be.

Barry Hutchison

Last but not least, Barry Hutchison talked about his fears, so it was back to his perennially entertaining tales of ‘Death and Squirrels’ and his childhood concern whether the dead squirrel was ‘proper dead’ or might come back and attack the young Barry. I can listen to his tale of weeing in the kitchen sink as many times as he will tell it. Or about his friend Derek. Barry read from The 13th Horseman, which must have made half the children want to buy a copy.

Roy Gill and Lari Don

There was lunch – with cupcakes and fruit – and signings and even some time for hanging out. Keith Charters turned up, and admitted to a life-long ignorance of sharpies. That’s not why he came, but, still. I contemplated stealing Kirkie’s sharpies-filled lunchbox, but didn’t.

Keith Charters

After the eating I aligned myself with half the group from Cumbernauld Academy for my rounds of the nether regions of the theatre, and they were both lovely and polite as well as interested in books. Although, I joined them after their session with Linda Strachan – in the bar – which unfortunately meant I actually missed Linda’s seven minute show, as I was sitting out the empty slot with Alex Nye (one school was missing). And you’ll think I have something against Linda, since she is the only one who does not appear in any of my – frankly substandard – photos (photographer had better things to do…).

Alex Nye

Anyway, Alex spoke about her cool books, Chill and Shiver, featuring snow and ghosts, before we went to join Matt Cartney who not only sat in a warm bar, but who had been to the Sahara. Admittedly, he had been to Hardangervidda as well. His Danny Lansing Adventures (Matt loves adventures!) are set in sand, and snow, and wherever else Matt might find inspiration.

Matt Cartney

Lari Don read from Mind Blind, which was her first non-fantasy, for older readers. She had been troubled by not being able to solve problems with magic. Lari is very good with school children. We then found Roy Gill in one of the dressing rooms, and the poor man was only allowed five minutes with us, so raced like crazy through his werewolves and a reading from his latest book.

Kirkland Ciccone

We finished in another dressing room where Victoria Campbell had brought her Viking weapons. Just imagine, small basement room full of young teenagers and some – possibly not totally lethal – weapons. She dressed one volunteer in a spiky helmet but didn’t let go of either the Dane Axe or the sword. Victoria asked what the best thing so far had been, and my group reckoned it was the selfies! Apparently some of her Viking interest comes from a short period living in Sweden (good taste). Before we left her, there was an almighty scream from – I would guess – Roy’s dressing room.

Victoria Campbell with Viking

Ever the optimist, Kirkie had scheduled a panel session at the end (a full 20 minutes!), chaired by Keith. Unsurprisingly, the authors had different opinions on nearly everything. But the questions were good. Very good. This was one fine audience.

KIrkland Ciccone tweets

Theresa brought out a gift for Kirkie, which might have been a chocolate boot. And while the panel wound things up, he and some of the others hastily got ready to run off to Edinburgh, where they had an(other) event to go to. All good things come in twos.

Theresa Breslin gives Kirkland Ciccone the chocolate boot at Yay! YA+

The very lovely Barry Hutchison offered to remove me from the premises, on his way home to Fort William, which meant I was able to actually leave Cumbernauld – something that had worried me considerably earlier in the week. He set me down outside the newsagent’s after some nice conversation, and a secret.

My verdict of the day is that if we can only get Kirkland to speak less loudly in places, this worked really quite well. Might let him repeat it, if he can find more dark corners in which to stash Scotland’s finest.

(I found the photo below on facebook, and because it has Linda Strachan in it, I decided to borrow the picture, a little.)

Linda Strachan, Lari Don, Roy Gill, Alex Nye and Kirkland Ciccone