If you want to know how far it is between Stirling and London’s King’s Cross, I can tell you it’s the right distance to read Michael Morpurgo’s War Horse, twice. I know this, because it’s what Daughter and I did, en route for the National Theatre and its stage production of War Horse.
It’s weird how things come full circle sometimes. Before the play Michael did a platform performance, talking about War Horse the book. This involved not winning the Whitbread and being comforted by Ted Hughes. Ted Hughes used to own the house where I went on my course last month, where I met Michael’s granddaughter. It was she who talked so enthusiastically about the horse puppets used by the National Theatre, that I reversed an earlier decision not to go and see it.
I think Morpurgo books ought to come with a built-in hanky. I could have used one between Newcastle and York yesterday. I’m tempted to agree with Mrs Morpurgo, that War Horse is Michael’s best book. And if not, it’s right up there at the top. (My) Daughter liked it too, but didn’t cry. She saved her tears for the theatre, which left the witch dry-eyed. So we clearly react differently.
Michael’s platform was one of the best author events I’ve seen. The man’s a natural, and he pitched his story so perfectly you almost wouldn’t notice what he was doing. Daughter relaxed instantly, after the mad dash across London, and the search for food. The Q & A session went so well Michael almost forgot to finish.
We’d worried about not having enough time between platform and play for the book signing. Luck, and years of practice, put us almost at the front of the very long queue. It made up for having had to gobble our pizza slices double quick, when it turned out the NT’s café opened rather late, and then the pizza stuck to the oven tray and wouldn’t budge.
War Horse is a fantastic production. Never mind the plot; you could go for the horse puppets alone. I’ve never seen anything like it. Michael had talked to both Philip Pullman and Jamila Gavin about the experience of having your book turned into a play by the National Theatre. All three of them seem to think books are in safe hands there. So do I, and I’d like to know what can possibly come after War Horse.